{"id":5604,"date":"2018-09-28T11:01:07","date_gmt":"2018-09-28T09:01:07","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=5604"},"modified":"2018-09-28T11:35:22","modified_gmt":"2018-09-28T09:35:22","slug":"team","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/year16-2016-2018\/team","title":{"rendered":"Team 2016\/2018"},"content":{"rendered":"

<\/a>Head of the Programme:<\/p>\n

\"\" Miha Kelemina (1985)<\/strong>
\nCritic, curator, since 2016 self-employed in culture. In 2010, he graduated in Art History from the Faculty of Arts in Ljubljana. In 2011, he enrolled in the World of Art, School for Curatorial Practices and Critical Writing, which operates as part of the Center for Contemporary Arts SCCA\u2013Ljubljana. After completing his training at SCCA\u2013Ljubljana, he worked in the archives and the library, and later at the Diva Station portal for video art. He is currently head of the World of Art programme as well as the Studio 6 exhibition and research programme. He has also completed additional training in project management. He is a founding member of the OFFTIR Association for Visual and Sound Art, was a collaborator of the Video Wall project by artist Pila Rusjan, and since 2013 also a collaborator of the Culture and Humanities Editorial Office at Radio \u0160tudent, where he was an editor of the Art-Area show.<\/p>\n

—<\/p>\n

<\/a>Programme Coordinator (2016\u2013January 2018):<\/p>\n

\"LaraLara Plav\u010dak (1987)<\/strong>
\nGraduated in art history and cultural studies. In 2011 she finished the World of Art, School for Curatorial Practices and Critical Writing, which operates as part of the Center for Contemporary Arts SCCA\u2013Ljubljana. Between 2013 and 2014 she co-curated the Series of Young Artists at Kino \u0160i\u0161ka, in 2016 she curated the Solo Exhibition Series at Kino \u0160i\u0161ka. She curated exhibitions at Plevnik-Kronkowska Gallery in Celje (2010\/11), at Kibela, MMC Kibla in Maribor (2014) and at Savin\u2019s Art Salon in \u017dalec (2014). Her articles were published in Kinote\u010dnik, Dialogi, Art Words Magazine, Pogledi, Tribuna, AirBeletrina and Fotografija magazine. Between 2015 and 2016 she worked with KRAKEN, society for promotion of short film and short film festival in Ljubljana FeKK. She is active within the project-exhibition space and commercial gallery DobraVaga as the founder and head of ZINE VITRINE programme of zine exhibitions, workshops, library and archive. In the period of 2016\u20132018 she was a coordinator of the the World of Art School (SCCA-Ljubljana), since February 2018 she works as visual, audiovisual and intermedia arts programme manager and DobraVaga gallery manager at Kino \u0160i\u0161ka-Centre for Urban Culture.<\/p>\n

\n

PR and FR Advisor:<\/p>\n

\"Du\u0161anDu\u0161an Dov\u010d (1973)<\/strong>
\nGraduated in literature and Slovene language at the Faculty of Arts in Ljubljana. His first working experiences in the art sector he gained at Emzin, Institute for Creative Production and Arts Magazine as an editor and head of the projects (1997\u22122002), continued at Pristop, consultancy and communications company as an assistant for public relations (June-December 2003). Since 2004 he is employed at SCCA\u2212Ljubljana as a production manager, responsible for coordination, public relations and fundraising. At SCCA\u2212Ljubljana he is also a member of a physical and web archive of video art DIVA Station<\/em> and coordinates No Nails, No Pedestals<\/em> program. He is active in the filed of cultural policy (a member of an expert group on mobility information standards at the European Commission, May\u2212December 2011, a member of management board at Asociacija, Association of Arts and Culture NGOs and Freelancers, Ljubljana since 2009).<\/p>\n

