WORLD OF ART
\nSchool for Curators and Critics of Contemporary Art
\nSeason 15
\n1st Year (October 2014\u2013June 2015)<\/p>\n
Sa\u0161a Nabergoj and Rebeka Vidrih: Art XX. Century. Chapters.<\/strong> Barbara Bor\u010di\u0107: Video as a tool and strategy of artistic expression.<\/strong> Sa\u0161a Nabergoj: Dolce far Niente: The Praise of Laziness<\/strong> WORLD OF ART School for Curators and Critics of Contemporary Art Season 15 1st Year (October 2014\u2013June 2015) Sa\u0161a Nabergoj and Rebeka Vidrih: Art XX. Century. Chapters. 10 lectures Overview of artistic practices, trends, socio-political contexts and key shifts in the understanding, thematising, analysis and historical positioning of fine arts. Barbara Bor\u010di\u0107: Video as a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1669,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-1670","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=1670"}],"version-history":[{"count":11,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1670\/revisions"}],"predecessor-version":[{"id":2718,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1670\/revisions\/2718"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1669"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=1670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=1670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=1670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n10 lectures
\nOverview of artistic practices, trends, socio-political contexts and key shifts in the understanding, thematising, analysis and historical positioning of fine arts.<\/p>\n
\n2 lectures
\nUse of video as an expressive medium. Thematic overview of video production in Slovenia.<\/p>\n
\nlecture
\nIn her lecture Dolce far Niente: The Praise of Laziness Sa\u0161a Nabergoj will examine the 18th century, when people\u2019s obsession with work and productivity began. The capitalist economic system was formed in the Enlightenment, and within this system rational discourse on work and economy emerged. At the same time, however, an alternative discourse celebrating laziness was established. In this discourse lie the roots of resistance to participation in a social project based on the work ethic, and the beginning of scepticism about the belief that productivity and the production of goods are the ultimate goals in life. The generally accepted circle of supply and demand fuelling the consumer society of the 21st century will be questioned with reference to several artists (f. e. Kazimir Malevi\u010d, Marcel Duchamp and Mladen Stilinovi\u0107) in the history.<\/p>\n","protected":false},"excerpt":{"rendered":"