![\"\"](\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2017\/06\/20170818_121814_2-400x262.jpg\")
<\/p>\n
Programme is prepared by Miha Kelemina<\/strong><\/p>\n Head of the programme:\u00a0 Sa\u0161a Nabergoj<\/strong> (2004\u00a0\u2013 2015), Simona \u017dvanut<\/strong> (2015\/2016). PROGRAMME in 2017<\/a> <\/a> With Studio 6 as part of our visual arts program of fourteen years, we continue to test different models of cooperation, present artistic projects and encourage their reflection. In 2017, we prepared two events, one at the SCCA Project Room, and the second traditionally in cooperation with another regional exhibiting venue of contemporary art.<\/p>\n The group exhibition Somethin\u2019s Written<\/em> was the second exhibition project prepared by SCCA-Ljubljana at the Vodnikova doma\u010dija Gallery and the sixth project to explore the merging of the written word and image in contemporary art production. As one of the ways of their expression, participating artists Bojan Mijatovi\u0107, Horrid Habits, Leon Zuodar, Maks Bricelj,<\/strong> Mina Fina<\/strong> and Nevena Aleksovski<\/strong> explore various approaches in combining text and images. They are active in drawing, graphics, painting, photography, assemblages, some are intervening a space with installations and other interventions or are creating artists\u2019 books, (fan)zines and similar art publications.<\/p>\n In the Curator\u2019s Visit <\/em>series the artist Dalibor Bori Zupan\u010di\u010d<\/strong> and curator Maja Anton\u010di\u010d<\/strong> carried out a workshop at the SCCA Project Room, which approached the methods of art therapy through group dynamics. By articulating artistic elements\/works\/practices\/theories, it moved closer to the collective curating of a specific artistic situation and its layout. The implementation didn\u2019t directly involve individual psychological analysis, but created an experiment of either artistic or therapeutic manifestations of various actors, both from the art world and by other interested participants.<\/p>\n <\/p>\n Somethin’s Written<\/a> Artists: Nevena Aleksovski, Maks Bricelj, Mina Fina, Horrid Habits, Bojan Mijatovi\u0107, Leon Zuodar<\/strong> The group exhibition Somethin’s Written<\/em> was the second exhibition project prepared by SCCA-Ljubljana in the Vodnikova doma\u010dija Gallery and the sixth project to explore the merging of the written word and image in contemporary art production.<\/p>\n As one of the ways of their expression, participating artists Bojan Mijatovi\u0107, Horrid Habits, Leon Zuodar, Maks Bricelj,<\/strong> Mina Fina<\/strong> and Nevena Aleksovski<\/strong> are exploring various approaches in combining text and images. They are active in drawing, graphics, painting, photography, assemblages, some are intervening a space with installations and other interventions or are creating artists’ books, (fan)zines and similar art publications.<\/p>\n The house where I live has many rooms\u2026 or \u201dart therapy contact\u201d<\/strong><\/a><\/em> Author: Dalibor Bori Zupan\u010di\u010d <\/p>\n <\/a> For the twelfth year now, Studio 6 has been exploring various models of cooperation between artists, curators, critics and theorists. What ties us together is the space and context of the SCCA Project Room where we develop art projects and encourage their reflection while occasionally testing collaborations in new environments as well.<\/p>\n At the beginning of the year, we have prepared the exhibition Words as Colours, Colours as Words. Art Walk Through Poetry<\/a><\/em><\/strong> in Vodnikova doma\u010dija Gallery. The exhibition, conceived for the Ptuj\u2019s festival Days of Poetry and Wine 2015<\/em>, was a cross-section between the literary and artistic creation and has presented artists that explore the relationship between the visual and the verbal artistic expression. The exhibition was presented in a modified form in Vodnikova Doma\u010dija Gallery because of the gallery programme guidelines, which aims to connect visual art and literature. The exhibition was adapted to the requirements of the new exhibition space and was accompanied by guided tours, workshop and lecture Poetry in the gallery<\/em> by Du\u0161an Dov\u010d.<\/p>\n Within Studio 6 we want to open a space also for the curators of the younger generation. In a series of collaborations with invited curators we will offer them the Project Room SCCA space, financial resources and assistance in the preparation and execution of the exhibition project. Curator himself\/herself will determine the content of cooperation \u2013 the invitation is open, it is possible to test formats of presentation, exhibition, as well as other experimental projects in the field of contemporary visual art.