—<\/p>\n

Webmaster:<\/p>\n

\"VesnaVesna Bukovec (1977)<\/strong>
\nGraduated and completed her MFA from the Academy of Fine Arts and Design in Ljubljana. She presented her work in several solo and group exhibitions. She is also a member of the art group KOLEKTIVA (with Metka Zupani\u010d and Lada Cerar). Together with Metka Zupani\u010d she curates international program Video in Progress (since 2008) and Video Evenings in Photon Gallery (since 2010). Since 2006 she works as a webmaster at SCCA-Ljubljana and since 2015 as co-worker at DIVA Station. As a freelance web and graphic designer she also collaborates with local NGOs from the cultural sector. www.vesna-bukovec.net<\/a><\/p>\n

—<\/p>\n

School\u2019s Advisor:<\/p>\n

\"Sa\u0161aSa\u0161a Nabergoj (1971)<\/strong>
\nArt historian, curator and critic. Director of \u0160kofja Loka Museum. Between 1998 and 2015 she was head of the programme of the World of Art, School for curators and critics of contemporary art and between 2004 and 2015 Studio 6, exhibition and research programme. A member of AICA (International Association of Art Critics) and IKT (International Association of Curators of Contemporary Art, Amsterdam). Writer, editor, curator and lecturer on contemporary art, focusing on curatorial and critical practices. She curated numerous solo and group exhibitions, wrote several articles and edited different publications. (Photo: Voranc Vogel, Delo Archive)<\/p>\n

—<\/p>\n

Lecturers:<\/p>\n

\"BarbaraBarbara Bor\u010di\u0107 (1954)<\/strong>
\nGraduated with B.A. in art history from the Ljubljana Faculty of Arts, University of Ljubljana and studied PhD media studies and antropology, Institutum Studiorum Humanitatis, Postgraduate Faculty of Humanities, Ljubljana). Since 2000 director of SCCA\u2212Ljubljana, Center for Contemporary Arts. Active in the field of contemporary arts as a free-lance curator, publicist and editor. Member of AICA, International Association of Art Critics and IKT, International Association of Curators of Contemporary Art. In frame of SCCA Bor\u010di\u0107 conceived and edited the documentation, archival and research project on video art in Slovenia under the title Videodokument. Video Art in Slovenia 1969\u20131998<\/em>. She is also curating video programs under the title Videospotting<\/em> and writing about video. She was a leader of curated web project Internet Portfolio<\/em>, research projects What Is to Be Done with the Balkan Art<\/em> and What Is to Be Done with the Audiovisual Archives<\/em>, and editor of PlatformaSCCA<\/em> magazine. At the moment she is also a leader of No Nails, No Pedestals <\/em>presentation\/discussion program and of a physical and web archive of video art DIVA Station<\/em>. From 1980 on she worked in \u0160kuc Gallery, Ljubljana and was the artistic director of the gallery 1982\u20131985. Between 1982 and 1992 she was involved in video practice in frame of Ljubljana alternative scene<\/em> and collaborated on several art and documentary video projects. 1991\u20131992 she was editor-in-chief of the fine arts magazine Likovne besede<\/em> (Art Words)<\/em>. From 1993 she was an assistant to the director, from 1997 the director of the Soros Center for Contemporary Arts \u2013 Ljubljana.<\/p>\n

\"VesnaVesna \u010copi\u010d<\/strong> lectures cultural policy and cultural management at the Faculty of Social Sciences in Ljubljana. She is the author of several studies, laws and measures in the field of Slovenian cultural policy in recent decades. She lectured at many international conferences in Slovenia and abroad in recent years. She is critical towards Slovenian cultural policy and its unsurpassed legacies of the previous system. She also works as an international consultant, in recent years for the UNESCO.<\/p>\n

\"PetjaPetja Grafenauer (1976)<\/strong>
\nArt historian, curator, art critic, editor, writer and lecturer on contemporary art. Head of Vodnikova doma\u010dija Gallery in \u0160i\u0161ka. Her main focus is contemporary painting in connection to other discourses, and history of the construction of the art discourse of the 20th and 21st centuries in the region. Between 2005 and 2006 she led the cultural redaction of Radio Student. Between 2007 and 2009 she was curator at the Gallery Ganes Pratt in Ljubljana. She lectures at the Department of Photography at VIST. She also lectured on history of contemporary art at the Art Academy at Nova Gorica University. She curated numerous group and solo exhibition projects.<\/p>\n

