{"id":4190,"date":"2017-06-12T14:06:19","date_gmt":"2017-06-12T12:06:19","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=4190"},"modified":"2018-06-06T15:31:01","modified_gmt":"2018-06-06T13:31:01","slug":"seminars-and-modules","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules","title":{"rendered":"Seminars and Modules"},"content":{"rendered":"<p>World of Art | School for curatorial practices and critical writing | Year 16<\/p>\n<hr \/>\n<p>SEMINARS:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/andrej-pezelj-art-and-fictions-of-subversion\">Andrej Pezelj: Art and Fictions of Subversion<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/petja-grafenauer-close-reading-workshop\">Petja Grafenauer: Close Reading Workshop<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/miha-kelemina-seminar-critique\">Miha Kelemina: Seminar Critique<\/a><\/li>\n<li><a href=\"arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/barbara-borcic-seminar-analysis-of-artwork\">Barbara Bor\u010di\u0107: Seminar Analysis of Artwork<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/art-of-20th-century-chapters\">Art of 20th Century. Chapters<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/research-collective-sum\">Research collective \u0160UM: Kaja Kraner, Tja\u0161a Poga\u010dar, Izidor Bar\u0161i, Andrej \u0160kufca: Alternative Organizing and Survival Strategies in Contemporary Art<\/a><\/li>\n<\/ul>\n<hr \/>\n<p>MODULES, 1st YEAR:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/katja-kranjc-mgmsum-library\">Katja Kranjc: MG+MSUM Library<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/jana-intihar-ferjan-and-teja-merhar-documentation\">Jana Intihar Ferjan and Teja Merhar: Documentation<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/dusan-dovc-application-documentation\">Du\u0161an Dov\u010d: Application Documentation<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/mateja-lazar-financing-programmes-from-eu\">Mateja Lazar (Creative Europe Desk\/Motovila): EU Financing Programmes (from European Culture Financing Policies to Application Documentation)<\/a><\/li>\n<\/ul>\n<p>MODULES, 2nd YEAR:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/dusan-dovc-producer-in-contemporary-art\">Du\u0161an Dov\u010d: Producer in Contemporary Art<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/module-sponsorship-management\">Module: Sponsorship Management<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/module-public-relations-for-a-contemporary-art-exhibition\">Module: Public Relations for a Contemporary Art Exhibition<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/dusan-dovc-preparing-the-financial-plan-for-an-exhibition-of-contemporary-art\">Du\u0161an Dov\u010d: Preparing the Financial Plan for an Exhibition of Contemporary Art<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/barbara-borcic-a-catalogue-editors-view\">Barbara Bor\u010di\u0107: A Catalogue. Editor\u2019s View<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>World of Art | School for curatorial practices and critical writing | Year 16 SEMINARS: Andrej Pezelj: Art and Fictions of Subversion Petja Grafenauer: Close Reading Workshop Miha Kelemina: Seminar Critique Barbara Bor\u010di\u0107: Seminar Analysis of Artwork Art of 20th Century. Chapters Research collective \u0160UM: Kaja Kraner, Tja\u0161a Poga\u010dar, Izidor Bar\u0161i, Andrej \u0160kufca: Alternative Organizing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4191,"parent":3775,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-4190","page","type-page","status-publish","has-post-thumbnail","hentry","category-school-structure"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=4190"}],"version-history":[{"count":13,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4190\/revisions"}],"predecessor-version":[{"id":5218,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4190\/revisions\/5218"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/3775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/4191"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=4190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=4190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=4190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}