{"id":4315,"date":"2017-06-18T14:23:45","date_gmt":"2017-06-18T12:23:45","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=4315"},"modified":"2017-07-06T10:30:09","modified_gmt":"2017-07-06T08:30:09","slug":"research-collective-sum","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/research-collective-sum","title":{"rendered":"Kaja Kraner, Izidor Bar\u0161i (\u0160UM Collective): Alternative Organizing and Survival Strategies in Contemporary Art"},"content":{"rendered":"<p>World of Art | School for Curatorial Practices and Critical Writing | Year 16<\/p>\n<hr \/>\n<p>Meetings will be devoted to consideration of: systemic, cultural and political specifics that are from the 90\u2019s onwards essential to characterization of the production and functioning of contemporary art in Slovenia; presentation of some examples of alternative organization, functioning and production of exhibitions from the local area; reflection\/confrontation of different approaches in response to systemic conditions such as those found in some recent artistic and curatorial practices in the international arena.<\/p>\n<hr \/>\n<p><strong>Photogallery<\/strong> (photo: SCCA-Ljubljana Archive)<\/p>\n<div id='gallery-1' class='gallery galleryid-4315 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/research-collective-sum\/barsi_kraner_su-modul-1'><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/barsi_kraner_su-modul-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/research-collective-sum\/barsi_kraner_su-modul-2'><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/barsi_kraner_su-modul-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/research-collective-sum\/barsi_kraner_su-modul-3'><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/barsi_kraner_su-modul-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/seminars-and-modules\/research-collective-sum\/barsi_kraner_su-modul-4'><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2017\/06\/barsi_kraner_su-modul-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-3376\" title=\"Izidor Bar\u0161i\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2016\/03\/Izidor-Barsi.jpg\" alt=\"\" width=\"100\" height=\"100\" \/><strong>Izidor Bar\u0161i<\/strong> holds a degree in philosophy and sociology of culture at the Faculty of Arts in Ljubljana. He has contributed texts on philosophy, art and architecture to Tribuna, Mladina, Delo, Praznine, and Emzin. Since 2010, he has been a regular contributor at the culture and the humanities desk at Radio \u0160tudent; since 2013 he is a member of the editorial board of \u0160um magazine. Between 2014 and 2015 he was the editor of Tribuna magazine. In addition, he has helped organise and lead a few theoretical reading seminars focused on philosophy and theory at the Museum of Contemporary Art, Moderna galerija, and Rog Factory.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-3376\" title=\"Kaja Kraner\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2016\/03\/Kaja-Kraner.jpg\" alt=\"\" width=\"100\" height=\"100\" \/><strong>Kaja Kraner<\/strong> primarily works as a writer of critical, theoretical texts and radio shows in the field of contemporary art. She helps create the programme of Pekarna Magdalenske mre\u017ee, is a member of the editorial board of \u0160um and a co-editor of Art-area, an emission on Radio \u0160tudent. In addition, she (co-)leads reading seminars on contemporary art organised by \u0160um and Neteorit collective. She has focused especially on the relations between art, politics, and theory, as well as on the production conditions of contemporary art. She is currently exploring the concept of the geopolitics of art in the framework of her PhD.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>World of Art | School for Curatorial Practices and Critical Writing | Year 16 Meetings will be devoted to consideration of: systemic, cultural and political specifics that are from the 90\u2019s onwards essential to characterization of the production and functioning of contemporary art in Slovenia; presentation of some examples of alternative organization, functioning and production [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4190,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4315","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=4315"}],"version-history":[{"count":5,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4315\/revisions"}],"predecessor-version":[{"id":4679,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4315\/revisions\/4679"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/4190"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=4315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=4315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=4315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}