<\/p>\n First invited curator Domen Ograjen\u0161ek<\/strong> will develop his curatorial dialogue with the artist Tja\u0161a Poga\u010dar Podgornik<\/strong>. The project, entitled How Much Ignorance Does the Art Still Retain?<\/em><\/strong>, will try to analyse the educational practices that place themselves in the intersection between artistic, pedagogical and curatorial domain and critically reconsider their stakes, potentials and impacts. In last ten years it is possible to observe the tendency in institutional programmes towards more and more emphasised educational side also in local milieu, which brings about the growth of self-organised and usually unofficial educational activities integrated in exhibition and pedagogical programmes of contemporary arts institutions.<\/p>\n <\/p>\n Words as Colours, Colours as Words<\/a><\/strong>* Artists: Maja Burja, Avgust \u010cernigoj, Primo\u017e \u010cu\u010dnik & Gregor Podlogar & \u017diga Kari\u017e, Matja\u017e Han\u017eek, Andrej Ho\u010devar & Jaka \u017deleznikar, Alenka Pirman, Sre\u010dko Kosovel, Anton Podbev\u0161ek, Zoran Srdi\u0107 Jane\u017ei\u010d, Val\u00e9rie Wolf Gang *From the poem \u2018\u2019The Principle\u2019\u2019,\u00a0Ode on Manhattan Avenue<\/em>, \u010cu\u010dnik, Podlogar, Kari\u017e, 2003<\/p>\n <\/p>\n How Much Ignorance Does the Art Still Retain? Curator: Domen Ograjen\u0161ek <\/a> For the past 11 years, Studio 6 has been exploring various models of collaboration between artists, curators, critics and theorists. What ties us together is the space and context of the SCCA Project Room where we develop art projects and encourage their reflection while occasionally testing collaborations in new environments as well.<\/p>\n On behalf of the invitation of Beletrina Academic Press publishing house is Studio 6 team in 2015 preparing two events that examine the relationship between artistic expression in\u00a0visual arts\u00a0and in words, and which can be placed among research projects that transcend the boundaries of a single art form. Both events will be part of\u00a0Days of Poetry and Wine 2015<\/a>\u00a0festival programme.<\/p>\n On 24 August 2015, in the framework of the\u00a0Evenings before the Days<\/em>, a documentary presentation of the poetry and visual project\u00a0Ode on\u00a0Manhattan Avenue<\/em><\/strong>\u00a0(\u010cu\u010dnik, Podlogar, Kari\u017e) will be held in the\u00a0SCCA Project Room\u00a0(Metelkova 6, Ljubljana). The authors, poet Primo\u017e \u010cu\u010dnik<\/strong> and visual artist \u017diga Kari\u017e<\/strong> discussed the project with Du\u0161an Dov\u010d, explaining its background, the impulses behind its creation, its conclusion and potential future impact, as well as their great amazement at New York City, where the poetry published in Ode on Manhattan Avenue<\/em> was created. The discussion in the Project Room will be accompanied by a presentation of conserved documentary materials that were created at a series of readings, as well as by audio-visual recordings made in Ljubljana and on a tour of the United States.<\/p>\n Two days later, on 26 August 2015, we will prepare the main festival exhibition Words as Colours, Colours as Words*<\/em><\/strong>in Ptuj’s Old Glassware Workshop<\/strong>. Exhibition will be conceptualised by thinking of the festival’s poetry programme and events \u2013 as well as the city of Ptuj as the host. Authors who have on the one hand searched for visual value in words or on the other hand space for words on the canvas will present themselves. The exhibition will, in three complete sections, offer a selection of quotes from the manifestos of visual and literary artists, which will initiatively lead visitors through the history of experimenting with form and word; it will present artists of the Slovenian avant-garde, a reference for both Slovenian visual and literary creativity; and it will be concluded with artistic works and multimedia installations by contemporary artists. Both events represent a continuation and advancement of Studio 6\u2019s mission, which is based on the creation of spaces for art projects and their reflection and on the encouragement of discussion of contemporary practices in visual arts.