{"id":188,"date":"2008-08-16T13:39:31","date_gmt":"2008-08-16T11:39:31","guid":{"rendered":"http:\/\/www.worldofart.org\/aktualno\/laboratorij\/voditeljice-delavnic\/"},"modified":"2018-07-17T09:17:40","modified_gmt":"2018-07-17T07:17:40","slug":"voditeljice-delavnic","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/dvanajsti-letnik-20082009\/laboratorij\/voditeljice-delavnic","title":{"rendered":"Voditeljice delavnic 2008\/2009"},"content":{"rendered":"

\"PetjaPetja Grafenauer Krnc (1976)<\/strong>
\nJe neodvisna likovna kriti\u010darka in kuratorka. Kon\u010duje doktorski \u0161tudij Zgodovinske antropologije likovnega na ISH v Ljubljani ter dodiplomski \u0161tudij Primerjalne knji\u017eevnosti in literarne teorije na Filozofski fakulteti v Ljubljani. V letih 2006 in 2007 je bila urednica Redakcije za kulturo in humanisti\u010dne vede na Radiu \u0160tudent. Kot kuratorka od leta 2007 sodeluje z Galerijo Ganes Pratt, v leto\u0161njem letu vodi program Galerije Toba\u010dnega muzeja Ljubljana, je voditeljica Sveta umetnosti pri SCCA-Ljubljana in predavateljica na Famul Stuart, Ljubljana. Redno objavlja v \u010dasopisih, revijah in samostojnih publikacijah.<\/p>\n

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\"AngelaAngela Harutyunyan<\/strong>
\nDiplomirala je iz umetnostne zgodovine na dr\u017eavni Univerzi v Erevanu. Je \u010dlanica zdru\u017eenja armenskih umetnostnih kritikov (www.naac.am<\/a> ). Med leti 2002 – 2004 je delovala kot kustosinja v armenskem centru za sodobno eksperimentalno umetnost (ACCEA). Bila je tudi kustosinja mednarodnega festivala \u201cPublic_Media_Space\u201d v Erevanu. Trenutno pi\u0161e doktorat iz umetnostone zgodovine in vizualnih \u0161tudij na Univerzi v Manchestru.<\/p>\n

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\n

<\/a>
\n\"SuzanaSuzana Milevska (1961)<\/strong>
\nVisual culture theorist and curator and currently works as a Director and Lecturer in Visual Culture at the Visual and Cultural Research Centre \u201cEuro-Balkan\u201d Institute in Skopje. She received her PhD at the Visual Culture Department at Goldsmiths College in London. In 2004 she was a Fulbright Senior Research Scholar at Library of Congress and she also received P. Getty Curatorial Research Fellowship (2001) and ArtsLink Grant (1999). Since 1992 she curated over 70 art projects in Skopje, Istanbul, Stockholm, Berlin, Bonn, Stuttgart, Leipzig, etc. She was one of the curators of the Cosmopolis Balkan Biennial in Thessalonica (2004) and of the International Biennale of Contemporary Art 2005 \u2013 National Gallery in Prague. Her publications include \u201cFrom a Bat\u2019s Point of View\u201d in Eduardo Kac, edited by Peter Tomaz Dobrila and Aleksandra Kosti\u0107 (Maribor, 2000), 47-58; Capital and Gender, edited by Suzana Milevska (Skopje, 2001); \u201cThe Readymade and the Question of Fabrication of Objects and Subjects\u201d in Primary Documents – A Sourcebook for Eastern and Central European Art since the 1950s (New York, 2002), 182-191; \u201cThe portrait of an artist as a young \u2018strategic essentialist\u2019\u201d in Tanja Ostoji\u0107 – Strategies of Success \/ Curators Series 2001-2003, (Belgrade, 2004), 33-43; \u201cCuratorial Labyrinths in Macedonia\u201d, Men in Black \u2013 Handbook of Curatorial Practice, Ed. Christoph Tannert\/Ute Tischchler, K\u0171nstlerhaus Bethanien (Berlin, 2004). \u201cHesitations, or About Political and Cultural Territories\u201d in Cultural Territories, edited by Barbara Steiner, Julia Sch\u00e4fer and Ilina Koralova (K\u00f6ln, 2005), 31-43; \u201cIs Balkan Art History Global\u201d in Is Art History Global, edited by James Elkins, (New York, 2006), \u201cResistance that Cannot Be Recognised as Such \u2013 interview with Gayatri C. Spivak\u201d in New Feminism: worlds of feminism, queer and networking conditions, L\u00f6cker Verlag (Vienna, in print).<\/p>\n","protected":false},"excerpt":{"rendered":"

Petja Grafenauer Krnc (1976) Je neodvisna likovna kriti\u010darka in kuratorka. Kon\u010duje doktorski \u0161tudij Zgodovinske antropologije likovnega na ISH v Ljubljani ter dodiplomski \u0161tudij Primerjalne knji\u017eevnosti in literarne teorije na Filozofski fakulteti v Ljubljani. V letih 2006 in 2007 je bila urednica Redakcije za kulturo in humanisti\u010dne vede na Radiu \u0160tudent. Kot kuratorka od leta 2007 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/188"}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/comments?post=188"}],"version-history":[{"count":2,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/188\/revisions"}],"predecessor-version":[{"id":13341,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/188\/revisions\/13341"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/3"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media?parent=188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/categories?post=188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/tags?post=188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}