{"id":1784,"date":"2014-04-26T11:06:29","date_gmt":"2014-04-26T09:06:29","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=1784"},"modified":"2025-10-23T14:37:00","modified_gmt":"2025-10-23T12:37:00","slug":"history","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/history","title":{"rendered":"History"},"content":{"rendered":"<p><strong>World of Art, School for Curatorial Practices and Critical Writing<\/strong><\/p>\n<p><strong>Head of the programme:<\/strong> Miha Kelemina (2016\u2212), Simona \u017dvanut (2015\/2016), Sa\u0161a (Glavan) Nabergoj (1998\u22122015);<br \/>\nexcept: Alenka Pirman (1997), Ur\u0161a Jurman (2005\/06), Petja Grafenauer (2008\/09)<br \/>\n<strong>Coordinators and co-workers:<\/strong> Asta Vre\u010dko (2018\u2212), Jasna Jernej\u0161ek (2018\/2019), Lara Plav\u010dak (2016\/2017), Miha Kelemina (2015\/2016), Simona \u017dvanut (2011\u22122015), Sonja Zavrtanik (2009\u22122011), Maja Lozi\u0107 (2007\/08), Tev\u017e Logar (2004\u20132006), Toni Poljanec (2003\/4), Jani Pirnat (2002\/03), Sa\u0161a Glavan (1997)<\/p>\n<hr \/>\n<div class=\"scca-articles-grid\">\n<p><a name=\"year17\"><\/a><\/p>\n<div class=\"col-md-12 col-sm-12 grid\">\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14513\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2019\/06\/17-leto-prvi-letnik1-338x212.jpg\" alt=\"\" width=\"338\" height=\"212\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14518\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2019\/06\/Obisk-razstave-Max-Grau_Kino-Siska-338x240.jpg\" alt=\"\" width=\"338\" height=\"240\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15313\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2020\/10\/SCCA_Pod-pritiskom-12.-11.\u2013_SPLETNA-EXH-338x225.jpg\" alt=\"\" width=\"338\" height=\"225\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #555; color: #ffffff; padding: 1px; width: 100%;\">YEAR 17: 2018\/20<\/h4>\n<p><strong>Head:<\/strong> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/team\">Miha Kelemina<\/a><br \/>\n<strong>Co-workers:<\/strong>\u00a0<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/team\">Asta Vre\u010dko, Jasna Jernej\u0161ek<\/a><br \/>\n<strong>School<\/strong><br \/>\n<strong>Tutors:\u00a0<\/strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/team\">Miran Mohar<\/a>,\u00a0<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/team\">Alenka Gregori\u010d<\/a><strong><br \/>\nParticipants:<\/strong>\u00a0<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year17-2018-2020\/participants\">Tia \u010ci\u010dek, Kristina Ferk, Katja Filovski, Lara Meja\u010d, Anja Seni\u010dar, Rea Vogrin\u010di\u010d, Nevena Aleksovski, Tajda \u010ce\u0161arek, Zala Ferlinc, Tisa Ne\u017ea Herlec, Ne\u017ea Pav\u0161i\u010d<\/a><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year17-2018-2020\"><strong>PROGRAMME<\/strong><\/a><\/p>\n<p><strong>Series of public lectures <\/strong><strong>Parallel Systems. Establishing and Forming Media Art<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6079\">Mikl\u00f3s Petern\u00e1k:\u00a0<em>CHANGING THE SYSTEM: THE INTERMEDIA MODEL. From Media Research to Intermedia 2.0 (1989\u20132019)<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6088\">Suzana Milevska:\u00a0<em>WRITING ABOUT, WITH, AND OUTWARDS ART<\/em><\/a><\/li>\n<li><em>Media art and cutural policy<\/em><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6092\">Siegfried Zielinski:\u00a0<em>PRO-SPECTIVE ARCHAEOLOGIES. Travelling through DEEP TIME OF THE MEDIA into Possible Futures<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6137\">Amy Ireland and Mikkel Thykier:\u00a0<em>Shanghai Frequencies<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6214\">Sabine Himmelsbach: Curating Media Art offline and online<\/a><\/li>\n<\/ul>\n<p><strong>Final exhibition:<\/strong><br \/>\n<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6218\"><em>Under Pressure<\/em><\/a><br \/>\n(12 November \u2013 29 December 2020, \u0160kuc Gallery, Stari trg 21, Ljubljana)<\/p>\n<p><strong>Artists:\u00a0Maru\u0161a Megli\u010d and\u00a0Sara Rman<\/strong><strong><br \/>\nCurators:\u00a0<\/strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year17-2018-2020\/participants\">Tia \u010ci\u010dek, Kristina Ferk, Katja Filovski, Lara Meja\u010d, Anja Seni\u010dar,\u00a0Rea Vogrin\u010di\u010d<\/a><\/p>\n<p><strong>Other:<br \/>\n<\/strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year17-2018-2020\/curatorial-mapping\">Curatorial Mapping<\/a><br \/>\n<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/team\">Team<\/a><br \/>\n<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year17-2018-2020\/support-2018-2020\">Support<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year16\"><\/a><\/p>\n<div class=\"col-md-12 col-sm-12 grid\">\n<div class=\"featured-thumb col-md-4 col-sm-4\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/sestnajsto-leto-2017-2018\"><img decoding=\"async\" class=\"alignnone size-full wp-image-10320\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2017\/01\/Leto16-prvo-srecanje.jpg\" alt=\"\" width=\"338\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12656\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2018\/04\/20180405_160818-338x190.jpg\" alt=\"\" width=\"338\" height=\"190\" \/><\/a><br \/>\n<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/sestnajsto-leto-2017-2018\/nekaj-minut-kasneje\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12732\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2018\/05\/Vizualija-transkript-338x190.jpg\" alt=\"\" width=\"338\" height=\"190\" \/><\/a><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #643ea0; color: #ffffff; padding: 1px; width: 100%;\">YEAR 16: 2017\/18<\/h4>\n<p><strong>Head:<\/strong> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/team\">Miha Kelemina<\/a><br \/>\n<strong>Coordinator:<\/strong> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/team#lara\">Lara Plav\u010dak<\/a><br \/>\n<strong>School<\/strong><br \/>\n<strong>Tutors:\u00a0<\/strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/team#tutors\">Miran Mohar<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/team#tutors\">Alenka Gregori\u010d<\/a><strong><br \/>\n<\/strong><strong>Participants: <\/strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/participants-20172018\">Ur\u0161ka Aplinc, \u017diva Brglez, Maja Burja, Anabel \u010cernohorski, Magdalena Germek, Anja Guid, Nika Ham, Ajda Ana Kocutar, Iza Pevec, Adrijan Praznik,\u00a0Nina Tepe\u0161<\/a><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/lectures\"><strong>Lectures:<\/strong><\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/lectures\/alenka-priman-art-system-an-insight\">Alenka Priman: Art System. An Insight<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/lectures\/rebeka-vidrih-establishing-of-modernist-art-historical-narrative-and-historical-avant-garde\">Rebeka Vidrih: Establishing of Modernist Art-Historical Narrative and Historical Avant-garde<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/lectures\/vesna-copic-cultural-policy-and-the-status-of-artist\">Vesna \u010copi\u010d: Cultural Policy and the Status of Artist<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/lectures\/asta-vrecko-art-system-in-slovenia-a-walk-through-20th-century\">Asta Vre\u010dko: Art System in Slovenia \u2013 A Walk through 20th Century<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/lectures\/sasa-nabergoj-sasa-nabergoj-curatorial-practices-a-brief-historical-overview\">Sa\u0161a Nabergoj: Curatorial practices. A brief historical overview<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/lectures\/simona-zvanut-museum-of-contemporary-art-institution-and-architecture\">Simona \u017dvanut: Museum of Contemporary Art: Institution and Architecture<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/lectures\/barbara-borcic-art-discourses\">Barbara Bor\u010di\u0107: Art Discourses<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\"><strong>Seminars and Modules:<\/strong><\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/andrej-pezelj-art-and-fictions-of-subversion\">Andrej Pezelj: Art and Fictions of Subversion<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/petja-grafenauer-close-reading-workshop\">Petja Grafenauer: Close Reading Workshop<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/miha-kelemina-seminar-critique\">Miha Kelemina: Seminar Critique<\/a><\/li>\n<li><a href=\"arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/barbara-borcic-seminar-analysis-of-artwork\">Barbara Bor\u010di\u0107: Seminar Analysis of Artwork<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/art-of-20th-century-chapters\">Art of 20th Century. Chapters<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/research-collective-sum\">Research collective \u0160UM: Kaja Kraner, Tja\u0161a Poga\u010dar, Izidor Bar\u0161i, Andrej \u0160kufca: Alternative Organizing and Survival Strategies in Contemporary Art<\/a><\/li>\n<\/ul>\n<p style=\"padding-left: 20px;\">MODULES, 1st YEAR:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/katja-kranjc-mgmsum-library\">Katja Kranjc: MG+MSUM Library<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/jana-intihar-ferjan-and-teja-merhar-documentation\">Jana Intihar Ferjan and Teja Merhar: Documentation<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/dusan-dovc-application-documentation\">Du\u0161an Dov\u010d: Application Documentation<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/mateja-lazar-financing-programmes-from-eu\">Mateja Lazar (Creative Europe Desk\/Motovila): EU Financing Programmes (from European Culture Financing Policies to Application Documentation)<\/a><\/li>\n<\/ul>\n<p style=\"padding-left: 20px;\">MODULES, 2nd YEAR:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/dusan-dovc-producer-in-contemporary-art\">Du\u0161an Dov\u010d: Producer in Contemporary Art<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/module-sponsorship-management\">Module: Sponsorship Management<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/module-public-relations-for-a-contemporary-art-exhibition\">Module: Public Relations for a Contemporary Art Exhibition<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/dusan-dovc-preparing-the-financial-plan-for-an-exhibition-of-contemporary-art\">Du\u0161an Dov\u010d: Preparing the Financial Plan for an Exhibition of Contemporary Art<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/barbara-borcic-a-catalogue-editors-view\">Barbara Bor\u010di\u0107: A Catalogue. Editor\u2019s View<\/a><\/li>\n<\/ul>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\">Practical work:<\/a><\/strong><\/p>\n<p style=\"padding-left: 20px;\">1st YEAR<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\/vladimir-vidmar-curatorial-research\">Vladimir Vidmar: Curatorial Research<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\/assisting-with-contemporary-art-exhibitions\">Assisting with Contemporary Art Exhibitions<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\/miha-kelemina-lara-plavcak-studio-visits\">Miha Kelemina, Lara Plav\u010dak: Studio Visits<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\/miha-kelemina-lara-plavcak-curatorial-mapping\">Miha Kelemina, Lara Plav\u010dak: Curatorial Mapping<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\/virtual-exhibitions\">Virtual Exhibitions<\/a><\/li>\n<\/ul>\n<p style=\"padding-left: 20px;\">2nd YEAR<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\/alenka-gregoric-miran-mohar-curatorial-course\">Alenka Gregori\u010d, Miran Mohar: Curatorial Course<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\/modules-on-practical-work-of-the-curator-and-exhibition-planning\">Modules on Practical Work of the Curator and Exhibition Planning<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\/final-exhibition\">Final Exhibition<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/javni-dogodki\"><strong>Series of public lectures and workshops Practices and Approaches:<\/strong><\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/4062\">Daniel Morgenthaler: Curating? Corating!