{"id":7363,"date":"2015-04-21T22:28:17","date_gmt":"2015-04-21T20:28:17","guid":{"rendered":"http:\/\/www.worldofart.org\/aktualno\/?page_id=7363"},"modified":"2016-11-19T22:00:48","modified_gmt":"2016-11-19T20:00:48","slug":"program-v-manili-filipini","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/petnajsto-leto-2014-2016\/curating-in-depth\/program-v-manili-filipini","title":{"rendered":"Program v Manili, Filipini"},"content":{"rendered":"<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/petnajsto-leto-2014-2016\/curating-in-depth\">\u00ab Curating\u2013In\u2013Depth<\/a><\/strong><\/p>\n<p>Program v Manili se bo odvijal od 27. julija do 7. avgusta 2015 in bo vklju\u010deval dvotedenski \u0161tudijski izlet slovenskih in hrva\u0161kih udele\u017eencev projekta na Filipine. Gostje bodo pripravili predstavitev slovenskega in hrva\u0161kega umetnostnega sistema in umetni\u0161ke scene, video projekcijo izbranih video del iz zgodovine slovenske video umetnosti (<em>Postaja DIVA_predstavlja) <\/em>in predavanje<em> (<em>Video kot orodje in strategija umetni\u0161kega izra\u017eanja. Izbrani primeri s Postaje DIVA<\/em>).<\/em><\/p>\n<p>Gostitelji nas bodo popeljali po referen\u010dnih umetni\u0161kih prostorih v Manili in pripravili javni program z delavnicami, diskusijami in okroglo mizo.<\/p>\n<p>*Podrobnej\u0161i program v angle\u0161kem jeziku.<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3331\" title=\"Curating-in-Depth 2, Manila, Philippines\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/01_programme-in-manila.jpg\" alt=\"\" width=\"450\" height=\"413\" \/><\/p>\n<p><strong>CONTESTING THE CONTEMPORARY<\/strong><br \/>\nSymposium on art\/curatorial practices and discourse in Slovenia, Croatia, Southeast Asia and the Philippines<\/p>\n<p>&#8212;<\/p>\n<p><strong>SYMPOSIUM DAY 1<\/strong><br \/>\n3 August | Monday | 1-4.30PM<br \/>\nVenue Blackbox, 6F School of Design and Arts, De La Salle College of Saint Benilde<br \/>\n2544 Taft Ave. Malate, Manila 1004<\/p>\n<p><strong>Rehistoricization: Criticality in linear art histories<\/strong><\/p>\n<p>1PM \/\/\/ Antonija Letini\u0107 (Croatia), What is The Future of Criticism?<br \/>\n1.30PM \/\/\/ Renan Laru-an (Philippines), Being Subtracted From<br \/>\n2.30PM \/\/\/ Lian Ladia (Philippines), Anachronism of Southeast Asian Modernism: Raden Saleh.<br \/>\n3PM \/\/\/ Simon Soon (Malaysia), Bodies that Matter &#8211; Art and the Cultural Left<br \/>\n3.30PM \/\/\/ Q&amp;A<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-3332\" title=\"Symposium Day 1\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-1.jpg\" alt=\"\" width=\"600\" \/><\/p>\n<p>&#8212;<\/p>\n<p><strong>SYMPOSIUM DAY 2<\/strong><br \/>\n4 August Tuesday | 1-5PM<br \/>\nVenue Blackbox, 6F School of Design and Arts, De La Salle College of Saint Benilde<br \/>\n2544 Taft Ave. Malate, Manila 1004<\/p>\n<p><strong>Alternative organizational infrastructures<\/strong><\/p>\n<p>1PM \/\/\/ Du\u0161an Dov\u010d (Slovenia), The same word different meaning: a brief introduction to the cultural art production in Slovenia.<br \/>\n1.30PM \/\/\/ Angel Velasco Shaw (Philippines\/USA), Markets of Resistance: Baguio\/Manila.<br \/>\n2PM \/\/\/ Miha Kelemina (Slovenia), The Liminale. Modes of working, production and networking.<br \/>\n3PM \/\/\/ Arlette Tran (Vietnam), Curating on demand &#8211; Shifts of curatorial practice to engage non-art zones<br \/>\n3.30PM \/\/\/ Simona \u017dvanut (Slovenia), World of Arts, School for Critics and Curators of Contemporary Art.<br \/>\n4PM \/\/\/ Q&amp;A<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-2.jpg\" alt=\"\" title=\"Symposium Day 2\" width=\"600\" class=\"alignnone size-full wp-image-3333\" \/><\/p>\n<p>&#8212;<\/p>\n<p><strong>SYMPOSIUM DAY 3<\/strong><br \/>\n5 August Wednesday | 1-6PM<br \/>\nVenue Blackbox, 6F School of Design and Arts, De La Salle College of Saint Benilde<br \/>\n2544 Taft Ave. Malate, Manila 1004<\/p>\n<p>1PM \/\/\/ Barbara Bor\u010di\u0107 (Slovenia), Video As a Tool and Strategy of Artistic Expression. Selected Examples From DIVA Station Archival Practices in Video.<br \/>\n3PM \/\/\/ Ricky Orellana (Philippines), The Mowelfund Audio-Visual Archive. Talk and Selected Examples from the Archive.