{"id":4272,"date":"2017-06-15T17:13:32","date_gmt":"2017-06-15T15:13:32","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=4272"},"modified":"2017-07-06T10:23:15","modified_gmt":"2017-07-06T08:23:15","slug":"alenka-priman-art-system-an-insight","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/lectures\/alenka-priman-art-system-an-insight","title":{"rendered":"Alenka Priman: Art System. An Insight"},"content":{"rendered":"<p>World of Art | School for Curatorial Practices and Critical Writing | Year 16<\/p>\n<hr \/>\n<p>Do not be confused by the poetic title of the educational programme. World of art isn&#8217;t anything special. It is as well dominated by institutions; there are specialized professions, ongoing capital transactions\u2026 In the four-hour lecture through discussion we will try to answer these questions: What does the art system consist of? What kind of place do exhibitions take in it? Who finances them? What kind of position does a critic or a curator as a business entity find in it?<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2016\/11\/pirman-predavanje.gif\" rel=\"lightbox[4272]\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-9749 alignnone\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2016\/11\/pirman-predavanje.gif\" alt=\"Alenka Pirman: Umetnostni sistem. Vpogled\" width=\"630\" height=\"252\" \/><\/a><\/p>\n<hr \/>\n<div id='gallery-1' class='gallery galleryid-4272 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/01.jpg' rel=\"lightbox[4272]\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/01-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/02.jpg' rel=\"lightbox[4272]\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/02-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/03.jpg' rel=\"lightbox[4272]\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/03-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/04.jpg' rel=\"lightbox[4272]\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/04-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"margin: 3px 10px 5px 0px;\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2010-11\/alenka-priman.jpg\" alt=\"Alenka Pirman\" width=\"100\" height=\"100\" align=\"left\" \/><strong>Alenka Pirman (1964) <\/strong><br \/>\nArtist, self-employed in culture. Graduated at the Academy of Fine Arts in Ljubljana.<br \/>\nIn the 90\u2019s her work was related to the three imaginary institutions \u2013 SK8 Museum (1991-1993), RIGUSRS \u2013 Research Institute for Geo Art Statistics of the Republic of Slovenia (1997, with Vuk \u0106osi\u0107 and Irena Woelle), and Domestic Research Institute (1994-1998). Later on she collaborated with various artistic collectives\/platforms (e.g. Luther Blissett, 01.org, and The Bughouse). She is a founding member of the Domestic Research Society, established in Ljubljana in 2004. More on her <a href=\"http:\/\/www2.arnes.si\/~apirma1\/\" target=\"_blank\" rel=\"noopener\">webpage<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>World of Art | School for Curatorial Practices and Critical Writing | Year 16 Do not be confused by the poetic title of the educational programme. World of art isn&#8217;t anything special. It is as well dominated by institutions; there are specialized professions, ongoing capital transactions\u2026 In the four-hour lecture through discussion we will try [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4185,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4272","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=4272"}],"version-history":[{"count":5,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4272\/revisions"}],"predecessor-version":[{"id":4666,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4272\/revisions\/4666"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4185"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=4272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=4272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=4272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}