<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/4804\">Andrej Bereta: <em>Curator vs Artist<\/em><\/a>, workshop<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/4804\">Andrej Bereta: <em>Evaluation of an Exhibition<\/em><\/a>, workshop<\/li>\n<\/ul>\n<p><strong>Final exhibition:<\/strong><br \/>\n<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/a-few-minutes-later\"><strong><em>A Few Minutes Later.<\/em><\/strong><\/a><br \/>\n(15 May \u2013 7 June 2018, Galerija \u0160kuc, Stari trg 21, Ljubljana)<br \/>\n<strong>Artist:<\/strong> Voranc Kumar<br \/>\nCurators: <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/participants-20172018\">Ur\u0161ka Aplinc, Maja Burja, Anja Guid, Ajda Ana Kocutar, Iza Pevec, Adrijan Praznik<\/a><\/p>\n<p><strong>Collaboration:<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.galerijaskuc.si\/en\/\">Galerija \u0160kuc<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/4475\">Vodnikova doma\u010dija Gallery<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/5038\">Academy of Fine Arts and Design<\/a><\/li>\n<li><i>Svet okoli nas \u2013 kriti\u010dni pogledi v regiji<\/i> s partnerji<a href=\"http:\/\/www.kulturpunkt.hr\/node\/29\"> Kurziv, platforma za vpra\u0161anja kulture, medijev in dru\u017ebe<\/a>,<a href=\"http:\/\/www.booksa.hr\/\"> Kulturtreger<\/a>,<a href=\"http:\/\/www.seecult.org\/\"> SEECult.org<\/a>,<a href=\"http:\/\/www.kontrapunkt-mk.org\/\"> Kontrapunkt<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/4942\">International Conference and Seminar on the Topic of Art Criticism in Skopje<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/4737\">Who would(n\u2019t) need criticism?<\/a><\/li>\n<\/ul>\n<p><strong>Other:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/timetable-20172018\">Timetable<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\/miha-kelemina-lara-plavcak-studio-visits\">Studio Visits<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/practical-work\/miha-kelemina-lara-plavcak-curatorial-mapping\">Curatorial Mapping<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/team\">Team 2016\/2018<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/support\">Support<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year15\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" class=\"alignnone size-full wp-image-9039\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2007\/10\/15leto.jpg\" alt=\"\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #336666; color: #ffffff; padding: 1px; width: 100%;\">YEAR 15: 2014\/2016<\/h4>\n<p><strong>Head:<\/strong> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/team-20142015\">Sa\u0161a Nabergoj (2014 \u2013 August 2015)<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/team-20152016\">Simona \u017dvanut (August 2015 \u2013 June 2016)<\/a><br \/>\n<strong>Coordinator: <\/strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/team-20142015\">Simona \u017dvanut (2014 \u2013 August 2015)<\/a>, <u><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/team-20152016#Miha\">Miha Kelemina (August 2015 \u2013 June 2016)<\/a><\/u><\/p>\n<p><strong>School<\/strong><br \/>\n<strong>Tutors: <\/strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/team-20152016#mohar\">Miran Mohar<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/team-20152016#gregoric\">Alenka Gregori\u010d<\/a><strong><br \/>\nParticipants:<\/strong> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/participants-20142016\">Petra Bole, Jerko Glu\u0161\u010devi\u0107, Nina Jesih, Zala Kurin\u010di\u010d, Maru\u0161a Megli\u010d, Lili Anamarija No, Domen Ograjen\u0161ek, Hana Ostan O\u017ebolt, Alja\u017e Plos, Miha Poljak, Mojca Sfiligoj, Katarina Stopar<\/a><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/series-of-lectures\"><strong>Lectures:<\/strong><\/a><\/p>\n<ul>\n<li>Barbara Bor\u010di\u0107: Video as a tool and strategy of artistic expression.<\/li>\n<li>Rebeka Vidrih: Art XX. Century. Chapters.<\/li>\n<li>Sa\u0161a Nabergoj: Art XX. Century. Chapters.<\/li>\n<li>Sa\u0161a Nabergoj: Dolce far Niente: The Praise of Laziness<\/li>\n<\/ul>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/seminar\">Seminars:<\/a><\/strong><\/p>\n<ul>\n<li>Sa\u0161a Nabergoj: Seminar on Writing About Contemporary Art<\/li>\n<li>Barbara Bor\u010di\u0107: Seminar on Writing About Contemporary Art<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/seminar\/andrej-pezelj-emancipation-in-the-field-of-art-discourses\">Andrej Pezelj: Emancipation in the field of art discourses <\/a><\/li>\n<li>Barbara Bor\u010di\u0107: Interpretation \u2013 Analysis of a Work of Art<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/workshops-20142016\"><strong>Workshops:<\/strong><\/a><br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/workshops-20142016\">schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/workshop-tutors-20142016\">workshop tutors<\/a>)<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1641\">Suzana Milevska: The Troubled Relation Between Theory and Curatorial Practice<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1654\">Elke Krasny: Unplanned History \u2013 Writing It Down\/Writing It Up as a Critical Curatorial Practice<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1744\">Jayme McLellan: Different models of support for emerging art and artists in the U.S.\/D.C.<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1764\">Paul O\u2019Neill: Did Somebody Say Curating, Again? Recent Turns in Curatorial Practice<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/study-excursions\"><strong>Study Excursions<\/strong><\/a><\/p>\n<ul>\n<li>Study excursion to Celje, 10 november, 2014<\/li>\n<li>Study excursion to Gorizia, 16 january, 2014<\/li>\n<li>study excursion to Pivka, Hi\u0161a kulture Gallery, 13 february, 2015<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/curatorial-course\"><strong>Curatorial Course<\/strong><\/a><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/practical-curatorial-work\"><strong>Modules on Practical Curatorial Work:<\/strong><\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/petnajsto-leto-2014-2016\/modul-o-prakticnih-delih-kustosa\/producent-v-sodobni-likovni-umetnosti\" target=\"_blank\" rel=\"noopener\">Du\u0161an Dov\u010d: Producer in Contemporary Art<\/a> (in Slovene only)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/practical-curatorial-work\/sponsorships-management\">Vesna Stani\u0107: Sponsorships Management<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/practical-curatorial-work\/public-relations-for-a-contemporary-art-exhibition\">\u0160pela Polak: Public Relations for a Contemporary Art Exhibition<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/petnajsto-leto-2014-2016\/modul-o-prakticnih-delih-kustosa\/dusan-dovc-priprava-financnega-nacrta-za-razstavo-sodobne-umetnosti\" target=\"_blank\" rel=\"noopener\">Du\u0161an Dov\u010d: Fundraising and Financial Plan<\/a> (in Slovene only)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/petnajsto-leto-2014-2016\/modul-o-prakticnih-delih-kustosa\/jana-intihar-ferjan-in-teja-merhar-dokumentacija\" target=\"_blank\" rel=\"noopener\">Jana Intihar Ferjan and Teja Merhar: Documentation<\/a> (in Slovene only)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/petnajsto-leto-2014-2016\/modul-o-prakticnih-delih-kustosa\/miha-kelemina-priprava-tehnicnega-nacrta-za-razstavo-sodobne-umetnosti\" target=\"_blank\" rel=\"noopener\">Miha Kelemina: Technical Plan<\/a> (in Slovene only)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/practical-curatorial-work\/barbara-borcic-a-catalogue-editors-view\">Barbara Bor\u010di\u0107: A catalogue. Editor\u2019s view<\/a><\/li>\n<\/ul>\n<p><strong>Final Exhibition: <\/strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/personal\"><em>Personal<\/em><\/a> (26 May \u2013 15 July 2016, \u0160kuc Gallery, Stari trg 21, Ljubljana)<br \/>\nArtists: <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/personal\/artists-cvs\">Boris Beja, \u017diva Bo\u017ei\u010dnik Rebec, Nina \u010celhar, Ne\u017ea Knez, Maru\u0161a Megli\u010d, Tejka Pezdirc, Pila Rusjan and Dejan \u0160tefan\u010di\u010d<\/a><\/p>\n<p><strong>Reflections and Premises in Contemporary Art, Art Theory and Art History, 2014<\/strong><br \/>\nSeries of public lectures<br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/series-of-lectures-on-curatorial-and-institutional-practice#2014\">schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/lecturers-20142016\">lecturers<\/a>)<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1641\">Suzana Milevska: The Troubled Relation Between Theory and Curatorial Practice<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1654\">Elke Krasny: Unplanned History \u2013 Writing It Down\/Writing It Up as a Critical Curatorial Practice<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1744\">Jayme McLellan: Different models of support for emerging art and artists in the U.S.\/D.C.<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1764\">Paul O\u2019Neill: Did Somebody Say Curating, Again? Recent Turns in Curatorial Practice<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2032\">Piotr Piotrowski: The Global NETwork. Approaching Comparative Art History<br \/>\nKlara Kemp-Welch: Continuity and Rupture \/ Networking and Collaboration from the 70s to the 00s<\/a><\/li>\n<\/ul>\n<p><strong>How Critical Is The Condition of Critical Writing?, 2015<\/strong><br \/>\nSeries of public lectures<br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/series-of-lectures-on-curatorial-and-institutional-practice\">schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/lecturers-20142016\">lecturers<\/a>)<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2539\">Boris Buden: Art and Critique in Curating the Past, lecture<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2539\">Boris Buden: A conversation with Boris Buden upon the occasion of the Slovene translation of the <em>Zone des \u00dcbergangs: Vom Ende des Postkommunismus<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2588\">Lina D\u017euverovi\u0107: Words Are People.