<br \/>\n17.30 Q &amp; A<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-3.jpg\" alt=\"\" title=\"Symposium Day 3\" width=\"600\" class=\"alignnone size-full wp-image-3334\" \/><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/012.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/012-150x150.jpg\" alt=\"\" title=\"\u0160ola umetnosti in dizajna De La Salle College of Saint Benilde, Manila, Filipini\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3553\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/022.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/022-150x150.jpg\" alt=\"\" title=\"Sympozij &#039;Rehistorizacija: Kriti\u010dnost v linearnih umetnostih zgodovinah, Alternativne organizacijske infrastrukture and Problematiziranje eksperimentalnih in arhivskih praks v videu in filmu&#039;\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3554\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/032.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/032-150x150.jpg\" alt=\"\" title=\"Antonija Letini\u0107 predstavlja Kurziv in Kulturpunkt.hr (1. dan: Rehistorizacija: Kriti\u010dnost v linearnih umetnostih zgodovinah)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3555\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/042.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/042-150x150.jpg\" alt=\"\" title=\"Simon Soon: Telesa, ki \u0161tejejo \u2013 Umetnost in kulturna levica (1. dan: Rehistorizacija: Kriti\u010dnost v linearnih umetnostih zgodovinah)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3556\" \/><\/a><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/052.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/052-150x150.jpg\" alt=\"\" title=\"1. dan: Rehistorizacija: Kriti\u010dnost v linearnih umetnostih zgodovinah, moderatorki pogovora Jenifer Wofford in Angel Velasco Shaw\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3557\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/062.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/062-150x150.jpg\" alt=\"\" title=\"1. dan: Rehistorizacija: Kriti\u010dnost v linearnih umetnostih zgodovinah, moderatorki pogovora Jenifer Wofford in Angel Velasco Shaw\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3558\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/072.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/072-150x150.jpg\" alt=\"\" title=\"1. dan: Rehistorizacija: Kriti\u010dnost v linearnih umetnostih zgodovinah, moderatorki pogovora Jenifer Wofford in Angel Velasco Shaw\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3559\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/082.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/082-150x150.jpg\" alt=\"\" title=\"Du\u0161an Dov\u010d predstavlja produkcijske pogoje in vire financiranja v kulturi v Sloveniji (2. dan: Alternativne organizacijske infrastrukture)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3560\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/092.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/092-150x150.jpg\" alt=\"\" title=\"Miha Kelemina: Liminale. Na\u010dini delovanja, produkcije in mre\u017eenja (2. dan: Alternativne organizacijske infrastrukture)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3561\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/102.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/102-150x150.jpg\" alt=\"\" title=\"Simona \u017dvanut predstavlja Svet umetnosti, \u0161olo za kustose in kritike sodobne (2. dan: Alternativne organizacijske infrastrukture)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3562\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/112.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/112-150x150.jpg\" alt=\"\" title=\"Barbara Bor\u010di\u0107: Video kot orodje in izrazno sredstvo umetnikov. Izbrani primeri s Postaje DIVA (3. dan: Problematiziranje eksperimentalnih in arhivskih praks v videu in filmu)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3563\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/122.