{"id":709,"date":"2012-02-17T13:20:15","date_gmt":"2012-02-17T11:20:15","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=709"},"modified":"2013-02-15T14:19:53","modified_gmt":"2013-02-15T12:19:53","slug":"atom2-a-je-to-umetnost-phantom-to-mindset","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/atom2-a-je-to-umetnost-phantom-to-mindset","title":{"rendered":"ATOM2, A je TO! uMetnost, phAntom TO Mindset"},"content":{"rendered":"<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/\">World of Art, School for curators and critics of contemporary art<\/a> (<a href=\"http:\/\/www.scca-ljubljana.si\/indexengl.htm\" target=\"_blank\">SCCA \u2013 Ljubljana, Center for Contemporary Arts<\/a>)<br \/>\nand <a href=\"http:\/\/www.artandeducation.net\/announcement\/postgraduate-program-in-curating-at-zurich-university-of-the-arts\/\" target=\"_blank\">Postgraduate Curatorial studies of Institute Cultural Studies in the Arts<\/a> (<a href=\"http:\/\/www.zhdk.ch\/\" target=\"_blank\">Z\u00fcrich Art University<\/a>)<\/p>\n<p>January 2011\u2013June 2012<\/p>\n<hr \/>\n<p><strong>About the project ATOM<sup>2<\/sup><\/strong><\/p>\n<p>ATOM<sup>2<\/sup> project focuses on training future curators, cultural critics and journalists, the organization of their interaction, to exchange their best practices and experiences and to publishing their work. It offers a methodology, curriculum modules and support for future curators, cultural critics and journalists on reflecting on contemporary art so that it would no longer be a misunderstood phantom, but it would become commonplace in the mindset of the general public.<\/p>\n<p>With partners from Switzerland and associated partners from Slovenia we will investigate, record, analyze and evaluate the curatorial and critical practices in both places, which will affect the development of necessary mechanisms of the art world. It is also important to have one of our target groups consist of prospective curators and critics, which, already in the process of learning, we will equip with key skills and methods on how to responsibly tackle the complex issues in contemporary art. Thus, the effects will be disseminated and will reflect through their future actions. With our associated partners from Slovenia we will prepare the environment for fruitful networking of students who will have access to the each-other&#8217;s art scene, giving them the capability to produce more objective perspective on their own situation at home. At the same time they will participate in opening and analysis of key issues in the field of curatorial and critical practices. We will put examples of good practice on display in the mini series of lectures that will be addressed to the general public, and will bring in the testimonials of experts from Slovenia and Switzerland, who will present examples of good practice, while putting them in a broader context.<\/p>\n<p>We will reach even wider. Internet Magazine Special Issue <a href=\"http:\/\/www.on-curating.org\/\" target=\"_blank\">On.Curating<\/a> (otherwise the work of our Swiss partners), which focuses on issues of curatorial practice and theory, will intervene at the intersection of related topics of both cultural areas (Slovenia and Switzerland) and will thus not only present examples of good practice, but also place them in the broader theoretical framework. Anthology <em>The dilemma of curatorial practice<\/em>, implies completion of a systematic and applied work on filling big gaps in the theoretical treatment of contemporary art issues, with particular reference to socially conscious and urban projects. It brings wider applicability and provides referance \u2013 permanent usefulness in study and practical applications and uses. This is a publication of results of systematic work, which includes both the artists and theorists, and which will be practically useful for both the artistic and educational institutions and to the wider reading audience interested in contemporary art. Journal and Anthology will open, explore and develop many key topics that will remain one of the key materials for future researchers, curators, critics, theorists in the field of art and social practices as well as general audience merely interested in contemporary art.