* Text As Art And Art As Text<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/3054\">Jelena Vesi\u0107: Critique in\/or Crisis<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/3380\">Jennifer Allen: The Work of Art Criticism in the Digital Era<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/archives\/7870\">Edit Andr\u00e1s: Tirnica kritike v \u010dasu postsocialisti\u010dnega nacionalizma \u2013 Primer Mad\u017earska<\/a><\/li>\n<\/ul>\n<p><strong>How Critical Is The Condition of Critical Writing?, 2016<\/strong><br \/>\nSeries of public lectures<br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/16th-season-2016-2018\/series-of-public-lectures-how-critical-is-the-condition-of-critical-writing\">schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/16th-season-2016-2018\/lecturers-20162018\">lecturers<\/a>)<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/3790\">Thijs Lijster: The Crisis of Criticism<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/3790\">Thijs Lijster: Towards an \u201cEspacement\u201d of Criticism<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/3800\">Ekaterina Degot: When Everybody is Critical, but Nobody is a Critic<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/3992\">Maja Breznik: Presenting the Analysis \u201cWhere Has Fine-Art Criticism Gone?\u201d<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/4013\">Izidor Bar\u0161i &amp; Kaja Kraner (\u0160UM): Discourses Accompanying Art<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/4021\">Antonija Letini\u0107: What Do We Talk About When We Talk About Criticism?<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/4032\">Fouad Asfour: Unlearning Art Writing<\/a><\/li>\n<\/ul>\n<p><strong>Collaboration:<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.igorzabel.org\/en\" target=\"_blank\" rel=\"noopener\">Igor Zabel Association for Culture and Theory<\/a><\/li>\n<li><a href=\"http:\/\/www.galerijaskuc.si\/\" target=\"_blank\" rel=\"noopener\">\u0160kuc Gallery<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/curating-in-depth\"><em>Curating\u2013In\u2013Depth <\/em>Project<\/a> with <a href=\"http:\/\/www.plantingrice.com\/\" target=\"_blank\" rel=\"noopener\">Planting Rice<\/a> and <a href=\"http:\/\/www.kulturpunkt.hr\/node\/29\" target=\"_blank\" rel=\"noopener\">Kurziv<\/a><\/li>\n<li><u><a href=\"http:\/\/vsu.ung.si\/\" target=\"_blank\" rel=\"noopener\">School of Arts University of Nova Gorica<\/a><\/u><\/li>\n<li><a href=\"http:\/\/www.bard.edu\/\" target=\"_blank\" rel=\"noopener\">Bard Centre for Curatorial Studies, New York<\/a><\/li>\n<li><a href=\"http:\/\/www.ff.uni-lj.si\/an\/study\/departments\/department_art_history\" target=\"_blank\" rel=\"noopener\">Department of Art History, The Faculty of Arts<\/a><\/li>\n<li><u><a href=\"http:\/\/www.ugm.si\/en\/\" target=\"_blank\" rel=\"noopener\">Umetnostna galerija Maribor<\/a><\/u><\/li>\n<\/ul>\n<p><strong>Other:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/timetable-2014-2016\">Timetable<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/studio-visits\">Studio Visits<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/visit-to-exhibitions\">Exhibitions Visits<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/team-20142015\">Team 2014\/2015<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/team-20152016\">Team 2015\/2016<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/support-20142016\">Support<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<div class=\"featured-thumb col-md-4 col-sm-4\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2648\"><img decoding=\"async\" class=\"alignnone size-full wp-image-7305\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/04\/Borga-Kanturk-Losers-Club.jpg\" alt=\"\" width=\"338\" \/><\/a><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<p><strong>Exhibition &amp; research projects<\/strong><\/p>\n<h4><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2648\"><strong>Borga Kant\u00fcrk: Memory Research Office:<br \/>\nCollect.Cut.Create.Re-Create<\/strong><\/a><\/h4>\n<p>Exhibition and guided tour<br \/>\n(\u0160kuc Gallery, 8\u201322 May 2015)<\/p>\n<p><strong>Curators:<\/strong> Sa\u0161a Nabergoj, Simona \u017dvanut<br \/>\n<strong>Assistants:<\/strong> the students of the 15th year of the World of Art School: Petra Bole, Jerko Glu\u0161\u010devi\u0107, Nina Jesih, Zala Kurin\u010di\u010d, Maru\u0161a Megli\u010d, Hana Ostan O\u017ebolt, Alja\u017e Plos, Miha Poljak, Mojca Sfiligoj<br \/>\n<strong>Organization:<\/strong> World of Art (SCCA-Ljubljana) and \u0160kuc Gallery<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<div class=\"featured-thumb col-md-4 col-sm-4\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2188\"><img decoding=\"async\" class=\"alignnone size-full wp-image-6744\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2014\/12\/avgust-cernigoj.jpg\" alt=\"\" width=\"338\" \/><\/a><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<p><strong>Exhibition &amp; research projects<\/strong><\/p>\n<h4><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2188\"><strong>Day by Day<\/strong><\/a><\/h4>\n<p>Exhibition and guided tour<br \/>\n(\u0160kuc Gallery, 12 December 2014\u20139 January 2015)<\/p>\n<p><strong>Artists:<\/strong> Bari\u015f B. Atal (Turkey), Avgust \u010cernigoj, Beli sladoled \/ White ice cream (Miha Perne &amp; Leon Zuodar), Ne\u017ea Jurman, Miha Perne, Leon Zuodar (Slovenia)<strong>Curators:<\/strong> Sa\u0161a Nabergoj, Simona \u017dvanut<br \/>\n<strong>Assistants:<\/strong> Nina Jesih, Zala Kurin\u010di\u010d<br \/>\n<strong>Organization:<\/strong> World of Art (SCCA-Ljubljana) and \u0160kuc Gallery<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<div class=\"featured-thumb col-md-4 col-sm-4\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1556\"><img decoding=\"async\" class=\"alignnone size-full wp-image-5510\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2013\/09\/koncna-postaja.jpg\" alt=\"\" width=\"338\" \/><\/a><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<p><strong>Exhibition &amp; research projects<\/strong><\/p>\n<h4><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1556\"><strong>The Closing Stop<\/strong><\/a><\/h4>\n<p>Overview of visual art scene in ACC Metelkova City<br \/>\n(ACC Metelkova City, various venues, 10 September\u20139 October, 2013)<\/p>\n<p><strong>Participants:<\/strong> Rok Barbori\u010d, Mizzart, Belatehnika &amp; Beladona, Iskra Beli\u010danska, Matej Bizovi\u010dar, Edvin Dobrilovi\u010d, Tina Dr\u010dar, Bo\u0161tjan Drinovec, Luka Drinovec, Anna Ehrlemark, Mitja Ficko, Toma\u017e Furlan, Meta Kastelic, Neven Korda, Borut Koro\u0161ec, Marko A. Kova\u010di\u010d, Damijan Kracina, Vladimir Leben, Miroslav Matek, Goran Medjugorac, Silvo Metelko, Jaka Miheli\u010d, Rajko Miladi\u0107, Rok Mohar, Bo\u0161tjan Novak, Miha Perne, Miran Pe\u0161i\u010d Pe\u0161o, Andrej Pezelj, Dejan Pfeifer Stripi, Nata\u0161a Tajnik, Terrah, Ur\u0161a Toman, Uro\u0161 Weinberger<\/p>\n<p><strong>Curatorial team:<\/strong> Ana Grobler, Sebastian Krawczyk, Sa\u0161a Nabergoj, Jadranka Plut, Simona \u017dvanut<br \/>\n<strong>Assistants:<\/strong> Anabel \u010cernohorski, Miha Kelemina<br \/>\n<strong>Organization:<\/strong> World of Art (SCCA-Ljubljana) and Alkatraz Gallery<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year14\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik14.jpg\" alt=\"Svet umetnosti, 14. letnik: 2011\/13\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #d50349; color: #ffffff; padding: 1px; width: 100%;\">YEAR 14: 2011\/13<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Nabergoj<br \/>\n<strong>Asistant:<\/strong> Simona \u017dvanut<\/p>\n<p><strong>School<\/strong><br \/>\n<strong>Tutors: <\/strong>Miran Mohar, Nevenka \u0160ivavec<strong><br \/>\nParticipants:<\/strong> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/participants-20112013\">Maja Alibegovi\u0107, Maja Anton\u010di\u010d, Lenka \u0110orojevi\u0107, Jasna Jernej\u0161ek, Miha Kelemina, Darija Kova\u010di\u010d, Nina Skumavc, Nina Sotel\u0161ek, Denis Volk<\/a><\/p>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/series-of-lectures\">Lectures:<\/a><\/strong><\/p>\n<ul>\n<li>Barbara Bor\u010di\u0107: Video as a tool and strategy of artistic expression. Selected examples<\/li>\n<li>Sa\u0161a Nabergoj and Rebeka Vidrih: Art of the XXth. Century. Chapters<\/li>\n<\/ul>\n<p><strong>Seminar Introduction in Theory:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/seminar\/andrej-pezelj-emancipation-in-the-field-of-art-discourses\">Andrej Pezelj: Emancipation in the Field of Art Discourses<\/a><\/li>\n<\/ul>\n<p><strong>Workshops:<\/strong><br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/workshops-20112013\">Schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/workshops-20112013\/workshop-tutors-20112013\">Tutors<\/a>)<\/p>\n<ul>\n<li>Close reading workshop:\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/petja-grafenauer-what-is-hidden-in-a-text\">Petja Grafenauer: What is hidden in a text?<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>Workshops on Writing about Contemporary Art:\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/workshops\/misko-suvakovic-art-and-politics\">Mi\u0161ko \u0160uvakovi\u0107: Theory and Practice of Art Criticism \/ Art and Politics: Contemporary Aesthetics, Philosophy, Theory and Art in the Era of Global Transition<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/workshops\/branislav-dimitrijevic\">Branislav Dimitrijevi\u0107: Interpreting and Situating Contemporary Art: Observation, Participation, Motivation, Research and Empathy<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1194\">Petja Grafenauer: Workshop on Writing About Experimental Research and Exhibition Project \u201cVideo Turn\u201d<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/study-excursions\">Study excursions:<\/a><\/strong><\/p>\n<ul>\n<li>Krakow (7.\u201311. november 2011); author of the programme: Postgraduate Museological Curatorial Studies at University Jagiellonski Krakow (Wojciech Szymanski)<\/li>\n<li>Graz (22. december 2011)<\/li>\n<li>Z\u00fcrich (18.\u201321. april 2012); author of the programme: Postgraduate Curatorial Studies of Institute Cultural Studies in the Arts at Z\u00fcrich Art University (Dorothee Richter, Dimitrina Sevova)<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/curatorial-course\"><strong>Curatorial Course<\/strong><\/a><br \/>\n<span style=\"color: #ffffff;\">.<\/span><br \/>\n<strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/practical-curatorial-work\">Practical curatorial work<\/a>:<\/strong><\/p>\n<ul>\n<li>Public relations for a contemporary art exhibition<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/practical-curatorial-work\/barbara-borcic-a-catalogue-editors-view\">Barbara Bor\u010di\u0107: A catalogue. Editor\u2019s view<\/a><\/li>\n<li>Jana Intihar Ferjan: Documentation<\/li>\n<li>Du\u0161an Dov\u010d: Fundraising<\/li>\n<\/ul>\n<p><strong>Series of public lectures on curatorial and institutional practice:<\/strong><br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/series-of-public-lectures-on-curatorial-and-institutional-practice\">Schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/series-of-public-lectures-on-curatorial-and-institutional-practice\/lecturers\">Lecturers<\/a>)<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/626\">S\u00f8nke Gau in Katharina Schlieben: Work to do! Or Caught between two stools: Questioning Production Conditions \u2026<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/653\">Petra Kap\u0161: Lethe or Mnemosyne for the fu-(ture), OR as omnipresent trinity: poiesis, techn\u00e9, parrhesia<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/726\">Dorothee Richter: Artists and Curators as Authors \u2013 Competitors, Collaborators, or Teamworkers?