{"id":126,"date":"2007-11-02T11:56:51","date_gmt":"2007-11-02T09:56:51","guid":{"rendered":"http:\/\/www.worldofart.org\/aktualno\/archives\/126"},"modified":"2018-07-11T12:35:36","modified_gmt":"2018-07-11T10:35:36","slug":"julian-stallabrass","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/archives\/126","title":{"rendered":"Julian Stallabrass: Art Incorporated: Sodobna umetnost v \u010dasu neoliberalizma"},"content":{"rendered":"<p>Laboratorij kuratorskih praks<br \/>\n2007\/2008<br \/>\nLetnik 11<\/p>\n<p>Predavanje<\/p>\n<p>15. november 2007 ob 19.00<\/strong><br \/>\nProjektna soba SCCA, Metelkova 6, Ljubljana<\/p>\n<hr \/>\n<p>Sodobno umetnost radi pojmujemo kot obmo\u010dje svobodnega izraza, ki stoji zunaj instrumentalnih zahtev dela in vulgarnih enoli\u010dnosti mno\u017ei\u010dne kulture. Hkrati se je s koncem Hladne vojne tudi zelo spremenila, tako v njenem globalnem obsegu kot v sami formi, zlasti skozi medija fotografije in videa. V tem novem vzdu\u0161ju, ki mu poveljuje neoliberalna politika, svet umetnosti, tesneje kot si sam priznava odseva, obstoje\u010de mo\u010di, ki jo vodijo.<\/p>\n<p>Predavanje je pripravljeno v sodelovanju z Zalo\u017ebo Krtina, kjer bo v uredni\u0161tvu Sa\u0161e Nabergoj novembra iz\u0161la Stallabrassova knjiga <em>Sodobna umetnost<\/em>.<\/p>\n<p>Predavanje bo potekalo v angle\u0161kem jeziku.<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" align=\"left\" style=\"margin-right: 10px; margin-bottom: 5px; margin-top: 3px; margin-left: 0px\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2007-08\/stallabrass\/julian-stallabrass.jpg\" alt=\"Julian Stallabrass\" \/><strong>Julian Stallabrass<\/strong> je pisec, fotograf in predavatelj. Je profesor umetnostne zgodovine na Courtauld Institute of Art in avtor knjig Art Incorporated, Oxford University Press 2004; Internet Art: The Online Clash Between Culture and Commerce, Tate Publishing, London 2003; Paris Pictured, Royal Academy of Arts, London 2002; High Art Lite: British Art in the 1990s, Verso, London 1999 and Gargantua: Manufactured Mass Culture, Verso, London 1996. Je tudi sourednik knjig Ground Control: Technology and Utopia, Black Dog Publishing, London 1997, Occupational Hazard: Critical Writing on Recent British Art, Black Dog Publishing, London 1998, in Locus Solus: Technology, Identity and Site in Contemporary Art, Black Dog Publishing, London 1999. Redno pi\u0161e umetnostne kritike za razne publikacije, med njimi Tate, Art Monthly in New Statesman. Je tudi \u010dlan uredni\u0161kih odborov revij New Left Review in Third Text. <\/p>\n<hr \/>\n<p><a href=\"http:\/\/www.zalozbakrtina.si\/\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2007-08\/stallabrass\/krtina-logo.gif\" alt=\"Zlo\u017eba Krtina\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laboratorij kuratorskih praks 2007\/2008 Letnik 11 Predavanje 15. november 2007 ob 19.00 Projektna soba SCCA, Metelkova 6, Ljubljana Sodobno umetnost radi pojmujemo kot obmo\u010dje svobodnega izraza, ki stoji zunaj instrumentalnih zahtev dela in vulgarnih enoli\u010dnosti mno\u017ei\u010dne kulture. Hkrati se je s koncem Hladne vojne tudi zelo spremenila, tako v njenem globalnem obsegu kot v sami [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13364,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/126"}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/comments?post=126"}],"version-history":[{"count":1,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/126\/revisions"}],"predecessor-version":[{"id":9374,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/126\/revisions\/9374"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media\/13364"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media?parent=126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/categories?post=126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/tags?post=126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}