{"id":7953,"date":"2015-09-23T12:42:00","date_gmt":"2015-09-23T10:42:00","guid":{"rendered":"http:\/\/www.worldofart.org\/aktualno\/?page_id=7953"},"modified":"2016-11-19T22:00:48","modified_gmt":"2016-11-19T20:00:48","slug":"connections-in-depth","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/petnajsto-leto-2014-2016\/curating-in-depth\/connections-in-depth","title":{"rendered":"Connections-In-Depth"},"content":{"rendered":"<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/petnajsto-leto-2014-2016\/curating-in-depth\">\u00ab Curating\u2013In\u2013Depth<\/a><\/strong><br \/>\n<a name=\"od-drugod2\"><\/a><\/p>\n<h5><em>Od drugod 2: Kuratorske prakse in umetni\u0161ke pozicije<\/em><\/h5>\n<p>Predstavitev kuratorskih praks in umetnosti s Filipinov, Singapurja in Mjanmarja<br \/>\n<strong>12. 5. 2015<\/strong>, Projektna soba SCCA, Metelkova 6, Ljubljana<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/014.jpg\" rel=\"lightbox[7953]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-3132\" title=\"Od drugod 2: Kuratorske prakse in umetni\u0161ke pozicije\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/014-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/024.jpg\" rel=\"lightbox[7953]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-3133\" title=\"Anupama Sekhar, vodja oddelka za kulturo pri Fundaciji ASEF, predstavi ASEF in mo\u017enosti za mednarodno kulturno sodelovanje med Evropo in Azijo\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/024-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/093.jpg\" rel=\"lightbox[7953]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-3140\" title=\"Od drugod 2: Kuratorske prakse in umetni\u0161ke pozicije\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/093-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/142.jpg\" rel=\"lightbox[7953]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-3145\" title=\"Od drugod 2: Kuratorske prakse in umetni\u0161ke pozicije\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/142-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/09\/plakat-asef-slo.pdf\" target=\"_blank\">Vabilo<\/a> (pdf)<\/p>\n<p><em><strong>Od drugod 2<\/strong><\/em> je druga edicija na\u0161ega spoznavanja kuratorskih praks in umetni\u0161kih pozicij onkraj evropskega prostora. <a href=\"http:\/\/www.scca-ljubljana.si\/report_08_15.htm\" target=\"_blank\">Prvi\u010d smo spoznavali Armenijo, Kazahstan, Egipt in Tur\u010dijo<\/a>, drugi\u010d pa smo se odpravili \u0161e dlje: na Filipine, v Singapur in Mjanmar. <em><strong>Od drugod 2<\/strong><\/em> pripravljamo v okviru \u0161ole <em>Svet umetnosti<\/em> in mednarodnega projekta <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/petnajsto-leto-2014-2016\/curating-in-depth\">Celostno kuriranje \/ Curating\u2013In\u2013Depth<\/a>, kuratorji in kuratorke iz jugovzhodne Azije pa bodo za nas pripravili predavanja o umetni\u0161kih scenah iz okolij, od koder prihajajo in kjer delujejo.<\/p>\n<p>Videoposnetki in povzetki predavanj so v angle\u0161kem jeziku.<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Abstracts_Presentation_Southeast-Asia+BIOS.pdf\" target=\"_blank\"><strong>POVZETKI<\/strong> <\/a> (pdf)<\/p>\n<p>&#8212;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/128875770?byline=0&amp;portrait=0\" frameborder=\"0\" width=\"620\" height=\"349\"><\/iframe><\/p>\n<p><strong>Siddharta Perez: <em>Prompts: Curatorial Strategies in Facilitating and Sustaining Knowledge Resources<\/em><\/strong><\/p>\n<p>The presentation looks into process-based strategies in exhibition-making as a way of dealing with lack of infrastructure support in knowledge production in the Philippines. Case studies will include how curatorial modes of exhibition accommodate activating the audience\u2019s accountability to also contribute, how we negotiate with different sites of power represented by stakeholders of an exhibition and other modes of extending the life of an exhibition.