<\/a> (opening lecture of exhibition <em>Print!<\/em>)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/733\">Andrzej Szczerski: Curating and the importance of artwork<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1341\"><em>Igor Zabel: Contemporary Art Theory:<\/em> Book presentation and discussion<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1420\">Erik Hagoort: Diagonal Reciprocity. Thinking About Art Practices of Encounter<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1487\">Nata\u0161a Petre\u0161in-Bachelez: Situated artistic research and self-reflexive residency programmes<\/a><\/li>\n<\/ul>\n<p><strong>Other:<\/strong><\/p>\n<ul>\n<li>Schedule (<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/timetable-20112013\/timetable-20112013-1st-semester\">Year 1<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/timetable-20112013\/timetable-20112013-2nd-semester\">Year 2<\/a>)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/studio-visits\">Seminar Studio visit (Tev\u017e Logar)<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/visit-to-exhibitions\">Visits to exhibitions<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/collaborations-20112013\">Collaboration<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/team-20112013\">Team<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/support\">Support<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#07\"><strong>Anthology: DILEMMAS OF CURATORIAL PRACTICES<\/strong><\/a><br \/>\nYears 7\u201314, 2012<\/p>\n<p><strong>Exhibition: <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/4-4\"><em>4. 4.<\/em><\/a><\/strong> (4. april\u20135. maj 2013, Galerija \u0160kuc, Stari trg 21, Ljubljana)<br \/>\n<strong>Artists: <\/strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/4-4#3\">Vid Avdi\u010d Batista, Mirjana Batini\u0107, Simon Hudolin Sal\u010di (SBD), Ne\u017ea Jurman, Gal Ko\u0161nik, Tejka Pezdirc, Tja\u0161a Poga\u010dar Podgornik, Nika Rupnik, Matej Stupica, Andrej \u0160kufca, Tadej Vaukman, Sta\u0161 Vrenko<\/a><br \/>\n<strong>Curators:<\/strong> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/participants-20112013\">Maja Alibegovi\u0107, Maja Anton\u010di\u010d, Lenka \u0110orojevi\u0107, Jasna Jernej\u0161ek, Miha Kelemina, Nina Skumavc, Denis Volk<\/a><br \/>\n<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/4-4#1\">About the exhibition 4. 4.<\/a><br \/>\n<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/4-4#2\">4. 4. in pictures<\/a><br \/>\n<a href=\"4. 4. Exhibition catalogue\">4. 4. Exhibition catalogue<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<div class=\"featured-thumb col-md-4 col-sm-4\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1026\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13012\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2018\/06\/vmesna-postaja-montaza-338x156.jpg\" alt=\"\" width=\"338\" height=\"156\" \/><\/a><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<p><strong>Exhibition &amp; research projects<\/strong><\/p>\n<h4><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1026\"><strong>A Mid-Stop<\/strong><\/a><\/h4>\n<p>Overview of visual art scene in ACC Metelkova City<br \/>\n(ACC Metelkova City, various venues, 6.\u201325. 9. 2012)<br \/>\n<span style=\"color: #ffffff;\">.<\/span><br \/>\n<strong>Participants:<\/strong> Rok Barbori\u010d, Iskra Beli\u010danska, Matej Bizovi\u010dar, Edvin Dobrilovi\u010d, Tina Dr\u010dar, Bo\u0161tjan Drinovec, Mitja Ficko, Toma\u017e Furlan, Jernej Kalu\u017ea, Meta Kastelic, Neven Korda, Marko A. Kova\u010di\u010d, Damijan Kracina &amp; Vladimir Leben, Mir\u010d Matek, Jaka Miheli\u010d, Rajko Miladi\u0107, Rok Mohar, Bo\u0161tjan Novak, Dejan Pfeifer \u2013 Stripi, Miha Perne, Miran Pe\u0161i\u010d, Belatehnika &amp; Beladona, Terrah, Uro\u0161 Weinberger, Mizanthrope Tonfilm, Nata\u0161a Serec<strong>Curators: <\/strong> Sa\u0161a Nabergoj and Jadranka Plut<br \/>\n<strong>Assistants:<\/strong> Ana Grobler, Sebastijan Krawczyk, Simona \u017dvanut<br \/>\n<strong>Organization:<\/strong> World of Art (SCCA-Ljubljana) and Alkatraz Gallery<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<div class=\"featured-thumb col-md-4 col-sm-4\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/787\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13014\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2018\/06\/printaj-kolaz-338x318.jpg\" alt=\"\" width=\"338\" height=\"318\" \/><\/a><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<p><strong>Exhibition &amp; research projects<\/strong><\/p>\n<h4><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/787\"><strong>Print!<\/strong><\/a><\/h4>\n<p>Exhibition of Editions \u2013 Ready to Print 13 (16 x A4) = A0 x 13<br \/>\n(International Centre of Graphic Arts, 15.\u201325. 3. 2012)<br \/>\n<span style=\"color: #ffffff;\">.<\/span><br \/>\n<strong>Artists:<\/strong> Brigit Brenner, Dani Gal, Guerilla Girls, Clare Kenny, Lucie Kolb, Monochrom, Ana Rold\u00e1n, Shirana Shahbazi, Riikka Tauriainen<strong>Prepared by:<\/strong> Sa\u0161a Nabergoj<br \/>\n<strong>Assistents:<\/strong> Miha Kelemina, Simona \u017dvanut<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<div class=\"featured-thumb col-md-4 col-sm-4\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/tomislav-brajnovic-expedition_ego\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11962\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2010\/10\/Tomislav-Brajnovic_Ekspedicija-ego-400x267.jpg\" alt=\"\" width=\"338\" height=\"226\" \/><\/a><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<p><strong>Exhibition &amp; research projects<\/strong><\/p>\n<h4><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/tomislav-brajnovic-expedition_ego\"><strong>Tomislav Brajnovi\u0107: Expedition_Ego<\/strong><\/a><\/h4>\n<p>(Alkatraz Gallery, 27. 10.\u201312. 11. 2010)<\/p>\n<p><strong>Curated by:<\/strong> Sa\u0161a Nabergoj, Sonja Zavrtanik<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year13\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik13.jpg\" alt=\"Svet umetnosti, 13. letnik: 2010\/11\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #ffcc33; color: #fff; padding: 1px; width: 100%;\">YEAR 13: 2010\/11<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Nabergoj<br \/>\n<strong>Asistant:<\/strong> Sonja Zavrtanik<\/p>\n<p><strong>School<\/strong><br \/>\n<strong>Tutors:<\/strong> Nevenka \u0160ivavec, Jo\u017ee Bar\u0161i<br \/>\n<strong>Participants:<\/strong> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/participants\">\u017diga Dobnikar, Helena Grahek, Ana Grobler, Iva Kova\u010d, Sebastian Krawczyk, \u0160pela Pavli, Lara Plav\u010dak, Vladimir Vidmar, Yasm\u00edn Mart\u00edn Vodopivec, Asta Vre\u010dko, Mojca Zalo\u017enik<\/a><\/p>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/series-of-lectures\">Lectures:<\/a><\/strong><\/p>\n<ul>\n<li>Barbara Bor\u010di\u0107: Video as a tool and strategy of artistic expression. Selected examples<\/li>\n<li>Sa\u0161a Nabergoj in Rebeka Vidrih: Art XX. Century. Chapters<\/li>\n<li>Alenka Pirman: Art system. Review<\/li>\n<\/ul>\n<p><strong>Close reading workshop:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshops\/petja-grafenauer-what-is-hidden-in-a-text\">Petja Grafenauer: What is hidden in a text?<\/a><\/li>\n<\/ul>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/a-module-on-practical-curatorial-work\">A module on practical curatorial work:<\/a><\/strong><\/p>\n<ul>\n<li>Metka Dari\u0161: Catalogue: view of the designer<\/li>\n<li>Du\u0161an Dov\u010d in Dea Vidovi\u0107: Fundraising<\/li>\n<li>Jana Intihar Ferjan: Documentation<\/li>\n<li>Bojana Leskovar: Public relations<\/li>\n<li>Branka Stipan\u010di\u0107: Catalogue: view of the editor<\/li>\n<\/ul>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/study-excursions\">Study excursions<\/a>:<\/strong><\/p>\n<ul>\n<li>Rijeka (10.\u201312. 9. 2010), Celje (September 2010)<\/li>\n<li>Maribor (November 2010)<\/li>\n<li>Vienna (8.\u201311. 12. 2010); authors of the programme: ECM, Postgraduate in educating, curating and managing studies at the University of Applied Arts in Vienna (Luiza Ziaja)<\/li>\n<\/ul>\n<p><strong>Series of Lectures on Curatorial and Institutional Practices:<\/strong><br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/series-of-public-lectures-on-curatorial-and-institutional-practice\">Schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/lecturers-20102011\">Lecturers<\/a>)<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/358\">Pau Cata: An artist at the CeRCCa Residency. An auto-ethnographic perspective<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/393\">Nora Sternfeld &amp; Luisa Ziaja: What comes after the show? On post-representational curating<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/229\">Joa Ljungberg &amp; Edi Muka: Dreams, Failures and Achievements \u2013 Navigating through an institutional desert<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/319\">Maria Hlavajova: Negotiating Social and Political Urgencies in the Field of Artistic Practice:<br \/>\nBAK, basis voor actuele kunst as a Case Study<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshops-on-writing-about-contemporary-art\"><strong>Workshops in Writing:<\/strong><\/a><br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshops-general\">Schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshop-tutors-20102011\">Tutors<\/a>)<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshops-on-writing-about-contemporary-art\/grafenauer-writing-a-text\">Petja Grafenauer: Writing a text about an exhibition of contemporary art<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshops-on-writing-about-contemporary-art\/suzana-milevska-text-for-the-catalogue\">Suzana Milevska: Text for the catalogue<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/workshops\/misko-suvakovic-theory-and-practice-of-art-criticism\">Mi\u0161ko \u0160uvakovi\u0107: Theory and practice of art criticism<\/a><\/li>\n<\/ul>\n<p><strong>Other:<\/strong><\/p>\n<ul>\n<li>Timetable (<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/timetable-201011\">Year 1<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/timetable-201011\/timetable-201011-2nd-semester\">Year 2<\/a>)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/visits-to-exhibitions\">Visits to exhibitions<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/studio-visits\">Studio visits<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/research-assignments\">Research assignments<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/practice\">Practice<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/team\">Team<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/support\">Support<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/partners\">Partners<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#07\"><strong>Anthology: DILEMMAS OF CURATORIAL PRACTICES<\/strong><\/a><br \/>\nYears 7\u201314, 2012<\/p>\n<p><strong>Exhibition: <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/tadej-pogacar-quarter-to-two\">Quarter to Two<\/a><\/strong> (Alkatraz Gallery, 13. 