<\/p>\n<hr \/>\n<p><strong>Lectures<\/strong><\/p>\n<p><strong>In Z\u00fcrich<\/strong> within <a href=\"http:\/\/www.artandeducation.net\/announcement\/postgraduate-program-in-curating-at-zurich-university-of-the-arts\/\" target=\"_blank\">Postgraduate Curatorial studies of Institute Cultural Studies in the Arts<\/a> (<a href=\"http:\/\/www.zhdk.ch\/\" target=\"_blank\">Z\u00fcrich Art University<\/a>):<\/p>\n<ul>\n<li><a href=\"http:\/\/www.scca-ljubljana.si\/news-en_11-55.htm\" target=\"_blank\"><strong>Sa\u0161a Nabergoj<\/strong>: <em>Case studies: Studio 6 program and World of Art, School for curators and critics of contemporary art<\/em><\/a>, 30. 9. 2011<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/653\"><strong>Petra Kap\u0161<\/strong>: <em>Lethe or Mnemosyne for the fu-(ture), OR as omnipresent trinity: poiesis, techn\u00e9, parrhesia<\/em><\/a>,<br \/>\n16. 12. 2011<\/li>\n<\/ul>\n<p><strong>In Ljubljana<\/strong> within World of Art, School for curators and critics of contemporary art, SCCA-Ljubljana:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/626\"><strong>S\u00f8nke Gau in Katharina Schlieben<\/strong>: <em>Work to do! Or Caught between two stools: Questioning Production Conditions \u2026<\/em><\/a>, 26. 1. 2012<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/653\"><strong>Petra Kap\u0161<\/strong>: <em>Lethe or Mnemosyne for the fu-(ture), OR as omnipresent trinity: poiesis, techn\u00e9, parrhesia<\/em><\/a>,<br \/>\n20. 2. 2012<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/726\"><strong>Dorothee Richter<\/strong>: <em>Artists and Curators as Authors \u2013 Competitors, Collaborators, or Teamworkers?<\/em><\/a>,<br \/>\nThursday, 15. 3. 2012 at 19.00, opening lecture of exhibition Print!, MGLC, Ljubljana.<\/li>\n<\/ul>\n<hr \/>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies\"><img decoding=\"async\" style=\"padding-right: 10px;\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/zborniki\/svet7-14.jpg\" alt=\"The dilemma of curatorial practice\" width=\"100px\" align=\"left\" \/><\/a><strong>Publication<\/strong><\/p>\n<p>Title: <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/anthologies\"><em>The dilemma of curatorial practice<\/em><\/a><\/p>\n<p>Editor: Sa\u0161a Nabergoj<br \/>\nAssistent: Simona \u017dvanut<\/p>\n<p>Published in June 2012.<\/p>\n<hr \/>\n<p><a id=\"excursions\" name=\"excursions\"><\/a><br \/>\n<strong>Study excursions<\/strong><\/p>\n<p><strong>Z\u00fcrich in Ljubljana: 14\u201316 March 2012<\/strong><br \/>\n<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/Introduction-for-visiting-students.pdf\" target=\"_blank\"><strong>Accompanying program (pdf)<\/strong><\/a><br \/>\n[only for participants of 14th year of World of Art, students of the post-graduated program in curating from Z\u00fcrich and participants of school for contemporary art journalistic critiques in Zagreb.]<\/p>\n<p>Sa\u0161a Nabergoj with <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/participants-20112013\">Majo Alibegovi\u0107, Majo Anton\u010di\u010d, Lenko \u0110orojevi\u0107, Jasno Jernej\u0161ek, Miho Kelemino, Darijo Kova\u010di\u010d, Nino Skumavc, Nino Sotel\u0161ek, Denisom Volkom<\/a><br \/>\nDesign: Maja Alibegovi\u0107<\/p>\n<div class=\"komentar2\">\n<p class=\"komentarslike\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/atom2-a-je-to-umetnost-phantom-to-mindset\/photo-diary-of-the-study-exscursion-zurich-in-ljubljana\"><img decoding=\"async\" style=\"border: 0; margin: 0; padding: 0 0 7px 0;\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/printaj\/fotodnevnik450\/fotodnevnik-kolaz.jpg\" alt=\"Photo diary of the study exscursion Z\u00fcrich in Ljubljana: 14\u201316 March 2012\" \/><br \/>\n<strong>Photo diary of Z\u00fcrich in Ljubljana: 14\u201316 March 2012<\/strong><\/a><\/p>\n<\/div>\n<p>&#8212;<\/p>\n<p><strong>Ljubljana in Z\u00fcrich: 18\u201321 April 2012<\/strong><br \/>\n<strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/ekskurzija-zurich\/program-in-zurich-20120418-21.pdf\">Accompanying program (pdf)<\/a><\/strong><br \/>\n[for participants of 14th year of World of Art and students of the Post-graduated program in curating from Z\u00fcrich]<br \/>\nPrepared by: Dimitrina Sevova<\/p>\n<div class=\"komentar2\">\n<p class=\"komentarslike\"><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/study-excursions\/zuerich\"><img decoding=\"async\" style=\"border: 0; margin: 0; padding: 0 0 7px 0;\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/ekskurzija-zurich\/zurich-kolaz.jpg\" alt=\"Ljubljana v Z\u00fcrichu: 18.\u201321. april 2012\" \/><br \/>\n<strong>Report from the study excursion Ljubljana in Z\u00fcrich: 18\u201321 April 2012<\/strong><\/a><\/p>\n<\/div>\n<div style=\"clear: both;\"><\/div>\n<hr \/>\n<p><strong>Exhibition<\/strong><br \/>\n<a id=\"exhibition\" name=\"exhibition\"><\/a><\/p>\n<h2 style=\"padding-left: 0px;\">Print!<\/h2>\n<p><em>Exhibition of Ready to Print art editions, opening lecture (Dorothee Richter)<\/em><\/p>\n<p>Prepared by: <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/team-20112013#sasa\"><strong>Sa\u0161a Nabergoj <\/strong><\/a><br \/>\nAssistents: <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/team-20112013#simona\"><strong>Simona \u017dvanut<\/strong><\/a>, <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/participants-20112013#miha\"><strong>Miha Kelemina<\/strong><\/a><br \/>\n<a href=\"http:\/\/www.mglc-lj.si\/eng\/index.htm\">MGLC<\/a>, 15. 3. 2012\u201325. 3. 2012<\/p>\n<p><strong>Artists: Brigit Brenner, Dani Gal, Guerilla Girls, Clare Kenny, Lucie Kolb, Monochrom, Ana Rold\u00e1n, Shirana Shahbazi, Riikka Tauriainen<\/strong><\/p>\n<div class=\"komentar2\">\n<p class=\"komentarslike\"><img decoding=\"async\" style=\"border: 0; margin: 0; padding: 0 0 7px 0;\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/printaj\/printaj-kolaz.jpg\" alt=\"Printaj!\" \/><br \/>\nSource: <a href=\"http:\/\/www.curating.org\/index.php\/shared_projects\/Editions-Ready-to-Print-13-16-x-A4-A0-x-13\" target=\"_blank\"><em>Editions \u2013 Ready to Print 13<\/em><\/a><\/p>\n<\/div>\n<div style=\"clear: both;\"><\/div>\n<p><strong>Opening lecture: Dorothe Richter: <em>Artists and Curators as Authors \u2013 Competitors, Collaborators, or Teamworkers?<\/em><\/strong>, at 19.00, MGLC, Ljubljana. Lecture was in english.<br \/>\nDorothee Richter questioned artistic and curatorial authorship and tried to place it in broader historical frame. Are artists and curators competitors at taking the grants for authorship in contemporary art? Did curators adopted the process of artistic self-organization? If they really did, what are the consequences? Are artists and curators co-workers on the field which is little undefined and more flexible and open as such?<\/p>\n<p>&#8212;<\/p>\n<p>In 2011 participants of the Z\u00fcrich curatorial program in the frame of <em> Editions \u2013 Ready to Print 13 (16 x A4) = A0 x 13<\/em> project asked thirteen artists of different backgrounds and formal interests to produce PDF editions. Each artist has created a work on paper consisting of 16 pages in the A4 format, most of which will be assembled on the exhibition to form single two-dimensional pieces of work in the A0 format. These contemporary editions are distributed on the internet and can be downloaded for free from the web journal under the address on-curating.org, issue 10. The editions are accessible to anyone worldwide who has a computer, printer and some sticky tape.<\/p>\n<p>The project <em> Editions \u2013 Ready to Print 13 (16 x A4) = A0 x 13<\/em> is particularly interested in the format of editions as a democratic model of art distribution. It sees historical connections to the multiples and editions produced by artists in the 1960s who symbolically established mail order warehouses and the fluxus artists who presented art and limited edition objects in shop windows. The idea is to separate art from its auratic elevation and make it accessible to everyone.