{"id":4310,"date":"2017-06-18T14:20:29","date_gmt":"2017-06-18T12:20:29","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=4310"},"modified":"2018-07-17T13:15:34","modified_gmt":"2018-07-17T11:15:34","slug":"barbara-borcic-seminar-analysis-of-artwork","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/barbara-borcic-seminar-analysis-of-artwork","title":{"rendered":"Barbara Bor\u010di\u0107: Seminar Analysis of Artwork"},"content":{"rendered":"

World of Art | School for Curatorial Practices and Critical Writing | Year 16<\/p>\n

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Seminars Art Criticism and Analysis of Artwork are successors to Seminar in Writing, which was introduced in the seventh year of school (2003\/2004) in order to fill a gap in the theoretical and critical reflection and to encourage writing about contemporary art practices, initiate new discourses, methods of recording and historicizing contemporary art practices.<\/p>\n

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\"BarbaraBarbara Bor\u010di\u0107 (1954)<\/strong>
\nGraduated with B.A. in art history from the Ljubljana Faculty of Arts, University of Ljubljana and studied PhD media studies and antropology, Institutum Studiorum Humanitatis, Postgraduate Faculty of Humanities, Ljubljana). Since 2000 director of SCCA\u2212Ljubljana, Center for Contemporary Arts. Active in the field of contemporary arts as a free-lance curator, publicist and editor. Member of AICA, International Association of Art Critics and IKT, International Association of Curators of Contemporary Art. In frame of SCCA Bor\u010di\u0107 conceived and edited the documentation, archival and research project on video art in Slovenia under the title Videodokument. Video Art in Slovenia 1969\u20131998<\/em>. She is also curating video programs under the title Videospotting<\/em> and writing about video (in English: \u2018From Alternative Scene to Art Video\u2019, in Reader V2_East Meeting<\/em>, No. 1, Rotterdam, 1996; \u2018Video Art from Conceptualism to Postmodernism\u2019, in Impossible Histories: Historical Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918\u20131991<\/em>, MIT Press, Massachussetts, 2003). She was a leader of curated web project Internet Portfolio<\/em>, research projects What Is to Be Done with the Balkan Art<\/em> and What Is to Be Done with the Audiovisual Archives<\/em>, and editor of PlatformaSCCA<\/em> magazine. At the moment she is also a leader of No Nails, No Pedestals <\/em>presentation\/discussion program and of a physical and web archive of video art DIVA Station<\/em>. From 1980 on she worked in \u0160kuc Gallery, Ljubljana and was the artistic director of the gallery 1982\u20131985. Between 1982 and 1992 she was involved in video practice in frame of Ljubljana alternative scene<\/em> and collaborated on several art and documentary video projects. 1991\u20131992 she was editor-in-chief of the fine arts magazine Likovne besede<\/em> (Art Words)<\/em>. From 1993 she was an assistant to the director, from 1997 the director of the Soros Center for Contemporary Arts \u2013 Ljubljana.<\/p>\n

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Seminar is supported by Zaklada Kultura nova<\/a>.<\/p>\n

\"\"<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

World of Art | School for Curatorial Practices and Critical Writing | Year 16 Seminars Art Criticism and Analysis of Artwork are successors to Seminar in Writing, which was introduced in the seventh year of school (2003\/2004) in order to fill a gap in the theoretical and critical reflection and to encourage writing about contemporary […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4190,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4310","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=4310"}],"version-history":[{"count":4,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4310\/revisions"}],"predecessor-version":[{"id":5281,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4310\/revisions\/5281"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4190"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=4310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=4310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=4310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}