4.\u20136. 5. 2011)<br \/>\n<strong>Artist:<\/strong> Tadej Poga\u010dar<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/participants\/participants-2nd-semester\">Curators<\/a> also collaborated with Tadej Poga\u010dar on the occasion of his solo exhibition <em>Tadej Poga\u010dar. 1990 \u2013 2011<\/em> in Museum of Contemporary Art Vojvodina in Novi Sad.<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<div class=\"featured-thumb col-md-4 col-sm-4\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/124\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13015\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2018\/06\/4380dni-vabilo_SU-338x166.gif\" alt=\"\" width=\"338\" height=\"166\" \/><\/a><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<p><strong>Exhibition &amp; documentation project<\/strong><\/p>\n<h4><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/124\"><strong>Around the world of art in 4.380 days, World of Art 1997-2009<\/strong><\/a><\/h4>\n<p>(Alkatraz Gallery, 30. 10.\u221220. 11. 2009)<\/p>\n<p><strong>Artists:<\/strong> Lada Cerar &amp; Sa\u0161o Sedla\u010dek, Alen Flori\u010di\u0107, Marko A. Kova\u010di\u010d, Tanja La\u017eeti\u0107 &amp; Dejan Habicht, Ivan Maru\u0161i\u0107 Klif<\/p>\n<p><strong>Curator:<\/strong> Sa\u0161a Nabergoj<br \/>\n<strong>Assistant:<\/strong> Sonja Zavrtanik<\/p>\n<p><strong>Accompanying programme:<\/strong> Marko A. Kova\u010di\u010d: Sub-auction<br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/sub-auction-by-marko-a-kovacic\">Photos<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/sub-auction-video-essay\">Video esssay<\/a>)<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year12\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik12.jpg\" alt=\"Svet umetnosti, 12. letnik: 2008\/9\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #cccccc; color: #fff; padding: 1px; width: 100%;\">YEAR 12: 2008\/09<\/h4>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/12th-year-2008-09\/laboratorium-2008-09\">Laboratorium of Curatorial Practices<\/a><\/strong><br \/>\n<strong>Head:<\/strong> Sa\u0161a Nabergoj<br \/>\n<strong>Head:<\/strong> Petja Grafenauer Krnc (september 2008\u2013september 2009)<br \/>\n<strong>Assistant:<\/strong> Sonja Zavrtanik<\/p>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/12th-year-2008-09\/laboratorium-2008-09\/schedule-200809\">Schedule 2008\/09<\/a><\/strong><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/12th-year-2008-09\/laboratorium-2008-09\/schedule-200809\"><strong>Series of Lectures on Curatorial and Institutional Practices:<\/strong><\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/132\">Angela Harutyunyan: Coming to You Not to Be With You<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/118\">Branislav Dimitrijevi\u0107: Everything Is Gonna Be: Katarina Zdjelar and Zoran Todorovi\u0107 at The 53rd Biennale Di Venezia<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/114\">Suzana Milevska: Negotiations: Curatorial practice in the period of globalisation<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/111\">Eda \u010cufer: Occupation dramaturge, curator, editor<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/107\">Angela Harutyunyan: Interstices of History: Collective Writing and\/as Curating<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/12th-year-2008-09\/seminar-200809\"><strong>Workshops in Writing:<\/strong><\/a><br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/12th-year-2008-09\/seminar-200809\/schedule-200809\">Schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/12th-year-2008-09\/seminar-200809\/workshop-tutors-200809\">Tutors<\/a>)<\/p>\n<ul>\n<li>Zemira Alajbegovi\u0107 &amp; Neven Korda: Video Essay<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/119\">Branislav Dimitrijevi\u0107: Interpreting and Situating Contemporary Art: Observation, Participation, Motivation, Research and Empathy<\/a><\/li>\n<li>Mi\u0161ko \u0160uvakovi\u0107: Theory and Practice of Contemporary Art<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/123\">\u017denja Leiler: Newspaper article and criticism<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/131\">Petja Grafenauer: How to write a text on an exhibition of contemporary art? (From a description to a context)<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/110\">Angela Harutyunyan: Techniques of Viewing: Representation and Interpretation of Video Art<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/117\">Suzana Milevska: Curator as a Translator of Theory into Practice<\/a><\/li>\n<\/ul>\n<p><strong>Video Essays:<\/strong><\/p>\n<ul>\n<li>DIVA Station in \u0160kuc Gallery (Nika Grabar)<\/li>\n<li>Suzana Milevska: Curator as a Translator of Theory into Practice (Michele Drascek, Metka Kralj)<\/li>\n<\/ul>\n<p><strong>Collaboration: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/109\">From Elsewhere: Symposium on the State of Curatorial Practices in Armenia, Kazakhstan, Egypt and Turkey<\/a><br \/>\nParticipants: Barbara Bor\u010di\u0107, Laura Calderera, Petja Grafenauer, Angela Harutyunyan, Valeria Ibraeva, Nazareth Karoyan, Renata Papsch<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/120\">4th Summer Seminar For Contemporary Art Curators<\/a> (27 July-2 August, 2009, Yerevan, Armenia)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/121\">SCCA programs and World of Art at the Symposium on curatorial programs<\/a> (16 and 17 September, 2009, Bergen National Academy of the Arts, Norway)<\/li>\n<\/ul>\n<p><strong>Other:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/12th-year-2008-09\/team\/\">Team<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/12th-year-2008-09\/support\/\">Support<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#07\"><strong>Anthology: DILEMMAS OF CURATORIAL PRACTICES<\/strong><\/a><br \/>\nYears 7\u201314, 2012<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year11\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik11.jpg\" alt=\"Svet umetnosti, 11. letnik: 2007\/8\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #999999; color: #fff; padding: 1px; width: 100%;\">YEAR 11: 2007\/08<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Nabergoj<br \/>\n<strong>Asistant:<\/strong> Maja Lozi\u0107<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/11th-year-200708\/laboratorium-2007-08\"><strong>Laboratorium of Curatorial Practices<\/strong><\/a><\/p>\n<p><strong>Tutors:<\/strong> Petja Grafenauer Krnc, Sa\u0161a Nabergoj<br \/>\n<strong>Participants:<\/strong> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/11th-year-200708\/laboratorium-2007-08\/participants-200708\">Nata\u0161a Bodro\u017ei\u0107, Petra Mili\u010d, Teja Rot, Jernej \u0160kof, Vanja \u017danko<\/a><\/p>\n<p><strong>Study excursions:<\/strong><\/p>\n<ul>\n<li>Labin (9.\u2013 11. 5. 2008)<\/li>\n<li>Celje (May 2008)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/103\">Pore\u010d (29.\u201331. 8. 2008)<\/a><\/li>\n<\/ul>\n<p><strong>Workshops in Writing:<\/strong><br \/>\n<strong>Tutors:<\/strong> Mi\u0161ko \u0160uvakovi\u0107, Igor Zabel<br \/>\n<strong>Participants:<\/strong> Sandra Bel\u0161ak, Petra Kap\u0161, Sandra Sajovic, Nata\u0161a Sku\u0161ek, Jasmina Zalo\u017enik, Jaka \u017deleznikar<\/p>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/11th-year-200708\/schedule-of-lectures\">Series of Lectures on Curatorial and Institutional Practices:<\/a><\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/72\">Manray Hsu: Informal Politics and Contemporary Arts<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/30\">Suzana Milevska: Curator as a Translator<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/73\">Julian Stallabrass: Art Incorporated: Contemporary Art in a Neoliberal Climate<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/11th-year-200708\/seminar-2007-08\"><strong>Workshops in Writing:<\/strong><\/a><br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/11th-year-200708\/seminar-2007-08\/schedule-seminar-2007-08\">Schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/11th-year-200708\/seminar-2007-08\/workshop-tutors-2007-08\">Tutors<\/a>)<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/87\">Zemira Alajbegovi\u0107 &amp; Neven Korda: Video Essay<\/a><\/li>\n<li>Eda \u010cufer: Interview as a Tool for conceptualization<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/75\">Suzana Milevska: Collaborative Curating<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/74\">Mi\u0161ko \u0160uvakovi\u0107: Comparative Theory and History of Art: Analysis<\/a><\/li>\n<\/ul>\n<p><strong>Video Essay:<\/strong><\/p>\n<ul>\n<li>Google Tourist (Ur\u0161a Bonneli Potokar, Tatjana Horvat)<\/li>\n<\/ul>\n<p><strong>Other:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/11th-year-200708\/laboratorium-2007-08\/schedule-200708\"><strong>Schedule 2007\/08<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/11th-year-200708\/team\/\">Team<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/82\">Presentation of Mircea Nicolae, visiting artist of Laboratorium\u2019s final project <em>Destination: Metelkova<\/em><\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#07\"><strong>Anthology: Anthology DILEMMAS OF CURATORIAL PRACTICES<\/strong><\/a><br \/>\nYears 7\u201314, 2012<\/p>\n<p><strong>Exhibition: <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/86\">Google Tourist<\/a><\/strong> (Alkatraz Gallery, 7. 6.\u221219. 7. 2008)<br \/>\n<strong>Artist:<\/strong> <a href=\"http:\/\/mircea-nicolae.blogspot.com\/\" target=\"_blank\" rel=\"noopener\">Mircea Nicolae<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year10\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik10.jpg\" alt=\"Svet umetnosti, 10. letnik: 2006\/7\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #1fb7e8; color: #fff; padding: 1px; width: 100%;\">YEAR 10: 2006\/07<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Nabergoj<br \/>\n<strong>Asistant:<\/strong> Tev\u017e Logar<\/p>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/laboratorium-2006-07\">Laboratorium of Curatorial Practices<\/a><\/strong><\/p>\n<p><strong>Participants:<\/strong> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/laboratorium-2006-07\/participants-2006-07\/\">Ivana Bago, Monika Ivan\u010di\u010d Fajfar, Petja Grafenauer Krnc, Petra Kap\u0161, Vasja Nagy, Mojca Puncer, Jaka \u017deleznikar<\/a><\/p>\n<p><strong>Panel discussions:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/36\">Curatorial Practices in Slovenia: History of Curatorship<\/a><br \/>\nModerated by: Petja Grafenauer Krnc<br \/>\nParticipants: Zdenka Badovinac, Aleksander Bassin, Barbara Bor\u010di\u0107, Toma\u017e Brejc)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/37\">Curatorial Practices in Slovenia: The Variety of Curatorial Practices Today<\/a> Moderated by: Petja Grafenauer Krnc<br \/>\nParticipants: Jurij Krpan, Gregor Podnar, Tadej Poga\u010dar, Nevenka \u0160ivavec<\/li>\n<\/ul>\n<p><strong>Study excursions<\/strong>:<\/p>\n<ul>\n<li>Koper (December 2006)<\/li>\n<li>Labin (January 2007)<\/li>\n<li>Celje (April 2007)<\/li>\n<\/ul>\n<p><strong>Seminar in Writting:<\/strong><br \/>\n<strong>Tutors:<\/strong> Mi\u0161ko \u0160uvakovi\u0107, Igor Zabel<br \/>\n<strong>Participants:<\/strong> Sandra Bel\u0161ak, Petra Kap\u0161, Sandra