{"id":14417,"date":"2019-05-27T12:53:20","date_gmt":"2019-05-27T10:53:20","guid":{"rendered":"http:\/\/www.worldofart.org\/aktualno\/?p=14417"},"modified":"2019-09-12T16:44:27","modified_gmt":"2019-09-12T14:44:27","slug":"analize-umetniskih-del-z-razstave-cas-brez-nedolznosti-novejse-slikarstvo-v-sloveniji","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/archives\/14417","title":{"rendered":"Analize umetni\u0161kih del z razstave \u010cas brez nedol\u017enosti. Novej\u0161e slikarstvo v Sloveniji"},"content":{"rendered":"

Analize umetni\u0161kih del, ki so bila del razstave\u00a0\u010cas brez nedol\u017enosti. Novej\u0161e slikarstvo v Sloveniji<\/a>,<\/em> Moderna galerija, 31. 1.\u201331. 3. 2019, so nastale pod mentorstvom Barbare Bor\u010di\u0107.<\/p>\n

Pri analizi umetni\u0161kih del smo se ukvarjali z zna\u010dilnostimi in specifikami v polju sodobnega slikarstva, razmerjem slikarstva do drugih umetni\u0161kih praks, mestom slike v okviru \u0161ir\u0161ega umetni\u0161kega opusa. Kontekst (dru\u017ebeni, kulturni, umetnostni, razstavni, teoretski, kriti\u0161ki \u2026) je v analize vklju\u010den v manj\u0161i meri in v kolikor je nujen za razumevanje slike.<\/p>\n

\n

Arjan Pregl, Karneval<\/em><\/strong><\/a>
\nKatja Filovski<\/p>\n

\"\"<\/a><\/p>\n

\n

Mitja Ficko, Grdi ra\u010dek se prvi\u010d ugleda<\/em><\/strong><\/a>
\nKristina Ferk<\/p>\n

\"\"<\/a><\/p>\n

\n

Suzana Brborovi\u0107, Bridge Countries \u2013 Intersection<\/em><\/strong><\/a>
\nTia \u010ci\u010dek<\/p>\n

\"\"<\/a><\/p>\n

\n

Nina \u010celhar, serija slik Soba (Vezan les)<\/em><\/strong><\/a>
\nLara Meja\u010d<\/p>\n

\"\"<\/a><\/p>\n

\n

Uro\u0161 Weinberger: Air One Ground Zero<\/em><\/strong><\/a>
\nAnja Seni\u010dar<\/p>\n

\"\"<\/a><\/p>\n

\n

Totalna analiza<\/strong><\/a>
\n(analize del Uro\u0161a Weinbergerja in Katje Felle)
\nTisa Ne\u017ea Herlec<\/p>\n

\"\"<\/a><\/p>\n

\n

Ga\u0161per Capuder: Brez naslova (tiho\u017eitja)<\/em><\/strong><\/a>
\nRea Vogrin\u010di\u010d<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Analize umetni\u0161kih del Arjana Pregla, Mitje Ficka, Suzane Brborovi\u0107 in Nine \u010celhar<\/p>\n","protected":false},"author":1,"featured_media":14225,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,50,7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/14417"}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/comments?post=14417"}],"version-history":[{"count":10,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/14417\/revisions"}],"predecessor-version":[{"id":14744,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/14417\/revisions\/14744"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media\/14225"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media?parent=14417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/categories?post=14417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/tags?post=14417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}