<\/p>\n<p>&#8212;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/09\/Isabel_Ching.jpg\" alt=\"Isabel Ching\" width=\"620\" height=\"349\" class=\"alignnone size-full wp-image-9028\" srcset=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/09\/Isabel_Ching.jpg 620w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/09\/Isabel_Ching-300x169.jpg 300w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/p>\n<p><strong>Isabel Ching: <em>Frames of Conceptualism from Southeast Asia<\/em><\/strong><\/p>\n<p>While considered as an important vector leading to the plurality of artistic practices globally, \u201cconceptualism\u201d could appear to have only registered frail trails in Southeast Asia. How do we understand, discuss and frame the conceptualisms of specific localities in the region? Looking at a case study each from Myanmar, the Philippines and Singapore, we try to speculate about the fraught, sometimes contested, meanings of conceptualism(s) in history and the efforts made today to reclaim or reanimate their legacies.<\/p>\n<p>&#8212;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/06\/antares.jpg\" alt=\"\" title=\"Antares Gomez Bartholome: Curation as Cultural Work\" width=\"620\" height=\"345\" class=\"alignnone size-full wp-image-3415\" \/><\/p>\n<p><strong>Antares Gomez Bartholome: <em>Curation as Cultural Work<\/em><\/strong><\/p>\n<p>The presentation explores the relationship of curatorial work and political struggle within the context of the Philippines. It briefly tracks the development of art practices and discourses alongside the National Democratic movement in the Philippines from the 1970s onward, and explores how curatorial practice figures in, and is perhaps challenged and refigured by, the varied approaches to artistic production, presentation, and distribution involved in the broader frame of cultural work undertaken by the National Democratic movement in the present.<\/p>\n<p>&#8212;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/128882948?byline=0&amp;portrait=0\" frameborder=\"0\" width=\"620\" height=\"349\"><\/iframe><\/p>\n<p><strong>Moe Satt: <em>Short Introduction of Myanmar Performance Art<\/em><\/strong><\/p>\n<p>Overviews the history of Myanmar performance art that started in the mid-90s, identifying who they were and what kind of issues they dealt with. The presentation also locates differences and parallelism between the first and second generation of performance artists. Likewise what is the contexts of indoor performances as contrasted from the gallery sites and other outdoor\/ more public venues.<\/p>\n<p>&#8212;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/130523920?byline=0&amp;portrait=0\" frameborder=\"0\" width=\"620\" height=\"349\"><\/iframe><\/p>\n<p><strong>Anupama Sekhar: <em>Presentation of the foundation ASEF; opportunities and open calls for international cultural cooperation<\/em><\/strong><\/p>\n<p>Presentation of the foundation ASEF by Ms Anupama Sekhar, the <a href=\"http:\/\/www.asef.org\/index.php\/projects?id=2077:ms-anupama-sekhar\">Director of the Culture Department<\/a> of ASEF, Singapore. Sekhar is actively engaged in facilitating cultural exchange and collaboration among artists and arts organisations in 53 countries in Asia and Europe and has therefore presented the opportunities and open calls for international cultural cooperation between Europe and Asia.<\/p>\n<hr \/>\n<p><a name=\"the-kalampag-tracking-agency\"><\/a><\/p>\n<h5>Shireen Seno: <em>The Kalampag Tracking Agency<\/em> (kuriran izbor)<\/h5>\n<p>Projekcija filipinskega umetni\u0161kega videa in kratkega filma s komentarji kuratorke<br \/>\n12. 5. 