Sajovic, Nata\u0161a Sku\u0161ek, Jasmina Zalo\u017enik, Jaka \u017deleznikar<\/p>\n<p><strong>Series of Lectures on Curatorial and Institutional Practices:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/22\">Cl\u00e9mentine Deliss: Plan for a Mobile Faculty of Arts<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/28\">Angela Harutyunyan : Importing &#8220;Curator&#8221;: Politics of Representation and Recognition in Contemporary Armenian Art<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/seminar-2006-07\"><strong>Workshops in Writing:<\/strong><\/a><br \/>\n(<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/seminar-2006-07\/schedule-seminar-2006-07\">Schedule<\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/seminar-2006-07\/workshop-tutors-2006-07\">Tutors<\/a>)<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/25\">Zemira Alajbegovi\u0107 &amp; Neven Korda: Video Essay<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/22\">Cl\u00e9mentine Deliss: Plan for a Mobile Faculty of Arts<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/24\">Je\u0161a Denegri: Historicizing Contemporary Art<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/20\">\u017denja Leiler: Newspaper &amp; Magazine article and review<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/31\">Suzana Milevska: Catalogue text workshop<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/21\">Mi\u0161ko \u0160uvakovi\u0107: Theory and Practice of Art Critique<\/a><\/li>\n<\/ul>\n<p><strong>Video Essay:<\/strong><\/p>\n<ul>\n<li>LabSUs \u2013 Open Platform of Curators, Artists, Writers, Theoreticians (\u0160pela Petri\u010d, Dejan \u017dinko)<\/li>\n<\/ul>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/development-2006-07\/collaboration-2006-07\">Collaboration:<\/a><\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/45\">Curatorial Translation<\/a>, September 24-30, 2007, Skopje, Macedonia<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/44\">2nd Summer Seminars for Art Curators came to an end (Between Exposition and Mediation)<\/a>, July 23-August 7, 2007, Yerevan, Armenia<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/39\">Final selection for Summer Seminars for Art Curators: Between Exposition and Mediation<\/a><\/li>\n<\/ul>\n<p><strong>Other:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/archives\/category\/laboratorij\/labsus-blog\">LabSUs blog<\/a> (in Slovene)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/laboratorium-2006-07\/texts-by-participants-200607 Texts by participants\">Texts by participants<\/a> (in Croatian)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/27\">Nine Years of the World of Art<\/a> (Conversation, presentation and screenings)<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/laboratorium-2006-07\/program-collaborators-2006-07\">Program collaborators<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#07\"><strong>Anthology: DILEMMAS OF CURATORIAL PRACTICES<\/strong><\/a><br \/>\nYears 7\u201314, 2012<\/p>\n<p><strong>Exhibitions:<\/strong><\/p>\n<ul>\n<li><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/laboratorium-2006-07\/labsus\">LabSUs \u2013 Open Platform of Curators, Artists, Writers, Theoreticians<\/a><\/strong> (\u0160kuc Gallery, 23.\u201329. 6. 2007)<\/li>\n<li><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/78\">LabSUs, osebno\/osobno\/personal<\/a><\/strong> (City Gallery Labin, Croatia, 20. 10.\u221210. 11. 2007)<\/li>\n<\/ul>\n<p><strong>Artists:<\/strong> Tanja Dabo in Igor Grubi\u0107, Ksenija \u010cer\u010de, Vuk \u0106osi\u0107, I\u0161tvan I\u0161t Huzjan, Bo\u017eena Kon\u010di\u0107 Badurina, Marko Ko\u0161nik, Simon Macuh, Robertina \u0160ebjani\u010d<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year09\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik09.jpg\" alt=\"Svet umetnosti, 9. letnik: 2005\/6\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #ff622d; color: #fff; padding: 1px; width: 100%;\">YEAR 9: 2005\/06<\/h4>\n<p><strong>Head:<\/strong> Ur\u0161ka Jurman<br \/>\n<strong>Asistant:<\/strong>Tev\u017e Logar<\/p>\n<p><strong>Cours for curators<\/strong><br \/>\n<strong>Tutors:<\/strong> Alen O\u017ebolt, Nevenka \u0160ivavec<br \/>\n<strong>Participants:<\/strong> Sandra Bel\u0161ak, Nata\u0161a Berk, Janja Gojkovi\u010d, Maja Lozi\u0107, Irena Orel<\/p>\n<p><strong>Study excursions:<\/strong><\/p>\n<ul>\n<li>Artcenter Sredi\u0161\u010de (December 2005)<\/li>\n<li>Celje (February 2006)<\/li>\n<li>Slovenj Gradec (March 2006)<\/li>\n<\/ul>\n<p><strong>Seminar in Writing<\/strong>:<br \/>\n<strong>Tutors:<\/strong> Mi\u0161ko \u0160uvakovi\u0107, Igor Zabel<br \/>\n<strong>Participants:<\/strong> Sandra Bel\u0161ak, Petra Kap\u0161, Sandra Sajovic, Nata\u0161a Sku\u0161ek, Jasmina Zalo\u017enik, Jaka \u017deleznikar<\/p>\n<p><strong>Lecture:<\/strong><\/p>\n<ul>\n<li>Mike Hentz: Performance \u2026 What does it mean?<\/li>\n<\/ul>\n<p><strong>Workshops:<\/strong><\/p>\n<ul>\n<li>Zemira Alajbegovi\u0107 &amp; Neven Korda: Video Essay<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2235\">Eda \u010cufer: Interview as a Tool for Conceptualisation<\/a><\/li>\n<li>Je\u0161a Denegri: Historicizing Contemporary Art<\/li>\n<li>Mike Hentz: Different Aspects of Performance. Practical and Theoretical Exercises<\/li>\n<li>Mi\u0161ko \u0160uvakovi\u0107: Construction of a Story of Modern Art and how to Conceptualise Critical Analysis<\/li>\n<li>Nadja Zgonik: Cataloguing Contemporaneity \u2013 A Text for a Catalogue<\/li>\n<\/ul>\n<p><strong>Video Essay:<\/strong><\/p>\n<ul>\n<li>Open Rog (Nika Arhar, Miha Colner)<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#07\"><strong>Anthology: DILEMMAS OF CURATORIAL PRACTICES<\/strong><\/a><br \/>\nYears 7\u201314, 2012<\/p>\n<p><strong>Exhibitions: <a href=\"http:\/\/arhiv.worldofart.org\/odprtirog\/\" target=\"_blank\" rel=\"noopener\">Open Rog<\/a><\/strong> (Rog Factory, 23. 6.\u22127. 7. 2006; \u0160kuc Gallery, 23. 6.\u221219. 7. 2006)<br \/>\n<strong>Artists:<\/strong> Artgroup RGB (\u017diga Pilih, Gregor Podr\u017eaj, Simon Svetlik), Za\u0161 Brezar, Vlasta Delimar &amp; Milan Bo\u017ei\u0107, Bla\u017e Erzeti\u010d, Irma Gnezda, Aleksandra Sa\u0161ka Gruden, Pavel Koltaj, Jure Legac, Mateja Pero\u0161a, Pila Rusjan, Bojan Salaj, Simon Svetlik, Robertina \u0160ebjani\u010d, Mojca Zlokarnik, Luka Prin\u010di\u010d &amp; Sa\u0161a \u0160pacal, Antonio \u017divkovi\u010d<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/english\/archive.htm\" target=\"_blank\" rel=\"noopener\"><strong>Archive pages of seasons 1 \u2013 9<\/strong> (since 1996 untill 2005\/06)<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year08\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik08.jpg\" alt=\"Svet umetnosti, 8. letnik: 2004\/5\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #ff9b59; color: #fff; padding: 1px; width: 100%;\">YEAR 8: 2004\/05<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Glavan<br \/>\n<strong>Asistant:<\/strong>Tev\u017e Logar<\/p>\n<p><strong>Course for curators<\/strong><br \/>\n<strong>Tutors:<\/strong> Alen O\u017ebolt, Nevenka \u0160ivavec<br \/>\n<strong>Participants:<\/strong> Ivana Bago, Miha Colner, Ida Hir\u0161enfelder, Monika Ivan\u010di\u010d, Nina Kodri\u010d, Mojca Man\u010dek, Tanja Pavli\u010d<\/p>\n<p><strong>Study excursions:<\/strong><\/p>\n<ul>\n<li>Artcenter Sredi\u0161\u010de (December 2004)<\/li>\n<li>Celje (January 2005)<\/li>\n<li>Istria (May 2005)<\/li>\n<li>Zagreb (27.\u201329. 9. 2005)<\/li>\n<\/ul>\n<p><strong>Seminar in Writing: <\/strong><br \/>\n<strong>Tutors:<\/strong> Mi\u0161ko \u0160uvakovi\u0107, Igor Zabel<br \/>\n<strong>Participants:<\/strong> Sandra Bel\u0161ak, Petra Kap\u0161, Sandra Sajovic, Nata\u0161a Sku\u0161ek, Jasmina Zalo\u017enik, Jaka \u017deleznikar<\/p>\n<p><strong>Workshops:<\/strong><\/p>\n<ul>\n<li>Zemira Alajbegovi\u0107 &amp; Neven Korda: Video Essay<\/li>\n<li>Eda \u010cufer: Interview<\/li>\n<li>Je\u0161a Denegri: Historicizing Contemporary Art<\/li>\n<li>\u017denja Leiler: Newspaper Critique<\/li>\n<li>Mi\u0161ko \u0160uvakovi\u0107: Theory and Practice of Art Critique and Theory and Practice of Art Critique Part II<\/li>\n<li>Igor Zabel: Catalogue Text<\/li>\n<\/ul>\n<p><strong>Video Essays:<\/strong><\/p>\n<ul>\n<li>Polona Tratnik: Hair (Sandra Bel\u0161ak)<\/li>\n<li>Mojca Pelcar \u0160arf: The Sky above the City (Jaka \u017deleznikar)<\/li>\n<li>Mladen Stilinovi\u0107: Artists at Work (Tev\u017e Logar)<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#07\"><strong>Anthology: DILEMMAS OF CURATORIAL PRACTICES<\/strong><\/a><br \/>\nYears 7\u201314, 2012<\/p>\n<p><strong>Exhibition: <a href=\"http:\/\/arhiv.worldofart.org\/prettydirty\/\" target=\"_blank\" rel=\"noopener\">Pretty Dirty<\/a><\/strong> (\u0160kuc Gallery, 24. 6.\u221222. 7. 2005)<br \/>\n<strong>Artists:<\/strong> Martin Bricelj, Lada Cerar, Damijan Kracina, Maja Licul in Metod Vidic mimikrija, Mirjam Marussig, Alenka Pirman, Tadej Poga\u010dar, Sa\u0161o Sedla\u010dek, Primo\u017e Seli\u0161kar, Alenka Spacal, Polona Tratnik, Tanja Vujinovi\u0107 in Zvonka Sim\u010di\u0107<br \/>\nExhibition catalogue:<em> Pretty Dirty<\/em><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/english\/archive.htm\" target=\"_blank\" rel=\"noopener\"><strong>Archive pages of seasons 1 \u2013 9<\/strong> (since 1996 untill 2005\/06)<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year07\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik07.jpg\" alt=\"Svet umetnosti, 7. letnik: 2003\/04\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #ffff9b; color=#fff; padding: 1px; width: 100%;\">YEAR 7: 2003\/04<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Glavan<br \/>\n<strong>Asistant:<\/strong> Toni Poljanec<\/p>\n<p><strong>Course for curators<\/strong><br \/>\n<strong>Tutors:<\/strong> Tadej Poga\u010dar, Nevenka \u0160ivavec<br \/>\n<strong>Participants: <\/strong><a href=\"http:\/\/arhiv.worldofart.org\/ogenj\/curators.htm\" target=\"_blank\" rel=\"noopener\">Vesna \u010cade\u017e, Petra Kap\u0161, Tev\u017e Logar, Alja Mravljak, Andrej Savelli, Jasmina Zalo\u017enik, \u0160pela Zidar<\/a><\/p>\n<p><strong>Study excursions:<\/strong><\/p>\n<ul>\n<li>Artcenter Sredi\u0161\u010de (December 2003), Celje (February 2004), Maribor (April 2004)<\/li>\n<li>Zagreb (11. 3.\u201314. 3. 2004); authors of the programme: WHW (Ivet \u010curlin, Ana Devi\u0107, Nata\u0161a Ili\u0107, Sabina Sabolovi\u0107)<\/li>\n<\/ul>\n<p><strong>Seminar in Writing: <\/strong><br \/>\n<strong>Tutors:<\/strong> Mi\u0161ko \u0160uvakovi\u0107, Igor Zabel<br \/>\n<strong>Participants:<\/strong> Irena \u010cer\u010dnik, Petja Grafenauer, Jani Pirnat, Mojca Puncer, Brigita Strnad, Andreja Milo\u0161i\u010d, Vasja Nagy, Eugen Vodopivec Borkovsky<\/p>\n<p><strong>Workshops:<\/strong><\/p>\n<ul>\n<li>Zemira Alajbegovi\u0107 &amp; Neven Korda: Video Essay<\/li>\n<li>Toma\u017e Brejc: Interpretation of an Art Work<\/li>\n<li>Boris Buden: Column<\/li>\n<li>Je\u0161a Denegri: Historicizing Contemporary Art<\/li>\n<li>Mi\u0161ko \u0160uvakovi\u0107: Theory and Practice of Art Critique<\/li>\n<li>Igor Zabel: Catalogue Text<\/li>\n<li>\u017denja Leiler: Newspaper Critique<\/li>\n<\/ul>\n<p><strong>Video Essays:<\/strong><\/p>\n<ul>\n<li>Ready to Change (Petja Grafenauer, Jani Pirnat, Brigita Strnad, Vasja Nagy)<\/li>\n<li>Our House Is A House that moves (Irena \u010cer\u010dnik, Mojca Puncer, Andreja Milo\u0161i\u010d, Eugen Vodopivec Borkovsky)<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#07\"><strong>Anthology: DILEMMAS OF CURATORIAL PRACTICES<\/strong><\/a><br \/>\nYears 7\u201314, 2012<\/p>\n<p><strong>Exhibition: <a href=\"http:\/\/arhiv.worldofart.org\/ogenj\/\" target=\"_blank\" rel=\"noopener\">Between Fire and Art<\/a><\/strong> (\u0160kuc Gallery, 23. 