{"id":3611,"date":"2015-09-25T11:27:18","date_gmt":"2015-09-25T09:27:18","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=3611"},"modified":"2015-10-02T10:10:55","modified_gmt":"2015-10-02T08:10:55","slug":"curating-in-depth-2-symposium","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/curating-in-depth\/curating-in-depth-2-symposium","title":{"rendered":"Curating-in-Depth 2: Symposium"},"content":{"rendered":"<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/curating-in-depth\">\u00ab Curating\u2013In\u2013Depth<\/a><\/strong><\/p>\n<p><strong>CURATING-IN-DEPTH 2<\/strong><br \/>\nSymposium<br \/>\n<strong>3\u20135 August 2015<\/strong>, Blackbox, Benilde SDA, Manila, Philippines<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/06\/symposium.jpg\" alt=\"Curating-in-Depth 2: Symposium\" title=\"Curating-in-Depth 2: Symposium\" width=\"620\" height=\"392\" class=\"alignnone size-full wp-image-3360\" srcset=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/06\/symposium.jpg 620w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/06\/symposium-300x189.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>Participants from Slovenia\/Croatia, Southeast Asia come together to discuss and present artistic and curatorial practices that contests the contemporary in critical non-linear art histories, alternative organizational infrastructures through a series of events and discussions. There will also be a talk on the issue of archiving in video and experimental cinema. An experimental video and film screening from the archives of SCCA Ljubljana and Mowelfund FIlm Institute will also be presented.<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/08\/Symposium-Programme.pdf\" target=\"_blank\">Symposium Programme<\/a> (pdf)<\/p>\n<p>&#8212;<\/p>\n<p><strong>SYMPOSIUM DAY 1<\/strong><br \/>\n3 August | Monday | 1-4.30PM<br \/>\nVenue Blackbox, 6F School of Design and Arts, De La Salle College of Saint Benilde<br \/>\n2544 Taft Ave. Malate, Manila 1004<\/p>\n<p><strong>Rehistoricization: Criticality in linear art histories<\/strong><\/p>\n<p>1PM \/\/\/ Antonija Letini\u0107 (Croatia), What is The Future of Criticism?<br \/>\n1.30PM \/\/\/ Renan Laru-an (Philippines), Being Subtracted From<br \/>\n2.30PM \/\/\/ Lian Ladia (Philippines), Anachronism of Southeast Asian Modernism: Raden Saleh.<br \/>\n3PM \/\/\/ Simon Soon (Malaysia), Bodies that Matter &#8211; Art and the Cultural Left<br \/>\n3.30PM \/\/\/ Q&amp;A<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-3332\" title=\"Symposium Day 1\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-1.jpg\" alt=\"\" width=\"600\" srcset=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-1.jpg 851w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-1-300x111.jpg 300w\" sizes=\"(max-width: 851px) 100vw, 851px\" \/><\/p>\n<p>&#8212;<\/p>\n<p><strong>SYMPOSIUM DAY 2<\/strong><br \/>\n4 August Tuesday | 1-5PM<br \/>\nVenue Blackbox, 6F School of Design and Arts, De La Salle College of Saint Benilde<br \/>\n2544 Taft Ave. Malate, Manila 1004<\/p>\n<p><strong>Alternative organizational infrastructures<\/strong><\/p>\n<p>1PM \/\/\/ Du\u0161an Dov\u010d (Slovenia), The same word different meaning: a brief introduction to the cultural art production in Slovenia.<br \/>\n1.30PM \/\/\/ Angel Velasco Shaw (Philippines\/USA), Markets of Resistance: Baguio\/Manila.<br \/>\n2PM \/\/\/ Miha Kelemina (Slovenia), The Liminale. Modes of working, production and networking.<br \/>\n3PM \/\/\/ Arlette Tran (Vietnam), Curating on demand &#8211; Shifts of curatorial practice to engage non-art zones<br \/>\n3.30PM \/\/\/ Simona \u017dvanut (Slovenia), World of Arts, School for Critics and Curators of Contemporary Art.<br \/>\n4PM \/\/\/ Q&amp;A<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-2.jpg\" alt=\"\" title=\"Symposium Day 2\" width=\"600\" class=\"alignnone size-full wp-image-3333\" srcset=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-2.jpg 851w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-2-300x111.jpg 300w\" sizes=\"(max-width: 851px) 100vw, 851px\" \/><\/p>\n<p>&#8212;<\/p>\n<p><strong>SYMPOSIUM DAY 3<\/strong><br \/>\n5 August Wednesday | 1-6PM<br \/>\nVenue Blackbox, 6F School of Design and Arts, De La Salle College of Saint Benilde<br \/>\n2544 Taft Ave. Malate, Manila 1004<\/p>\n<p>1PM \/\/\/ Barbara Bor\u010di\u0107 (Slovenia), Video As a Tool and Strategy of Artistic Expression. Selected Examples From DIVA Station Archival Practices in Video.<br \/>\n3PM \/\/\/ Ricky Orellana (Philippines), The Mowelfund Audio-Visual Archive. Talk and Selected Examples from the Archive.<br \/>\n17.30 Q &amp; A<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-3.jpg\" alt=\"\" title=\"Symposium Day 3\" width=\"600\" class=\"alignnone size-full wp-image-3334\" srcset=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-3.jpg 851w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/04\/Symposium-Day-3-300x111.jpg 300w\" sizes=\"(max-width: 851px) 100vw, 851px\" \/><\/p>\n<hr \/>\n<p><strong>VIDEOS OF LECTURES<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"620\" height=\"349\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/HOGri7wQQd8?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"620\" height=\"349\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/Ry2AIX8kZfA?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"620\" height=\"349\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/O8_hANigbr4?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"620\" height=\"349\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/5Rfgliklqc4?