2015, Projektna soba SCCA, Metelkova 6, Ljubljana<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.scca-ljubljana.si\/foto450\/KTA.jpg\" alt=\"The Kalampag Tracking Agency\" width=\"450\" height=\"302\" \/><\/p>\n<p>Projekcija 13 umetni\u0161kih video del in kratkih filmov s Filipinov, nastalih od leta 1985 do danes. Izbor prikazuje razli\u010dne estetike in rabe video in filmskega jezika ter odstira teme, ki zaznamujejo filipinsko sodobno dru\u017ebo. Projekcijo v skupni dol\u017eini 67 minut bo spremljal komentar kuratorke.<\/p>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/04\/The-Kalampag-Tracking-Agency.pdf\" target=\"_blank\">VE\u010c O IZBORU<\/a><\/strong> (pdf, v angle\u0161kem jeziku)<\/p>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/The-Kalampag-Tracking-Agency-curatorial-notes2.pdf\" target=\"_blank\">The Kalampag Tracking Agency \u2013 kuratorske bele\u017eke<\/a><\/strong> (pdf, v angle\u0161kem jeziku)<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/131066952?byline=0&amp;portrait=0\" frameborder=\"0\" width=\"620\" height=\"424\"><\/iframe><\/p>\n<hr \/>\n<p><a name=\"simpozij\"><\/a><\/p>\n<h5>Simpozij Curating-in-Depth 2<\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/06\/symposium.jpg\" alt=\"Curating-in-Depth 2: Symposium\" title=\"Curating-in-Depth 2: Symposium\" width=\"620\" height=\"392\" class=\"alignnone size-full wp-image-3360\" \/><\/p>\n<p>Tridnevni simpozij <em>Rehistorizacija: Kriti\u010dnost v linearnih umetnostih zgodovinah<\/em>, <em>Alternativne organizacijske infrastrukture<\/em> in <em>Problematiziranje eksperimentalnih in arhivskih praks v videu in filmu<\/em> na \u0160oli za umetnost in dizajn De La Salle College of Saint Benilde, 3.\u20135. 8. 2015 <\/p>\n<hr \/>\n<p><a name=\"bralna-skupina\"><\/a><\/p>\n<h5>Spodbijanje sodobnosti: bralna skupina jugovzhodne Azije<\/h5>\n<p>okrogla miza<br \/>\nLopez Museum and Library, 31. 7. 2015<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/06\/reading-group.jpg\" alt=\"\" title=\"Contesting the Contemporary: A Southeast Asian Reading Group\" width=\"620\" height=\"555\" class=\"alignnone size-full wp-image-3361\" \/><\/p>\n<hr \/>\n<p><a name=\"kladivo\"><\/a><\/p>\n<h5>Ko je umetnost kladivo<\/h5>\n<p>okrogla miza, ki jo je pripravila skupina Concerned Artists of the Philippines<br \/>\nArtery Art Space, 1. 8. 2015<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/06\/hammer.jpg\" alt=\"\" title=\"If Art Is A Hammer, a roundtable\" width=\"619\" height=\"803\" class=\"alignnone size-full wp-image-3362\" \/><\/p>\n<hr \/>\n<p><a name=\"torres\"><\/a><\/p>\n<h5>Filmska retrospektiva Johna Torresa<\/h5>\n<p>Benilde SDA Cinema, 6.\u20137. 8. 2015<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/06\/torres.jpg\" alt=\"\" title=\"A Film Retrospective by John Torres\" width=\"620\" height=\"732\" class=\"alignnone size-full wp-image-3363\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab Curating\u2013In\u2013Depth Od drugod 2: Kuratorske prakse in umetni\u0161ke pozicije Predstavitev kuratorskih praks in umetnosti s Filipinov, Singapurja in Mjanmarja 12. 5. 2015, Projektna soba SCCA, Metelkova 6, Ljubljana Vabilo (pdf) Od drugod 2 je druga edicija na\u0161ega spoznavanja kuratorskih praks in umetni\u0161kih pozicij onkraj evropskega prostora. Prvi\u010d smo spoznavali Armenijo, Kazahstan, Egipt in Tur\u010dijo, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":7319,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/7953"}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/comments?post=7953"}],"version-history":[{"count":5,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/7953\/revisions"}],"predecessor-version":[{"id":9029,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/7953\/revisions\/9029"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/pages\/7319"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media?parent=7953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/categories?post=7953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/tags?post=7953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}