6.\u221224. 7. 2004)<br \/>\n<strong>Artists:<\/strong> Marina Abramovi\u0107 in Ulay, John Baldessari, Borut Hlupi\u010d, \u017deljko Jerman<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/english\/archive.htm\" target=\"_blank\" rel=\"noopener\"><strong>Archive pages of seasons 1 \u2013 9<\/strong> (since 1996 untill 2005\/06)<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year06\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik06.jpg\" alt=\"Svet umetnosti, 6. letnik: 2002\/03\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #00ff66; padding: 1px; width: 100%;\">YEAR 6: 2002\/03<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Glavan<br \/>\n<strong>Asistant:<\/strong> Jani Pirnat<\/p>\n<p><strong>Course for curators<\/strong><br \/>\n<strong>Tutors:<\/strong> Miran Mohar, Gregor Podnar<br \/>\n<strong>Participants:<\/strong> <a href=\"http:\/\/arhiv.worldofart.org\/english\/0203\/0203participants.htm\" target=\"_blank\" rel=\"noopener\">Mara Ambro\u017ei\u010d, Nina Gregori\u010d, Tolja Kandu\u010d, Toma\u017e Ku\u010der, Marko Pak, Luka Sinkovi\u0107<\/a><\/p>\n<p><strong>Study excursions:<\/strong><\/p>\n<ul>\n<li>Vienna (27.\u201330. 3. 2003); author of the programme: Schnittpunkt (Christine Haupt-Stummer)<\/li>\n<li>Zagreb (21.\u201323. 5. 2003); authors of the programme: WHW (Ivet \u010curlin, Ana Devi\u0107, Nata\u0161a Ili\u0107, Sabina Sabolovi\u0107)<\/li>\n<\/ul>\n<p><strong>Series of Lectures Strategies of Presentation III:<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0203\/dronet_txt.htm\" target=\"_blank\" rel=\"noopener\">Anne Cartel, David Dronet: Multimedia Cultural Centre Station Mir<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0203\/jewesbury_txt.htm\" target=\"_blank\" rel=\"noopener\">Daniel Jewesbury: Skopo<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0203\/topolove_txt.htm\" target=\"_blank\" rel=\"noopener\">Moreno Miorelli &amp; Donatella Ruttar: Stazine di Topolo<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0203\/pogacar_txt.htm\" target=\"_blank\" rel=\"noopener\">Tadej Poga\u010dar: This Is What You Want \u2026 This Is What You Get<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0203\/sivavec_txt.htm\" target=\"_blank\" rel=\"noopener\">Nevenka \u0160ivavec: The Lure of the Local<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0203\/skart_txt.htm\" target=\"_blank\" rel=\"noopener\">\u0160kart Group (Djordje Balzamovi\u0107 \u2013 \u017dole): Pesme koje su pobegle<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#05-06\"><strong>Anthology: STRATEGIES OF PRESENTATION II and III<\/strong><\/a><br \/>\n(With catalogues of exhibiotions <em>Camera Lucida<\/em> and <em>Fade In Fade Out<\/em>), Double edition, 2004<\/p>\n<p><strong>Exhibitions: <a href=\"http:\/\/arhiv.worldofart.org\/fadeinfadeout\/\" target=\"_blank\" rel=\"noopener\">Fade in \/ Fade out<\/a><\/strong> (Kapelica Gallery, 7.\u221224. 7. 2003; City Gallery Labin (Croatia, 10.\u201331. 10. 2003)<br \/>\n<strong>Artists:<\/strong> Vadim Fi\u0161kin, Alen Flori\u010di\u0107, Sa\u0161o Vrabi\u010d<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/english\/archive.htm\" target=\"_blank\" rel=\"noopener\"><strong>Archive pages of seasons 1 \u2013 9<\/strong> (since 1996 untill 2005\/06)<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year05\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik05.jpg\" alt=\"Svet umetnosti, 5. letnik: 2001\/02\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #0099ff; color: #fff; padding: 1px;\">YEAR 5: 2001\/02<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Glavan<\/p>\n<p><strong>Course for curators<\/strong><br \/>\n<strong>Tutors:<\/strong> Gregor Podnar, Tadej Poga\u010dar<br \/>\n<strong>Participants:<\/strong> <a href=\"http:\/\/arhiv.worldofart.org\/english\/0102\/0102participants.htm\" target=\"_blank\" rel=\"noopener\">Du\u0161an Dov\u010d, Jasna Jak\u0161i\u0107, Jani Pirnat, Anton Starc, Ma\u0161a Tomadini, Jadranka Velji\u010d, Jaka \u017deleznikar<\/a><\/p>\n<p><strong>Study excursions:<\/strong><\/p>\n<ul>\n<li>Vienna (21.\u201324. 2. 2002); author of the programme: Institut f\u00fcr Kulturwissenschaft (Christine Haupt-Stummer)<\/li>\n<li>Zagreb (27. 3.\u20131. 4. 2002); authors of the programme: WHW (Ana Devi\u0107, Nata\u0161a Ili\u0107, Sabina Sabolovi\u0107)<\/li>\n<\/ul>\n<p><strong>Series of Lectures Strategies of Presentation II:<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0102\/buden_txt.htm\" target=\"_blank\" rel=\"noopener\">Boris Buden: Through Art Towards New Defeats: The Austrian Case<\/a><\/li>\n<li>Douglas Davis: Work of Art in the Era of Digital Reproduction<\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0102\/esche_txt.htm\" target=\"_blank\" rel=\"noopener\">Charles Esche: Possibility Forum \u2013 Institutional Change and Modest Proposals<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0102\/keser_txt.htm\" target=\"_blank\" rel=\"noopener\">Ivana Keser: Author\u2019s Newspaper. The Freedom of Misinformation<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0102\/krpan_txt.htm\" target=\"_blank\" rel=\"noopener\">Jurij Krpan: Kapelica Case<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0102\/misiano_txt.htm\" target=\"_blank\" rel=\"noopener\">Viktor Misiano: Strategies of Display from Modernisation toward De-modernisation<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0102\/whw_txt.htm\" target=\"_blank\" rel=\"noopener\">WHW (Ana Devi\u0107, Nata\u0161a Ili\u0107, Sabina Sabolovi\u0107): In Between; Independence and the Lures of Institutionalisation<\/a><\/li>\n<\/ul>\n<p><strong>Workshops on Artistic and Critical Practice:<\/strong><\/p>\n<ul>\n<li>Ivana Keser: Contemporary Community<\/li>\n<li>Mi\u0161ko \u0160uvakovi\u0107: Theory of Critisism: Strategies and Tactics of Critical Writing I &amp; II<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#05-06\"><strong>Anthology: STRATEGIES OF PRESENTATION II and III<\/strong><\/a><br \/>\n(With catalogues of exhibiotions <em>Camera Lucida<\/em> and <em>Fade In Fade Out<\/em>), Double edition, 2004<\/p>\n<p><strong>Exhibition: <a href=\"http:\/\/arhiv.worldofart.org\/english\/0102\/index.htm\" target=\"_blank\" rel=\"noopener\">Camera Lucida<\/a><\/strong> (\u0160kuc Gallery, 20. 6.\u221214. 7. 2002)<br \/>\n<strong>Artists:<\/strong> Borislav Bena\u017ei\u0107, Ur\u0161ula Berlot, Ivan Maru\u0161i\u0107 Klif, Antun Motika, Goran Petercol, Du\u0161an Tr\u0161ar, Mirjana Vodopija, Tao G. Vrhovec Sambolec<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/english\/archive.htm\" target=\"_blank\" rel=\"noopener\"><strong>Archive pages of seasons 1 \u2013 9<\/strong> (since 1996 untill 2005\/06)<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year04\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik04.jpg\" alt=\"Svet umetnosti, 4. letnik: 2000\/01\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #ff00ff; color: #fff; padding: 1px;\">YEAR 4: 2000\/01<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Glavan<\/p>\n<p>Course for Curators<br \/>\n<strong>Tutors:<\/strong> Gregor Podnar, Lilijana Stepan\u010di\u010d, Igor Zabel<br \/>\n<strong>Participants:<\/strong> <a href=\"http:\/\/arhiv.worldofart.org\/english\/0001\/0001participants.htm\" target=\"_blank\" rel=\"noopener\">Alenka Gregori\u010d, Pavla Jarc, Sandra Sajovic, Meta Trampu\u0161, Sonja Zavrtanik, Simona Zorko<\/a><\/p>\n<p><strong>Panel Discussions:<\/strong><\/p>\n<ul>\n<li>Art and Activism<br \/>\nModerated by: Sandra Sajovic, Meta Trampu\u0161<br \/>\nParticipants: Marko Peljhan, Igor Zabel, Miha Zadnikar<\/li>\n<li>Spaces of Culture: Metelkova mesto and Art Academies<br \/>\nModerated by: Bogdan Le\u0161nik<br \/>\nParticipants: Bratko Bibi\u010d, Roman Lavtar, Elena Pe\u010dari\u010d, Toma\u017e Trplan, Meta Ho\u010devar, Bogoslav Kala\u0161<\/li>\n<\/ul>\n<p><strong>Study Excursions:<\/strong><\/p>\n<ul>\n<li>Belgrade: 27. 3.\u20131. 4. 2001; authors of the programme: SCCA\u2212Beograd (Branislav Dimitrijevi\u0107), SCCA\u2212Ljubljana (Sa\u0161a Nabergoj), WHW<\/li>\n<li>Vienna: 1.\u20134. 3. 2001; author of the programme: Institut f\u00fcr Kulturwissenschaft (Christine Haupt-Stummer)<\/li>\n<\/ul>\n<p><strong>Series of Lectures Strategies of Presentation I:<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0001\/tekst_clementine_ang.htm\" target=\"_blank\" rel=\"noopener\">Cl\u00e9mentine Deliss: Metronom: Curatorial Practice and Research<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0001\/tekst_branko_ang.htm\" target=\"_blank\" rel=\"noopener\">Branislav Dimitrijevi\u0107: The Grand Compromise: On Examples of the Use of Political References in Serbian Art of the 90\u2019s, and its Historical Background<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0001\/tekst_eurovision_ang.htm\" target=\"_blank\" rel=\"noopener\">Marion von Osten, Peter Spillman, Susanna Perin: Eurovision 2000<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0001\/tekst_mike_ang.htm\" target=\"_blank\" rel=\"noopener\">Mike Hentz: Translation<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0001\/tekst_marko_ang.htm\" target=\"_blank\" rel=\"noopener\">Marko Ko\u0161nik: Abstraction and Action<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0001\/tekst_oliver_ang.htm\" target=\"_blank\" rel=\"noopener\">Oliver Marchart: Political Strategies as Artistic Strategies: The Use of Multiple Names<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0001\/tekst_olesya_ang.htm\" target=\"_blank\" rel=\"noopener\">Olesya Turkina: St. Peterburg\u2019s Neo-academism. Revival of the Great Story<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/0001\/tekst_miha_ang.htm\" target=\"_blank\" rel=\"noopener\">Miha Zadnikar: Reconstructing Subculture<\/a><\/li>\n<\/ul>\n<p><strong>Workshop on Artistic Practice:<\/strong><\/p>\n<ul>\n<li>Charles Harrison, Patrizia Evans: Indexication<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#04\"><strong>Anthology: STRATEGIES OF PRESENTATION I, 2000\/2001<\/strong><\/a><\/p>\n<p><strong>Exhibition: <a href=\"http:\/\/www.ljudmila.org\/scca\/worldofart\/2000-2001\/\" target=\"_blank\" rel=\"noopener\">Media is a Weapon, Use It!<\/a><\/strong> (\u0160kuc Gallery, 27. 6.\u221222. 7. 2001)<br \/>\n<strong>Artists:<\/strong> etoy, Institute for Applied Autonomy, Monochrom, Marko Peljhan, Pholks &amp; more, \u00aetmark, Brian Springer<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/english\/archive.htm\" target=\"_blank\" rel=\"noopener\"><strong>Archive pages of seasons 1 \u2013 9<\/strong> (since 1996 untill 2005\/06)<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year03\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik03.jpg\" alt=\"Svet umetnosti, 3. letnik: 1999\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #ff0000; color: #fff; padding: 1px;\">YEAR 3: 1999<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Glavan<\/p>\n<p><strong>Course for Curators<\/strong><br \/>\n<strong>Tutors:<\/strong> Alenka Pirman, Lilijana Stepan\u010di\u010d, Igor Zabel<br \/>\n<strong>Participants:<\/strong> <a href=\"http:\/\/arhiv.worldofart.org\/english\/99\/99participants.htm\" target=\"_blank\" rel=\"noopener\">Katja Ceglar, Tanja \u010cajavec, Viktor Rebernak, Barbara Savenc, Polona Tratnik<\/a><\/p>\n<p><strong>Study excursions:<\/strong><\/p>\n<ul>\n<li>Sarajevo: 17.