{"id":1685,"date":"2014-03-14T13:53:48","date_gmt":"2014-03-14T11:53:48","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=1685"},"modified":"2015-04-10T08:52:31","modified_gmt":"2015-04-10T06:52:31","slug":"studio-visits","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/studio-visits","title":{"rendered":"Studio visits"},"content":{"rendered":"

WORLD OF ART
\nSchool for Curators and Critics of Contemporary Art
\nSeason 15
\n1st Year (October 2014\u2013June 2015)<\/p>\n

\n

Curatorial work is carried out at various levels and a large part of it takes place mostly outside the gallery space since this is sort of the final moment in the whole work process. The structured gallery exhibition program and individual curatorial projects seek to monitor the development of the contemporary visual arts, including tracking the trend of presenting art, theoretical discourse and the continuous development of art practices.
\nOne of the curator methods, certainly one of the most important, is visiting a studio of an artist, thus enabling a personal contact with artists, curators, and consequently providing a more holistic approach to artistic work. During the working year, participants of the World of Art School will be meeting, on an individual as well group basis, artists in their studios, these “studio discoveries” will be in the form of short presentations at monthly meetings presented to their colleagues. Six studio visits will be structured so that participants of the World of Art School will be put in the situations which curators meet regularly in the process of their work.<\/p>\n

Mentor: Tev\u017e Logar<\/p>\n

\n

In the studio of Meta Grgurevi\u010d, January 29, 2015<\/strong>
\nPhoto: Miha Poljak<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

—<\/p>\n

Studio visit of Vadim Fishkin, January 15, 2015<\/strong><\/p>\n

—<\/p>\n

In the studio of Tanja Lazeti\u0107, December 18, 2014<\/strong>
\n(Meeting in Project Room SCCA)<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

—<\/p>\n

In the studio of Zora Stan\u010di\u010d, November 27, 2014<\/strong>
\nPhoto: Miha Poljak<\/p>\n

\"In<\/a> \"In<\/a> \"In<\/a> \"In<\/a><\/p>\n

—<\/p>\n

In the studio of Miha \u0160trukelj, November 13, 2014 <\/strong>
\n(meeting in the Gregor Podnar Gallery and the guided tour by Tev\u017e Logar: Tensions, November 11\u2013December 5, 2014)<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\" <\/a>\"\"<\/a><\/p>\n

—<\/p>\n

In the studio of Roman Uranjek, October 30, 2014<\/strong><\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

\n

Studio visits in Season 14<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

WORLD OF ART School for Curators and Critics of Contemporary Art Season 15 1st Year (October 2014\u2013June 2015) Curatorial work is carried out at various levels and a large part of it takes place mostly outside the gallery space since this is sort of the final moment in the whole work process. The structured gallery […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1669,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-1685","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=1685"}],"version-history":[{"count":16,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1685\/revisions"}],"predecessor-version":[{"id":1863,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1685\/revisions\/1863"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1669"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=1685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=1685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=1685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}