{"id":151,"date":"2010-03-07T11:59:36","date_gmt":"2010-03-07T09:59:36","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/13th-year-201011\/workshops-on-writing-about-contemporary-art\/"},"modified":"2015-05-26T13:35:44","modified_gmt":"2015-05-26T11:35:44","slug":"workshops-on-writing-about-contemporary-art","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshops-on-writing-about-contemporary-art","title":{"rendered":"Workshops on writing about contemporary art"},"content":{"rendered":"<p>WORLD OF ART<br \/>\nSchool for Curators and Critics of Contemporary Art<br \/>\nSeason 13<br \/>\n2nd Year (September 2010\u2013May 2011)<\/p>\n<hr \/>\n<p>Workshops on writing about contemporary art are primarily intended for participants of the school, but for each workshop there will be a few places for extern participants.  <\/p>\n<p>Program:<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshops\/misko-suvakovic-theory-and-practice-of-art-criticism\/\">Mi\u0161ko \u0160uvakovi\u0107: Theory and practice of art criticism<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshops-on-writing-about-contemporary-art\/grafenauer-writing-a-text\/\">Petja Grafenauer: Writing a text about an exhibition of contemporary art<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshops-on-writing-about-contemporary-art\/suzana-milevska-text-for-the-catalogue\/\">Suzana Milevska: Text for the catalogue<\/a><\/strong><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>WORLD OF ART School for Curators and Critics of Contemporary Art Season 13 2nd Year (September 2010\u2013May 2011) Workshops on writing about contemporary art are primarily intended for participants of the school, but for each workshop there will be a few places for extern participants. Program: Mi\u0161ko \u0160uvakovi\u0107: Theory and practice of art criticism Petja [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":135,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-151","page","type-page","status-publish","hentry","category-woa"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=151"}],"version-history":[{"count":4,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/151\/revisions"}],"predecessor-version":[{"id":2855,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/151\/revisions\/2855"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/135"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}