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/122-150x150.jpg\" alt=\"\" title=\"Ricky Orellana: Audiovizualni arhiv Mowelfund, pogovor in izbrani primeri (3. dan: Problematiziranje eksperimentalnih in arhivskih praks v videu in filmu)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3564\" \/><\/a><\/p>\n<hr \/>\n<p><strong>Auxiliary programs for opportunities for further discussion and engagement are:<\/strong><\/p>\n<p>1 August, Saturday | 3-7PM | Artery Art Space, Cubao<br \/>\n<strong>Roundtable, If Art is a Hammer, organized by Concerned Artists of the Philippines<\/strong><br \/>\nWith Neil Doloricon, Renan Ortiz, and Antares Bartolome (Concerned Artists of the Philippines), Eileen Legaspi-Ramirez (Pananaw Sining Bayan, Back to Square 1), Mark Justiniani (Visual Artist), Duffie Osental (Art+), Leo Abaya (U.P. Fine Arts), Randy Nobleza (Marindukanon Studies Center and Info Shop.)<br \/>\n<a href=\"https:\/\/www.facebook.com\/events\/322270607896929\/\" target=\"_blank\">https:\/\/www.facebook.com\/events\/322270607896929\/<\/a><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer01.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer01-150x150.jpg\" alt=\"\" title=\"Ko je umetnost kladivo, okrogla miza, ki jo je v Artery Art Space pripravila skupina Concerned Artists of the Philippines\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3425\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer02.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer02-150x150.jpg\" alt=\"\" title=\"Ko je umetnost kladivo, okrogla miza, ki jo je v Artery Art Space pripravila skupina Concerned Artists of the Philippines\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3426\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer03.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer03-150x150.jpg\" alt=\"\" title=\"Ko je umetnost kladivo, okrogla miza, ki jo je v Artery Art Space pripravila skupina Concerned Artists of the Philippines\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3427\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer04.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer04-150x150.jpg\" alt=\"\" title=\"Ko je umetnost kladivo, okrogla miza, ki jo je v Artery Art Space pripravila skupina Concerned Artists of the Philippines\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3428\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer05.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer05-150x150.jpg\" alt=\"\" title=\"Ko je umetnost kladivo, okrogla miza, ki jo je v Artery Art Space pripravila skupina Concerned Artists of the Philippines\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3429\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer06.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer06-150x150.jpg\" alt=\"\" title=\"Ko je umetnost kladivo, okrogla miza, ki jo je v Artery Art Space pripravila skupina Concerned Artists of the Philippines\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3430\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer07.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer07-150x150.jpg\" alt=\"\" title=\"Ko je umetnost kladivo, okrogla miza, ki jo je v Artery Art Space pripravila skupina Concerned Artists of the Philippines\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3431\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer08.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/If-Art-Is-A-Hammer08-150x150.jpg\" alt=\"\" title=\"Ko je umetnost kladivo, okrogla miza, ki jo je v Artery Art Space pripravila skupina Concerned Artists of the Philippines\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3432\" \/><\/a><\/p>\n<p>&#8212;<\/p>\n<p>2 August, Sunday | 3-5PM | 98B Escolta<br \/>\n<strong>Southeast Asian Reading group, reference of critical text, moderated by Thea Garing of the Lopez Museum &amp; Library<\/strong><br \/>\nSidd Perez, Lian Ladia (Planting Rice, Manila), Renan Laru-An (Disclab, Manila) Angel Velasco Shaw (Markets of Resistance, Manila), Simon Soon (Researcher\/Historian, Kuala Lumpur), Arlette Tran (Curator, Sanart, Saigon)<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/roundtable01.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/roundtable01-150x150.jpg\" alt=\"\" title=\"Simon Soon, Kyo Pathomvat, Renan Laru-An, moderatorki Lian Ladia in Sidd Perez\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3421\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/roundtable02.