{"id":3621,"date":"2012-10-05T13:00:14","date_gmt":"2012-10-05T11:00:14","guid":{"rendered":"http:\/\/www.worldofart.org\/aktualno\/?p=3621"},"modified":"2018-06-18T17:56:48","modified_gmt":"2018-06-18T15:56:48","slug":"sasa-nabergoj-na-mednarodni-delavnici-and-what-if-institution-alternative-scenario","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/archives\/3621","title":{"rendered":"Sa\u0161a Nabergoj na mednarodni delavnici And what if … Institution: alternative scenario"},"content":{"rendered":"

SVET UMETNOSTI, \u0161ola za kustose in kritike sodobne umetnosti
\n2011\/2013
\nLetnik 14<\/p>\n

Serija javnih predavanj o kuratorski in institucionalni praksi<\/p>\n

And what if … Institution: alternative scenario <\/strong><\/em>
\nMednarodna delavnica
\nGalerija Labirynt, Lublin, Poljska
\n5\u20137. oktober 2012<\/p>\n

Delavnica je del projekta Giant Step<\/a>.
\nKustosinji: Anna Smolak, Magdalena Ujma
\nKustosinja iz Galerije Labirynt: Magdalena Linkowska<\/p>\n

<\/p>\n

\n

\"\"<\/p>\n

Na delavnici bodo sodelujo\u010di umetniki, kustosi, kritiki, raziskovalci prevpra\u0161evali mo\u017enost ”idealne institucije” in tako posku\u0161ali soo\u010diti pojme povezane z institucionalno kritiko z razli\u010dnimi praksami in odnosom do kulturnih institucij. Razmi\u0161ljali bodo, ali model institucije nasprotuje ideji kreativnega dela, ali je notranji konflikt neizogibno inherenten umetni\u0161kim institucijam in kako se konstruktivno spopadati s to problematiko.<\/p>\n

Delavnica And what if … Institution: alternative scenario<\/em><\/strong> je del raziskovalnega projekta Giant Step<\/strong>, ki je platforma s katero evropske institucije \u2013 Van Abbemuseum (Eindhoven), Mostyn Gallery (Wales), Vessel (Bari) in Galeria Labirynt\u00a0 (Lublin) \u2013 skupaj in individualno analizirajo razli\u010dne politi\u010dne, ekonomske in kulturne zna\u010dilnosti tako umetni\u0161ke produkcije znotraj institucij kot potenciale umetni\u0161ke kritike kot orodja za spremembo.<\/p>\n

Sodelujo\u010di: Karolina Bregu\u0142a<\/strong> \u2013 umetnica (Var\u0161ava), Zuzana Bodnarova<\/strong> \u2013 kustosinja (\u0160tokovec), Milovan Farronato<\/strong> \u2013 kustos, Via Farrini (Milan), Marianna Hovhannisyan<\/strong> \u2013 kustos (Yerevan), Magdalena Linkowska<\/strong> \u2013 kustos (Lublin), Milan Mikul\u00e1\u0161t\u00edk<\/strong> \u2013 umetnik, kustos (Praga), Sa\u0161a Nabergoj<\/strong> \u2013 kustosinja, kriti\u010darka (Ljubljana), Anna Ostoya<\/strong> \u2013 umetnica (New York), Francesco Scasciamacchia<\/strong> \u2013 kustos, raziskovalec (London), Anna Smolak<\/strong> \u2013 kustos (Krakov), Waldemar Tatarczuk<\/strong> \u2013 umetnik, direktor Galerije Labirynt (Lublin), Magdalena Ujma<\/strong> \u2013 kustos (Krakov)<\/p>\n

\"\"<\/a><\/p>\n

\n

Ve\u010d informacij v angle\u0161\u010dini:<\/strong><\/p>\n

Workshop around an ideal institution is an attempt at confronting notions related to institutional critique with individual practices and attitudes towards institution of culture. We will ponder whether the institutional model contradicts the idea of creative work, whether permanent conflict is inherent in the institution of art, and how to cope with it and use it constructively.<\/p>\n

Aware of the determinants of the functioning of contemporary institutions (influence of cultural policy, hierarchies and strategies of government, economic constraints, information policy as well as the historical and geographical context), we want to give free rein to imagination and treat the gallery as an institution with a potential to assume various forms, depending on the wishes, aspirations, knowledge and needs of those participating in our session.<\/p>\n

At the same time, the project is carried out in relation to a specific venue, and we believe in the power of genius loci <\/em>and its effect on the processes taking place inside.<\/p>\n

We are interested in various models of work and collaboration, in creating bonds and broadening the knowledge collectively as well as in acquiring self-awareness through contact, dialogue and creative confrontation.<\/p>\n

Our goal is to create an artistic \u201cthink-tank\u201d, a generator of ideas that would combine visionary imagination and practical experience and, consequently, infuse Galeria Labirynt with new energy. Depending on the effects of the workshop, we envisage a publication or exhibition inspired by the results of our work.<\/p>\n

The And what if… <\/em><\/strong>Institution: alternative scenario<\/em><\/strong> <\/strong>workshop is part of the Giant Step research platform within which four European institutions \u2013 Van Abbemuseum (Eindhoven), Mostyn Gallery (Wales), Vessel (Bari) and Galeria Labirynt in Lublin \u2013 analyse, individually and in dialogue, various political, economic and cultural determinants of artistic production within institutions as well as the potential of art critique as a tool for change<\/p>\n","protected":false},"excerpt":{"rendered":"

SVET UMETNOSTI, \u0161ola za kustose in kritike sodobne umetnosti 2011\/2013 Letnik 14 Serija javnih predavanj o kuratorski in institucionalni praksi And what if … Institution: alternative scenario Mednarodna delavnica Galerija Labirynt, Lublin, Poljska 5\u20137. oktober 2012 Delavnica je del projekta Giant Step. Kustosinji: Anna Smolak, Magdalena Ujma Kustosinja iz Galerije Labirynt: Magdalena Linkowska<\/p>\n","protected":false},"author":1,"featured_media":3628,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,7,17],"tags":[],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/3621"}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/comments?post=3621"}],"version-history":[{"count":10,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/3621\/revisions"}],"predecessor-version":[{"id":3632,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/posts\/3621\/revisions\/3632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media\/3628"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/media?parent=3621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/categories?post=3621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-json\/wp\/v2\/tags?post=3621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}