\"Sa\u0161aSa\u0161a Nabergoj (1971)<\/strong>
\nArt historian, curator and critic. Director of \u0160kofja Loka Museum. Between 1998 and 2015 she was head of the programme of the World of Art, School for curators and critics of contemporary art, and between 2004 and 2015 Studio 6, exhibition and research programme. A member of AICA (International Association of Art Critics) and IKT (International Association of Curators of Contemporary Art, Amsterdam). Writer, editor, curator and lecturer on contemporary art, focusing on curatorial and critical practices. She curated numerous solo and group exhibitions, wrote several articles and edited different publications. (Photo: Voranc Vogel, Delo Archive)<\/p>\n

\"AndrejAndrej Pezelj (1978)<\/strong>
\nBorn in Rijeka in Croatia. In 1998 he began studying at the Academy of Fine Arts, where he graduated in 2003. During the study under the Erasmus programme he attended the National College of Art and Design in Dublin. In 2004 he moved to Paris, where he graduated at the Faculty of Paris VIII. In 2016 he finished his doctoral studies at the Faculty of Arts, majoring in sociology of culture, under the mentorship of Rastko Mo\u010dnik. Lectures theory and art critics at the Art Academy at Nova Gorica University.<\/p>\n

\"AlenkaAlenka Pirman (1964) <\/strong>
\nArtist, self-employed in culture. Graduated at the Academy of Fine Arts in Ljubljana.
\nIn the 90\u2019s her work was related to the three imaginary institutions \u2013 SK8 Museum<\/em> (1991-1993), RIGUSRS \u2013 Research Institute for Geo Art Statistics of the Republic of Slovenia<\/em> (1997, with Vuk \u0106osi\u0107 and Irena Woelle), and Domestic Research Institute<\/em> (1994-1998). Later on she collaborated with various artistic collectives\/platforms (e.g. Luther Blissett, 01.org, and The Bughouse). She is a founding member of the Domestic Research Society, established in Ljubljana in 2004. More on her webpage.<\/a><\/p>\n

\"VladimirVladimir Vidmar (1982)<\/strong>
\nArt Director of \u0160kuc Gallery in Ljubljana. He graduated in philosophy and journalism at the Faculty of Arts and the Faculty of Social Sciences. Between 2007 and 2010 he worked at the City Museum and Galleries and also as a journalist and translator. From 2010 to 2013 he was the Assistant to the Art Director of \u0160kuc Gallery. He curated numerous solo and group exhibition projects. He co-curated the exhibition Crises and New Beginnings: Art in Slovenia 2005\u20132015<\/em> at +MSUM in Ljubljana. Since 2016 he lectures at Academy of Fine Arts in Ljubljana. He lives and works in Ljubljana.<\/p>\n

\"RebekaRebeka Vidrih (1976)<\/strong>
\nAssistant Professor of Art History at the Department of Art History, Faculty of Arts. In 1997\/98 she enrolled in undergraduate art history studies at the Faculty of Arts in Ljubljana. She graduated in September 2004 in art discourse from Vasari\u2019s lives of artists to Gombrich\u2019s stories of Arts (for this she received the Faculty of Arts Pre\u0161eren Prize). In the school year 2004\/05 she enrolled in postgraduate studies of art in the New Age and in September 2008 she finished her doctorate with a thesis entitled The Theory of Art and Art History in the Second Half of the 20th Century: Classical Tradition and New Art Historiography<\/em> (mentor Assoc. Prof. Dr. Tine Germ and Assoc. Prof. Dr. Lev Kreft). She lectures on art of the modern era in Western Europe I (16th\u201318th century) and II (19th\u201320th century), Contemporary Theories and Methods in Art History and History of Photography (since 2015\/16).<\/p>\n