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/roundtable02-150x150.jpg\" alt=\"\" title=\"Spodbijanje sodobnosti: bralna skupina jugovzhodne Azije, okrogla miza\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3422\" \/><\/a> <a href=\"Spodbijanje sodobnosti: bralna skupina jugovzhodne Azije, okrogla miza\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/roundtable03-150x150.jpg\" alt=\"\" title=\"Spodbijanje sodobnosti: bralna skupina jugovzhodne Azije, okrogla miza\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3423\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/roundtable04.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/roundtable04-150x150.jpg\" alt=\"\" title=\"Spodbijanje sodobnosti: bralna skupina jugovzhodne Azije, okrogla miza\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3424\" \/><\/a><\/p>\n<p>&#8212;<\/p>\n<p>6 &#8211; 7 August | Benilde SDA Cinema<br \/>\n<strong>Film Retrospective of John Torres (Philippines), Benilde SDA Cinema<\/strong><br \/>\n<a href=\"http:\/\/peatix.com\/event\/105958\/view\" target=\"_blank\">http:\/\/peatix.com\/event\/105958\/view<\/a><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/John-Torres01.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/John-Torres01-150x150.jpg\" alt=\"\" title=\"Filmska retrospektiva Johna Torresa, Benilde SDA Cinema\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3433\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/John-Torres02.jpg\" rel=\"lightbox[7363]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/John-Torres02-150x150.jpg\" alt=\"\" title=\"Filmska retrospektiva Johna Torresa, Benilde SDA Cinema\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3434\" \/><\/a><\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/08\/Symposium-Programme.pdf\" target=\"_blank\">Symposium Programme<\/a> (pdf)<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/08\/Curatorial-Mapping-in-Manila.pdf\" target=\"_blank\">Curatorial Mapping in Manila<\/a> (pdf)<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/08\/Curating-in-Context-Programme.pdf\" target=\"_blank\">Curating-in-Context Programme<\/a> (pdf)<\/p>\n<hr \/>\n<p>Curating-In-Depth is supported in the fourth edition of Creative Encounters: Cultural Partnerships between Asia and Europe programmed by Asia Europe Foundation with its partners Arts Network Asia and Trans Europe Halle. It is an incubator project aimed towards the development of curatorial exchange brought together mainly by two non-governmental institutions in Slovenia and the Philippines, namely SCCA, Centre for Contemporary Arts \u2013 Ljubljana and Planting Rice. Curating-In-Depth conducts this exchange through immersive programs in both the cultural communities of Ljubljana, Slovenia and Manila, Philippines from May to August 2015 and aims to sustain these initial engagements through a shared network platform and e-publication of materials produced and referenced in the project.<\/p>\n<hr \/>\n<p><a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Kit1_Art-Spaces-in-Manila.pdf' target=\"_blank\">Kit1_Art Spaces in Manila<\/a> (pdf)<\/p>\n<p><a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Kit2_Manila-Guide.pdf' target=\"_blank\">Kit2_Manila Guide<\/a> (pdf)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab Curating\u2013In\u2013Depth Program v Manili se bo odvijal od 27. julija do 7. avgusta 2015 in bo vklju\u010deval dvotedenski \u0161tudijski izlet slovenskih in hrva\u0161kih udele\u017eencev projekta na Filipine. Gostje bodo pripravili predstavitev slovenskega in hrva\u0161kega umetnostnega sistema in umetni\u0161ke scene, video projekcijo izbranih video del iz zgodovine slovenske video umetnosti (Postaja DIVA_predstavlja) in predavanje (Video [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":7319,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/7363"}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/comments?post=7363"}],"version-history":[{"count":7,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/7363\/revisions"}],"predecessor-version":[{"id":9496,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/7363\/revisions\/9496"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/7319"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media?parent=7363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/categories?post=7363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/tags?post=7363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}