{"id":142,"date":"2010-03-07T00:17:52","date_gmt":"2010-03-06T22:17:52","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/13th-year-201011\/series-of-lectures\/"},"modified":"2015-05-26T13:57:19","modified_gmt":"2015-05-26T11:57:19","slug":"series-of-lectures","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/series-of-lectures","title":{"rendered":"Series of lectures"},"content":{"rendered":"<p>WORLD OF ART<br \/>\nSchool for Curators and Critics of Contemporary Art<br \/>\nSeason 13<br \/>\n1st Year (April\u2013June 2010)<\/p>\n<hr \/>\n<p><strong>Sa\u0161a Nabergoj and Rebeka Vidrih: Art XX. Century. Chapters.<\/strong><br \/>\nOverview of artistic practices, trends, socio-political contexts and key shifts in the understanding, thematising, analysis and historical positioning of fine arts.<\/p>\n<p><strong>Alenka Pirman: Art system. Review.<\/strong><br \/>\nPresentation of the structure of art system in Slovenia and its placement in the international context. Mapping of public institutions, non-governmental institutes, centers, galleries&#8230;<\/p>\n<p><strong>Barbara Bor\u010di\u0107: Video as a tool and strategy of artistic expression. Selected examples.<\/strong><br \/>\nUse of video as an expressive medium. Thematic overview of video production in Slovenia.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>WORLD OF ART School for Curators and Critics of Contemporary Art Season 13 1st Year (April\u2013June 2010) Sa\u0161a Nabergoj and Rebeka Vidrih: Art XX. Century. Chapters. Overview of artistic practices, trends, socio-political contexts and key shifts in the understanding, thematising, analysis and historical positioning of fine arts. Alenka Pirman: Art system. Review. Presentation of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":135,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-142","page","type-page","status-publish","hentry","category-woa"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=142"}],"version-history":[{"count":4,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/142\/revisions"}],"predecessor-version":[{"id":2869,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/142\/revisions\/2869"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/135"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}