{"id":490,"date":"2011-09-16T13:19:16","date_gmt":"2011-09-16T11:19:16","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=490"},"modified":"2015-06-29T16:06:42","modified_gmt":"2015-06-29T14:06:42","slug":"series-of-public-lectures-on-curatorial-and-institutional-practice","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/series-of-public-lectures-on-curatorial-and-institutional-practice","title":{"rendered":"Series of public lectures on curatorial and institutional practice"},"content":{"rendered":"<p>WORLD OF ART<br \/>\nSchool for Curators and Critics of Contemporary Art<br \/>\nSeason 14<\/p>\n<hr \/>\n<p><strong>Reflections and shifts in curatorial, critical and artistic practices <\/strong><br \/>\nLectures, discussions, conversations<\/p>\n<p><img decoding=\"async\" class=\"alignleft  wp-image-4204\" title=\"Foto: Marek Krzyzanek\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2011\/09\/Zabel-book.jpg\" alt=\"\" width=\"120\" \/><\/p>\n<p>The <em>World of Art <\/em><em>School<\/em> is continuing to feature international and Slovenian protagonists who present individual and collective strategies and tactics applied in their curatorial, critical and artistic practices, seeking to establish unique ways of operating within the established art system. In a series of lectures, they are presenting their views and experiences, thematising their concepts and projects.<\/p>\n<p>We expect this year to be especially interesting since we are preparing a series of lectures in a slightly changed format and in collaboration with <a href=\"http:\/\/www.igorzabel.org\/en\" target=\"_blank\">Igor Zabel Association for Culture and Theory<\/a>. As one of the most prominent curators, thinkers and theorists in Slovene cultural milieu, Igor Zabel has been involved in the programme of the <em>World of Art<\/em> <em>School<\/em> on different levels from the very beginning (as a tutor, lecturer, and consultant).<\/p>\n<p>This is also a reason for us to begin our collaboration and announce this year&#8217;s series of lectures with a public presentation of <strong><em>Igor Zabel: Contemporary Art Theory<\/em><\/strong>. Further on, two lectures on the topic \u2013 shifts in theoretical, artistic, curatorial and critical field of contemporary art \u2013 \u00a0from the perspective of an artist\/pedagogue and a curator will follow.<\/p>\n<p class=\"leto\"><strong>2013<\/strong><\/p>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"mesec\" valign=\"top\" width=\"16%\">March<\/td>\n<td class=\"tdprogramsredina\" valign=\"top\" width=\"26%\">Monday<br \/>\nMarch 25, 2013, at 18.00<br \/>\nMSUM, Ljubljana<\/td>\n<td class=\"tdprogram\" valign=\"top\" width=\"58%\"><a title=\"Igor Zabel: Contemporary Art Theory: Book presentation and discussion\" href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1341\"><em>Igor Zabel: Contemporary Art Theory:<\/em> Book presentation and discussion<\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"mesec\" valign=\"top\" width=\"16%\">April<\/td>\n<td class=\"tdprogramsredina\" valign=\"top\" width=\"26%\">Tuesday<br \/>\nApril 9, 2013, at 19.00, \u0160kuc Gallery, Stari trg 21, Ljubljana<\/td>\n<td class=\"tdprogram\" valign=\"top\" width=\"58%\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1420\">Erik Hagoort, <em>Diagonal Reciprocity. Thinking About Art Practices of Encounter<\/em><\/a><br \/>\n(lecture will be in English)<\/td>\n<\/tr>\n<tr>\n<td class=\"mesec\" rowspan=\"1\" valign=\"top\" width=\"16%\">May<\/td>\n<td class=\"tdprogramsredina\" valign=\"top\" width=\"26%\">Monday,<br \/>\nMay 6, 2013, at 18.00, MSUM, Ljubljana<\/td>\n<td class=\"tdprogram\" valign=\"top\" width=\"58%\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1487\">Nata\u0161a Petre\u0161in Bachelez: Situated artistic research and self-reflexive residency programmes<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>The <em>World of Art <\/em>school has continued to feature international and Slovenian personalities who have presented individual and collective strategies and tactics used in curatorial, critical and arts practices, seeking to establish unique ways of working in the established art system. In a series of lectures and workshops, the tutors have presented their views and experience, thematising their concepts and projects.<\/p>\n<p>This year, we will continue to present curatorial practices which reach beyond exhibition installation and point to alternative constructive work in the field of contemporary art. We are interested in practices which seek new approaches, techniques and methods, creating a different approach to the established system that dominates contemporary art.<\/p>\n<p class=\"leto\"><strong>2012<\/strong><\/p>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"mesec\" valign=\"top\" width=\"16%\">January<\/td>\n<td class=\"tdprogramsredina\" valign=\"top\" width=\"26%\">Thursday<br \/>\nJanuary 26, 2012, at 18.00<\/td>\n<td class=\"tdprogram\" valign=\"top\" width=\"58%\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/626\">S\u00f8nke Gau and Katharina Schlieben: Work to do! Or Caught between two stools: Questioning Production Conditions \u2026<\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"mesec\" valign=\"top\" width=\"16%\">February<\/td>\n<td class=\"tdprogramsredina\" valign=\"top\" width=\"26%\">Thursday<br \/>\nFebruary 16, 2012, at 20.00<\/td>\n<td class=\"tdprogram\" valign=\"top\" width=\"58%\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/653\">Petra Kap\u0161: Lethe or Mnemosyne for the fu-(ture)<br \/>\nOR as omnipresent trinity: poiesis, techn\u00e9, parrhesia<\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"mesec\" valign=\"top\" width=\"16%\">March<\/td>\n<td class=\"tdprogramsredina\" valign=\"top\" width=\"26%\">Thursday<br \/>\nMarch 15, 2012, at 19.00<br \/>\nMGLC, Ljubljana<\/td>\n<td class=\"tdprogram\" valign=\"top\" width=\"58%\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/726\">Dorothee Richter: Artists and Curators as Authors \u2013 Competitors, Collaborators, or Teamworkers?<\/a><br \/>\n(opening lecture of exhibition <em>Print!<\/em>)<\/td>\n<\/tr>\n<tr>\n<td class=\"mesec\" valign=\"top\" width=\"16%\">April<\/td>\n<td class=\"tdprogramsredina\" valign=\"top\" width=\"22%\">Thursday<br \/>\nApril 12, 2012, at 20.00<\/td>\n<td class=\"tdprogram\" valign=\"top\" width=\"58%\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/733\">Andrzej Szczerski: Curating and the importance of artwork<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>WORLD OF ART School for Curators and Critics of Contemporary Art Season 14 Reflections and shifts in curatorial, critical and artistic practices Lectures, discussions, conversations The World of Art School is continuing to feature international and Slovenian protagonists who present individual and collective strategies and tactics applied in their curatorial, critical and artistic practices, seeking [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":441,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-490","page","type-page","status-publish","hentry","category-woa"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=490"}],"version-history":[{"count":35,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/490\/revisions"}],"predecessor-version":[{"id":3285,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/490\/revisions\/3285"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/441"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}