\"AstaAsta Vre\u010dko (1984)<\/strong>
\nAsta Vre\u010dko holds a PhD in art history. She is partially employed as a researcher at the Department of Art History at the Faculty of Arts in Ljubljana. She is an external lecturer at the Academy of Fine Arts and Design. Her research areas are Slovenian and Yugoslav art of the 20th century. She occasionally participates in the preparation of exhibitions.<\/p>\n

\"SimonaSimona \u017dvanut (1985)<\/strong>
\nArt historian, author of texts in the field of contemporary art and curator. Doctoral student at the Department of Philosophy Faculty since 2015\/16. She graduated from the two-subject studies of comparative literature and literary theory and art history at the University of Ljubljana (2011). Between 2011 and 2015 she was the programme coordinator at SCCA-Ljubljana, between August 2015 and June 2016 she was the head of programme of World of Art<\/em> school, and Studio 6<\/em> exhibition and research programme. In the context of both programmes she curated numerous exhibitions.<\/p>\n

\n

<\/a>Second Year Team<\/strong><\/p>\n

<\/a><\/p>\n

Tutors:<\/p>\n

\"MiranMiran Mohar (1958)<\/strong>
\nPainter, designer and set designer based in Ljubljana. He is member of the Irwin artists group and co-founder of the Neue Slowenische Kunst movement, the graphic design studio New Collectivism and the Scipion Nasice Sisters Theatre. He is also a lecturer at the Academy for Visual Arts Ljubljana, it\u2019s vice-dean and co-founder of Maja Farol movement for open architecture.<\/p>\n

 <\/p>\n

\"\"Alenka Gregori\u010d (1976)<\/strong>
\nArt historian, curator and writer. Since July 2003 till 2009 she worked as artistic director of \u0160kuc Gallery, Ljubljana, curating, organizing and coordinating all the program activities. From 2009 she has been the artistic director and curator at City Art Gallery Ljubljana and CC Tobacco 001 (both part of Museum and Galleries of Ljubljana). In 2009 she was curator of Slovenian pavilion at Venice biennial and co-curator of 28. Graphic biennial Ljubljana, in 2011 she was co-curator (with Galit Eilat) of the 52nd October salon<\/em> in Belgrade, in 2014 one of the curators for the Curated by_Vienna<\/em>. She curated over fifty solo and group exhibitions in Slovenia and abroad. These shows featured works by artists such as Vuk \u0106osi\u0107, Jan Fabre, Omer Fast, Harun Farocki, Vadim Fi\u0161kin, Irwin, Jannis Kounellis, Rabih Morue, Ivan Moudov, Marjetica Potr\u010d, Mladen Stilinovi\u0107, Ra\u0161a Todosojevi\u0107, Bill Viola, Katarina Zdjelar and many others. In addition to curating exhibitions she has written numerous essays, reviews and articles for various artist books, catalogues and other publications. The responsibility of those producing contemporary art and of cultural institutions, as well as their role in contemporary society, constitute the focal point of her interests.<\/p>\n

—<\/p>\n

Module mentors:<\/p>\n

Jana Intihar Ferjan<\/strong>, since 1983 employed as curator at Modern Gallery in Ljubljana, department of documentation, archive and bibliography.<\/p>\n

Katja Kranjc<\/strong>, since 1987 head librarian at Modern Gallery specialised library.<\/p>\n

Teja Merhar, <\/strong>since 2010 employed as curator at Modern Gallery in Ljubljana, department of documentation, archive and bibliography.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Head of the Programme: Miha Kelemina (1985) Critic, curator, since 2016 self-employed in culture. In 2010, he graduated in Art History from the Faculty of Arts in Ljubljana. In 2011, he enrolled in the World of Art, School for Curatorial Practices and Critical Writing, which operates as part of the Center for Contemporary Arts SCCA\u2013Ljubljana. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3775,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5604","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/5604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=5604"}],"version-history":[{"count":4,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/5604\/revisions"}],"predecessor-version":[{"id":5619,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/5604\/revisions\/5619"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/3775"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=5604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=5604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=5604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}