\u201320. 3. 1999; author of the programme: SCCA\u2212Sarajevo (Lejla Hod\u017ei\u0107)<\/li>\n<li>Vienna: 20.\u201323. 5. 1999; author of the programme: Institut f\u00fcr Kulturwissenschaft (Christine Haupt-Stummer)<\/li>\n<li>Poland: 6.\u201312. 9. 1999; author of the programme: Stefan Batory Foundation Poland (Marek Tuszynski)<\/li>\n<\/ul>\n<p><strong>Series of Lectures Geopolitics and Art:<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/99\/99andeltxang.htm\" target=\"_blank\" rel=\"noopener\">Jaroslav Andel: Art\u2019s Shifting Grounds: The Case of Czechoslovakia \/ Czech Republic<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/99\/99calintxtang.htm\" target=\"_blank\" rel=\"noopener\">C\u01celin Dan: Geography of Doom. An Estimate of Possibilities<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/99\/99charlytxang2.htm\" target=\"_blank\" rel=\"noopener\">Charles Harrison: The Merits of Incompetence<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/99\/99editxang.htm\" target=\"_blank\" rel=\"noopener\">Edi Muka: Permanent Instability<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/99\/99peljhantxang.htm\" target=\"_blank\" rel=\"noopener\">Marko Peljhan: Strategies of Minimal Resistance \u2013 Analysis of Tactical Work in the Surveillance Society<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/99\/99rutartxang.htm\" target=\"_blank\" rel=\"noopener\">Du\u0161an Rutar: Aesthetics, Global Images and Ethics of New Tribalism<\/a><\/li>\n<li>IRWIN: Modernism \u2013 Three Exhibitions, Three Projects, Four Books<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#03\"><strong>Anthology GEOPOLITCS AND ART, 1999<\/strong><\/a><\/p>\n<p><strong>Exhibition: Posjetioci \/ Visitors<\/strong> (\u0160kuc Gallery, 7.\u201328. 10. 1999)<br \/>\n<strong>Artists:<\/strong> Maja Bajevi\u0107, \u0160ejla Kameri\u0107, Edin Numankadi\u0107, Sead Salihovi\u0107, Alma Suljevi\u0107, Neboj\u0161a \u0160eri\u0107 \u0160oba in video produkcija SAGA &amp; SCCA-Sarajevo (Ned\u017ead Begovi\u0107, Zlatko Lavanti\u0107, Miroslav Benkovi\u0107, Sr\u0111an Vuleti\u0107, Pjer \u017dalica, Vuk Janji\u0107, Antonije \u017dalica, Zoja Bajbutovi\u0107, Dejan \u0106ori\u0107, Zlatan Filipovi\u0107, Smail Kapetanovi\u0107, Lejla Porobi\u0107, Alma Suljevi\u0107, Neboj\u0161a \u0160eri\u0107 \u0160oba, Muhidin Tvico, Dejan Veki\u0107, Enes Zlatar, Jasmila \u017dbani\u0107)<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/english\/archive.htm\" target=\"_blank\" rel=\"noopener\"><strong>Archive pages of seasons 1 \u2013 9<\/strong> (since 1996 untill 2005\/06)<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year02\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik02.jpg\" alt=\"Svet umetnosti, 2. letnik: 1997\/98\" width=\"338\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #ff9900; color: #fff; padding: 1px;\">YEAR 2: 1997\/1998<\/h4>\n<p><strong>Head:<\/strong> Sa\u0161a Glavan<\/p>\n<p><strong>Course for Curators<\/strong><br \/>\n<strong>Tutors:<\/strong> Alenka Pirman, Lilijana Stepan\u010di\u010d, Igor Zabel<br \/>\n<strong>Tutors of Slovak participants:<\/strong> Maria Hlavajov\u00e1, Jana Oravcov\u00e1<br \/>\n<strong>Tutor of Croatian participants:<\/strong> Branka Stipan\u010di\u0107<br \/>\n<strong>Participants:<\/strong> <a href=\"http:\/\/arhiv.worldofart.org\/english\/98\/98participants.htm\" target=\"_blank\" rel=\"noopener\">Ur\u0161ka Jurman, Dunja Kukovec, Nata\u0161a Petre\u0161in, Bojana Pi\u0161kur, Metka Vre\u010dar, Bo\u017eidar Zrinski (Slovenia)<\/a> \/ Katarina Benov\u00e1, Juraj Carny, Slavka Doricov\u00e1, Petra Hanakov\u00e1, Sandra Kusa, Henrieta Mackovjakov\u00e1, Sandra Sarkanyov\u00e1 (Slovakia) \/ Darija Alujevi\u0107, Nina Buti\u0107, Ana Devi\u0107, Darija Dragojevi\u0107, Jasminka Frani\u0107, Petra Golu\u0161i\u0107, Marina Kordi\u0107, Dalibor Prancevi\u0107, Ana Tuk (Croatia)<\/p>\n<p><strong>A module on practical aspects of curatorial work:<\/strong><br \/>\n(Similar modul was prepared every year with minimal changes till WofA year 13.)<\/p>\n<ul>\n<li>Metka Dari\u0161: Catalogue: view of the designer<\/li>\n<li>Jana Intihar Ferjan: Documentation<\/li>\n<li>Bojana Leskovar: Public relations<\/li>\n<li>Branka Stipan\u010di\u0107: Catalogue: view of the editor<\/li>\n<li>Nives Zalokar: Exhibition mounting<\/li>\n<\/ul>\n<p><strong>Study excursions:<\/strong><\/p>\n<ul>\n<li>Bratislava: 16.\u201318. 4. 1998; authors of the programme: SCCA\u2212Bratislava (Maria Hlavajov\u00e1, Jana Oravcov\u00e1)<\/li>\n<li>Vienna: 21.\u201324. 5. 1998; authors of the programme: Institut f\u0171r Kulturwissenschaft (Christine Haupt-Stummer)<\/li>\n<li>Zagreb, Dubrovnik: 10.\u201315. 6. 1998; authors of the programme: SCCA\u2212Zagreb (Branka Stipan\u010di\u0107)<\/li>\n<\/ul>\n<p><strong>Series of Lectures Theories of Display:<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/98\/98konst2.htm\" target=\"_blank\" rel=\"noopener\">Konstantin Akinsha: Notes on the Underground<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/98\/98steph2.htm\" target=\"_blank\" rel=\"noopener\">Stephen Bann: Display Across the Ages<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/98\/98ute2.htm\" target=\"_blank\" rel=\"noopener\">Ute Meta Bauer: Do-It-Yourself: Exhibitions by Artists during the 20th Century<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/98\/98vuk2.htm\" target=\"_blank\" rel=\"noopener\">Vuk \u0106osi\u0107: Net.art, The Text<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/98\/98poga2.htm\" target=\"_blank\" rel=\"noopener\">Tadej Poga\u010dar: P.A.R.A.S.I.T.E. Museum of Contemporary Art and New Parasitism<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/98\/98zab2.htm\" target=\"_blank\" rel=\"noopener\">Igor Zabel: Exhibition Strategies in the Nineties: A Few Examples from Slovenia<\/a><\/li>\n<li><a href=\"http:\/\/arhiv.worldofart.org\/english\/98\/98zgon2.htm\" target=\"_blank\" rel=\"noopener\">Nadja Zgonik: The Role of National Identity Research in Theories of Display in Slovenia: Between Past and Presen<\/a>t<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#02\"><strong>Anthology THEORIES OF DISPLAY, 1997\/1998<\/strong><\/a><br \/>\n(With exhibition catalogue <em>Ko umetnost nabija<\/em>)<\/p>\n<p><strong>Exhibition:<\/strong> <a href=\"http:\/\/www.ljudmila.org\/scca\/porno\/eng\/indexe.html\" target=\"_blank\" rel=\"noopener\"><strong>When Art is Doin&#8217; It<\/strong><\/a> (\u0160kuc Gallery, 8.\u221229. 10. 1998)<br \/>\n<strong>Artists:<\/strong> Goran Bertok, Rajko Bizjak, Vuk \u0106osi\u0107, Darij Kreuh, Jurij Perpar, Marija Mojca Punger\u010dar, Teeny, Brane Zorman<br \/>\nExhibition catalogue: <em>When Art is Doin&#8217; It<\/em><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/english\/archive.htm\" target=\"_blank\" rel=\"noopener\"><strong>Archive pages of seasons 1 \u2013 9<\/strong> (since 1996 untill 2005\/06)<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"col-md-12 col-sm-12 grid\">\n<p><a name=\"year01\"><\/a><\/p>\n<div class=\"featured-thumb col-md-4 col-sm-4\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zgodovina\/su-letnik01.jpg\" alt=\"Svet umetnosti, 1. letnik: 1996\/97\" width=\"338\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12972\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2018\/06\/thisartisrecycled-338x160.png\" alt=\"\" width=\"338\" height=\"160\" \/><\/div>\n<div class=\"out-thumb col-md-8 col-sm-8\">\n<h4 style=\"background-color: #ffff00; padding: 1px;\">YEAR 1: 1996\/97<\/h4>\n<p><strong>Head: <\/strong>Alenka Pirman<br \/>\n<strong>Assistant:<\/strong> Sa\u0161a Glavan<\/p>\n<p><strong>Course for Curators<\/strong><br \/>\n<strong>Tutors:<\/strong> Alenka Pirman, Lilijana Stepan\u010di\u010d<br \/>\n<strong>Workshop leaders:<\/strong> L\u00e1szl\u00f3 Beke, Patricia Evans, Charles Harrison, Jana Intihar Ferjan, Branka Stipan\u010di\u0107, Igor Zabel<br \/>\n<strong>Participants: <\/strong>Da\u0161a Dekleva, Marko Germov\u0161ek, Iztok Hotko, Polona Hribov\u0161ek, Ljubica Klan\u010dar, Vasja Nagy, Sabina Salamon, Barbara Sterle, Igor \u0160panjol, Nata\u0161a Tajnik, Katja \u017dlajpah<\/p>\n<p><strong>Series of Lectures: Conceptual Art of the 60&#8217;s and 70&#8217;s:<\/strong><\/p>\n<ul>\n<li>L\u00e1szl\u00f3 Beke: Some Characteristic of the Conceptual Art in Eastern Europe<\/li>\n<li>Antje von Graevenitz: Person of the Artist as a Figure in German Conceptual Art<\/li>\n<li>Charles Harrison: Conceptual Art and the Problems of Display<\/li>\n<li>Lilijana Stepan\u010di\u010d: Body Art and OHO<\/li>\n<li>Branka Stipan\u010di\u0107: Radical Art in Croatia 1959\u20131975<\/li>\n<li>Mi\u0161ko \u0160uvakovi\u0107: Conceptual Art in Serbia<\/li>\n<li>Igor Zabel: Principles of Series and Program in Art of OHO<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies#01\"><strong>Anthology: CONCEPTUAL ART IN THE 60\u2032s AND 70\u2032s, 1996\/1997<\/strong><\/a><br \/>\n(With exhibition catalogue <em>This Art is Recycled<\/em>)<\/p>\n<p><strong>Exhibition:<\/strong> <strong>This Art is Recycled<\/strong> (\u0160kuc Gallery, 9.\u221229. 10. 1997)<br \/>\n<strong>Artists: <\/strong> Sanja Grci\u0107, Kapetan Hysteria (Ale\u0161 Hvasti, Uro\u0161 Koren\u010dan), Irwin, Marko A. Kova\u010di\u010d, Tanja La\u017eeti\u0107, Metelkova (Matej Bizovi\u010dar, Bo\u0161tjan Drinovec, Luka Drinovec, Goran Medjugorac, Robert Ograjen\u0161ek, Andreja Suhadol\u010dan, Nata\u0161a Tajnik, Ur\u0161a Toman), Primo\u017e Pugelj, Rene Rusjan, Apolonija \u0160u\u0161ter\u0161i\u010d, Du\u0161an \u0160u\u0161tar\u0161i\u010d, Matej Andra\u017e Vogrin\u010di\u010d<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/english\/archive.htm\" target=\"_blank\" rel=\"noopener\"><strong>Archive pages of seasons 1 \u2013 9<\/strong> (since 1996 untill 2005\/06)<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>World of Art, School for Curatorial Practices and Critical Writing Head of the programme: Miha Kelemina (2016\u2212), Simona \u017dvanut (2015\/2016), Sa\u0161a (Glavan) Nabergoj (1998\u22122015); except: Alenka Pirman (1997), Ur\u0161a Jurman (2005\/06), Petja Grafenauer (2008\/09) Coordinators and co-workers: Asta Vre\u010dko (2018\u2212), Jasna Jernej\u0161ek (2018\/2019), Lara Plav\u010dak (2016\/2017), Miha Kelemina (2015\/2016), Simona \u017dvanut (2011\u22122015), Sonja Zavrtanik (2009\u22122011), [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-1784","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=1784"}],"version-history":[{"count":87,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1784\/revisions"}],"predecessor-version":[{"id":6627,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/1784\/revisions\/6627"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=1784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=1784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=1784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}