<\/p>\n <\/p>\n Ode on Manhattan Avenue<\/a><\/strong> Artists: Primo\u017e \u010cu\u010dnik, Gregor Podlogar, \u017diga Kari\u017e <\/p>\n Words as Colours, Colours as Words<\/a><\/strong>* Artists: Maja Burja, Avgust \u010cernigoj, Primo\u017e \u010cu\u010dnik & Gregor Podlogar & \u017diga Kari\u017e, Matja\u017e Han\u017eek, Andrej Ho\u010devar & Jaka \u017deleznikar, Alenka Pirman, Sre\u010dko Kosovel, Anton Podbev\u0161ek, Zoran Srdi\u0107 Jane\u017ei\u010d, Val\u00e9rie Wolf Gang *from the poem \u2018\u2019The Principle\u2019\u2019,\u00a0Ode on Manhattan Avenue<\/em>, \u010cu\u010dnik, Podlogar, Kari\u017e, 2003<\/p>\n <\/a> Liminale<\/a><\/em><\/strong><\/p>\n In 2013, we prepared two events: in June, in collaboration with artists’ initiative OFFTIR<\/strong> project Liminale<\/em><\/strong> and in August with Cirkulacija 2<\/strong>. They both use various formats of expression and deal with diverse concerns due to their loose structure that is based on the principles of collective work and is open for different \u2013 also international \u2013 collaborations. Among other aspects, OFFTIR and Cirkulacija 2 \u2013 likewise the Studio 6 team \u2013 focus on evolving new modes of collaboration between protagonists of the contemporary art scene, differentiated from the standard practices. They encourage exchange of knowledge, confrontation of different opinions, equality of all participants of the artistic process, and set-up of international collaboration or production. While observing the modes of operation of the OFFTIR and Cirkulacija 2, we have discerned several links between them, among them also two modes of operation, DIY (do it yourself) and DIWO (do it with others). With linking different knowledge and capabilities, re-usage and recycling of the material and mostly with flexibility in search for new possibilities of artistic creation, these two practices enable a certain point of intellectual independence and self-sufficiency. In the time, when one feels that work space in the world of (contemporary) art is shrinking, modus of operation of these two initiatives offer new possibilities of its opening.<\/p>\n Participating curators and artists in 2010: Nevenka \u0160ivavec <\/strong>and Andreja D\u017eaku\u0161i\u010d<\/strong><\/a>, Jurij Krpan<\/strong> and Polona Tratnik<\/strong><\/a>, Andrej Medved <\/strong>and Emerik Bernard<\/strong><\/a><\/p>\n Participating curators, critics, theorists in 2009: Bo\u017eidar Zrinski<\/strong> (MGLC, Ljubljana), Petra Kap\u0161 <\/strong>(curator, writer, author)<\/p>\n Participating artists in 2009: Simon Macuh<\/strong> (Curator: Petra Kap\u0161<\/strong>), Alenka Pirman<\/a> (Curator: Petra Kap\u0161<\/strong>), Matej Ko\u0161ir<\/a> (Curator: Bo\u017eidar Zrinski<\/strong>), (Franc Purg as invited artist cancelled the participation)<\/p>\n Participating curators, critics, theorists in 2008 and 2007: Bojana Pi\u0161kur, Mateja Rot, Maja Lozi\u0107, Alenka Gregori\u010d, Bo\u017eidar Zrinski, Iztok Hotko<\/strong>.<\/p>\n Participating artists in 2008: BridA<\/a>, Vuk \u0106osi\u0107<\/a>, Matej Andra\u017e Vogrin\u010di\u010d<\/a>, Marija Mojca Punger\u010dar<\/strong><\/p>\n
\nCoordinators: Tev\u017e Logar, Maja Lozi\u0107, Miha Kelemina,\u00a0 Sonja Zavrtanik, Simona \u017dvanut.<\/p>\n
\n
\nPROGRAMME in 2016<\/a>
\nPROGRAMME in 2015<\/a>
\nPROGRAMME in 2013<\/a><\/p>\n
\n
\nPROGRAMME in 2017<\/strong><\/p>\n
\n<\/em><\/strong>2 March \u2013 2 April 2017
\nVodnikova doma\u010dija Gallery, Vodnikova cesta 65, Ljubljana<\/p>\n
\nCurator: Lara Plav\u010dak<\/p>\n
\n30 November 2017
\nSCCA-Ljubljana, Project Room, Metelkova ulica 6, Ljubljana<\/p>\n
\nCurator: Maja Anton\u010di\u010d<\/p>\n
\n
\nPROGRAMME in 2016<\/strong><\/p>\n
\nArt Walk Through Poetry<\/strong>
\n21 January\u201314 February 2016<\/strong>
\nVodnikova doma\u010dija Gallery, Vodnikova cesta 65, Ljubljana<\/p>\n
\nCurators: Du\u0161an Dov\u010d, Mihael Kelemina, Simona \u017dvanut
\nExhibition designer: Vesna Bukovec
\nAdvisor: Sa\u0161a Nabergoj<\/p>\n
\nThe status of alternative production of knowledge and its conditions in local contemporary visual arts<\/strong><\/a>
\nThursday, 5 May 2016, at 6pm
\nProject Room SCCA, Metelkova 6, Ljubljana<\/p>\n
\nArtist: Tja\u0161a Poga\u010dar Podgornik<\/p>\n
\n
\nPROGRAMME in 2015<\/strong><\/p>\n
\nOn Saturday, 29 August, at 18.00, when the festival draws to an end and the exhibition closes its doors, Du\u0161an Dov\u010d<\/strong> will hold a lecture\u00a0Missing Poem is a Poem<\/em><\/strong>\u00a0on visual poetry and poetic texts aimed more at viewing than reading.<\/p>\n
\nDocumentary presentation of a visual-sound-semantic project
\n24 August 2015, at 8 p. m.
\nSCCA Project Room<\/p>\n
\nCurators: Du\u0161an Dov\u010d, Mihael Kelemina, Simona \u017dvanut<\/p>\n
\n26\u201329 August 2015
\nOld Glassware Workshop, Ptuj<\/p>\n
\nCurators: Du\u0161an Dov\u010d, Mihael Kelemina, Simona \u017dvanut
\nExhibition designer: Vesna Bukovec
\nAdvisor: Sa\u0161a Nabergoj<\/p>\n
\n
\nPROGRAMME in 2013<\/strong><\/p>\n
\n