{"id":14317,"date":"2019-05-23T14:11:25","date_gmt":"2019-05-23T12:11:25","guid":{"rendered":"http:\/\/www.worldofart.org\/aktualno\/?p=14317"},"modified":"2019-05-28T12:33:00","modified_gmt":"2019-05-28T10:33:00","slug":"kuratorka-na-rezidenci","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/archives\/14317","title":{"rendered":"Kuratorka na rezidenci: Lawinia Rate"},"content":{"rendered":"<p>Svet umetnosti | \u0160ola za kuratorske prakse in kriti\u0161ko pisanje | Leto 17<\/p>\n<hr \/>\n<figure id=\"attachment_14319\" aria-describedby=\"caption-attachment-14319\" style=\"width: 730px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14319\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2019\/05\/Attaqueer-le-visible_detail-730x362.jpg\" alt=\"\" width=\"730\" height=\"362\" srcset=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2019\/05\/Attaqueer-le-visible_detail-730x362.jpg 730w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2019\/05\/Attaqueer-le-visible_detail-338x168.jpg 338w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2019\/05\/Attaqueer-le-visible_detail-768x381.jpg 768w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2019\/05\/Attaqueer-le-visible_detail.jpg 1300w\" sizes=\"(max-width: 730px) 100vw, 730px\" \/><figcaption id=\"caption-attachment-14319\" class=\"wp-caption-text\">Attaqu(e)er le visible film cycle<\/figcaption><\/figure>\n<p>Poljska umetnostna zgodovinarka, kriti\u010darka, avtorica in kuratorka <strong>Lawinia Rate<\/strong>, ki \u017eivi in deluje v Berlinu, v maju v okviru enomese\u010dne rezidence raziskuje gradivo v arhivu <a href=\"http:\/\/www.e-arhiv.org\/diva\/\" target=\"_blank\" rel=\"noopener noreferrer\">Postaje DIVA<\/a>. Raziskava je del njenega \u0161ir\u0161ega raziskovalnega projekta <em>Materialnosti divergence. Filmski eksperimenti in feministi\u010dna gibanja v Evropi od devetdesetih do danes.<\/em> V \u010detrtek, 23. maja, bo na internem dogodku predstavila svojo kuratorsko prakso udele\u017eenkam \u0161ole za kuratorske prakse in kriti\u010dno pisanje Sveta umetnosti.<\/p>\n<hr \/>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-14318\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2019\/05\/Lawinia_Rate.jpg\" alt=\"\" width=\"100\" height=\"100\" \/>Dr. Lawinia Rate<\/strong> je \u0161tudirala umetnostno zgodovino in medijske \u0161tudije na Ruhr-Universit\u00e4t Bochum v Nem\u010diji in zaklju\u010dila doktorski \u0161tudij z dizertacijo <em>\u201cL\u2019Objet garde et livre son secret. Claude Cahun\u2019s Poetry of the Object\u201d.<\/em> Je avtorica ve\u010d \u010dlankov na temo telesa, vidnosti in reprezentacije v fotografiji, razstavnih praks in teorije fotografije. Od leta 2014 pi\u0161e prispevke za <em>Allgemeine K\u00fcnstlerlexikon<\/em>, predvsem za podro\u010dje fotografije. Kurirala je serijo dogodkov videa in eksperimentalnega filma <em>Attaque (e)r le visible<\/em> v La Mutinerie v Parizu. Kurirala je tudi ve\u010d razstav: <em>Jen Liu. Pink Detachment<\/em>, Somos Galerie, Berlin (2016); <em>Imagining the Body<\/em>, Fringe Festival, London (2015); <em>Food Relations<\/em>, Festival<em> 48 hours Neuk\u00f6lln,<\/em> Berlin (2016); <em>Interleaved Space<\/em>, Festival <em>Transmediale<\/em>, Berlin (2018).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Svet umetnosti | \u0160ola za kuratorske prakse in kriti\u0161ko pisanje | Leto 17 Poljska umetnostna zgodovinarka, kriti\u010darka, avtorica in kuratorka Lawinia Rate, ki \u017eivi in deluje v Berlinu, v maju v okviru enomese\u010dne rezidence raziskuje gradivo v arhivu Postaje DIVA. Raziskava je del njenega \u0161ir\u0161ega raziskovalnega projekta Materialnosti divergence. Filmski eksperimenti in feministi\u010dna gibanja v [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14319,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50,7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/14317"}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/comments?post=14317"}],"version-history":[{"count":3,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/14317\/revisions"}],"predecessor-version":[{"id":14326,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/14317\/revisions\/14326"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media\/14319"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media?parent=14317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/categories?post=14317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/tags?post=14317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}