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p><strong>PHOTOS FROM THE EVENT<\/strong><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/012.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/012-150x150.jpg\" alt=\"\" title=\"School of Design and Arts, De La Salle College of Saint Benilde, Manila, The Philippines\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3553\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/022.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/022-150x150.jpg\" alt=\"\" title=\"Symposium &#039;Rehistoricization: Criticality in Linear Art Histories, Alternative Organizational Infrastructures and Problematizing Experimental and Archival Practices in Video and Film&#039;\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3554\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/032.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/032-150x150.jpg\" alt=\"\" title=\"Antonija Letini\u0107 presenting Kurziv and Kulturpunkt.hr (Day 1: Rehistoricization: Criticality in Linear Art Histories)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3555\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/042.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/042-150x150.jpg\" alt=\"\" title=\"Simon Soon: Bodies that Matter \u2013 Art and the Cultural Left (Day 1: Rehistoricization: Criticality in Linear Art Histories)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3556\" \/><\/a><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/052.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/052-150x150.jpg\" alt=\"\" title=\"Day 1: Rehistoricization: Criticality in Linear Art Histories, talk moderated by Jenifer Wofford and Angel Velasco Shaw\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3557\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/062.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/062-150x150.jpg\" alt=\"\" title=\"Day 1: Rehistoricization: Criticality in Linear Art Histories, talk moderated by Jenifer Wofford and Angel Velasco Shaw\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3558\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/072.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/072-150x150.jpg\" alt=\"\" title=\"Day 1: Rehistoricization: Criticality in Linear Art Histories, talk moderated by Jenifer Wofford and Angel Velasco Shaw\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3559\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/082.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/082-150x150.jpg\" alt=\"\" title=\"Du\u0161an Dov\u010d: The same word different meaning: a brief introduction to the cultural art production in Slovenia (Day 2: Alternative Organizational Infrastructures)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3560\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/092.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/092-150x150.jpg\" alt=\"\" title=\"Miha Kelemina: The Liminale. Modes of working, production and networking (Day 2: Alternative Organizational Infrastructures)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3561\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/102.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/102-150x150.jpg\" alt=\"\" title=\"Simona \u017dvanut presenting the World of Arts, School for Critics and Curators of Contemporary Art (Day 2: Alternative Organizational Infrastructures)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3562\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/112.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/112-150x150.jpg\" alt=\"\" title=\"Barbara Bor\u010di\u0107: Video As a Tool and Strategy of Artistic Expression. Selected Examples From DIVA Station (Day 3: Problematizing Experimental and Archival Practices in Video and Film)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3563\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/122.jpg\" rel=\"lightbox[3611]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/09\/122-150x150.jpg\" alt=\"\" title=\"Ricky Orellana: The Mowelfund Audio-Visual Archive. Talk and Selected Examples from the Archive (Day 3: Problematizing Experimental and Archival Practices in Video and Film)\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-3564\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab Curating\u2013In\u2013Depth CURATING-IN-DEPTH 2 Symposium 3\u20135 August 2015, Blackbox, Benilde SDA, Manila, Philippines Participants from Slovenia\/Croatia, Southeast Asia come together to discuss and present artistic and curatorial practices that contests the contemporary in critical non-linear art histories, alternative organizational infrastructures through a series of events and discussions. There will also be a talk on the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2663,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3611","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/3611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=3611"}],"version-history":[{"count":9,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/3611\/revisions"}],"predecessor-version":[{"id":3666,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/3611\/revisions\/3666"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/2663"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=3611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=3611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=3611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}