<\/p>\n<p>Students of the post-graduated program in curating from Z\u00fcrich and participants of World of Art, School for contemporary art in Ljubljana and participants of school for contemporary art journalistic critiques in Zagreb prepared interesting and diverse accompanying program: conversations focused on pre-prepared topics, program of study visits in Ljubljana\u2019s art institutions and lectures.<\/p>\n<p>Concept of the project: <a href=\"http:\/\/www.curating.org\/index.php\/shared_projects\" target=\"_blank\"><em>Ready to Print<\/em><\/a>: Dorothee Richter, Andrea Roca with Milena Brendle, Chantal Bron, Melanie Buechel, Jeannine Herrmann, Amber Hickey, Sonja Hug, Garance Massart-Blum, Candida Pestana, Corinne Rinaldis, Dimitrina Sevova, Lindsey Sharman, Catrina Sonderegge<\/p>\n<hr \/>\n<p>Photo gallery:<\/p>\n<ul>\n<li><a href=\"http:\/\/www.scca-ljubljana.si\/press\/razstava-printaj\/\" target=\"_blank\">Photo for PRESS<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/atom2-a-je-to-umetnost-phantom-to-mindset\/editions-at-the-exhibition-print\">Editions at the exhibition<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/atom2-a-je-to-umetnost-phantom-to-mindset\/exhibition-view\">Exhibition view<\/a><\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/atom2-a-je-to-umetnost-phantom-to-mindset\/lecture-and-opening-photos\">Lecture and opening<\/a><\/li>\n<\/ul>\n<p>&#8212;<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/printaj\/Razstava-PRINTAJ-press.doc\" target=\"_blank\">Press kliping (.doc)<\/a><\/p>\n<hr \/>\n<p><strong>International web-journal<\/strong><\/p>\n<p><a href=\"http:\/\/on-curating.org\/issue_14.php\" target=\"_blank\"><img decoding=\"async\" style=\"padding-right: 15px;\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/oncurating_issue_14_12_small.jpg\" alt=\"On.Curating Issue 14\" align=\"left\" \/><\/a>The project concludes with special issue of an international web-journal <a href=\"http:\/\/www.on-curating.org\/\" target=\"_blank\">On.Curating<\/a> (published by the Postgraduate Curatorial Studies of Institute Cultural Studies in the Arts), focusing on questions around curatorial practice and theory.<\/p>\n<p>Issue 14, edited by <strong>Sa\u0161a Nabergoj<\/strong> and <strong>Dorothee Richter<\/strong>, presents the selection of articles taken from the World of Art Archive of lectures and conversations from 1997 till today under the title <em>From the World of Art Archive<\/em>. Texts, conversations that we have compiled from an archive of school&#8217;s diverse activities are bringing together a variety of curatorial approaches, reflections and questions dealing with the potential and impact of curatorial and critical practice in the shifting grounds of the world of art in the last 15 years. All of them were first published in the <a href=\"http:\/\/arhiv.worldofart.org\/english\/anthologies.htm\" target=\"_blank\">World of Art Anthologies<\/a> and are still available on our <a href=\"http:\/\/arhiv.worldofart.org\/english\/archive.htm\" target=\"_blank\">archive web page<\/a>.<br \/>\nIn this issue one can read contributions from internationally active curators, critics, theoreticians and artists: <strong>Boris Buden, Eda \u010cufer, Cl\u00e9mentine Deliss, Charles Esche, Charles Harrison, Mike Hentz, Oliver Marchart, Suzana Milevska, Sa\u0161a Nabergoj and Dorothee Richter, Nora Sternfeld and Luisa Ziaja, WHW, Miha Zadnikar.<\/strong><\/p>\n<p>You can also order <a title=\"printed Issue 14\" href=\"http:\/\/www.amazon.de\/OnCurating-Issue-14-World-Archive\/dp\/1482364735\/ref=sr_1_8?s=books-intl-de&amp;ie=UTF8&amp;qid=1360272653&amp;sr=1-8\">printed Issue 14<\/a>.<\/p>\n<p><a href=\"http:\/\/on-curating.org\/issue_14.php\" target=\"_blank\"><strong>MORE ABOUT ON.CURATING<\/strong><\/a><\/p>\n<div style=\"clear: both;\"><\/div>\n<hr \/>\n<hr \/>\n<p>Production: <a href=\"http:\/\/www.scca-ljubljana.si\/indexengl.htm\" target=\"_blank\"> SCCA-Ljubljana, Center for Contemporary Arts<\/a><br \/>\nCo-production: <a href=\"http:\/\/www.curating.org\/\" target=\"_blank\">Postgraduate Curatorial studies of Institute Cultural Studies in the Arts<\/a> (<a href=\"http:\/\/www.zhdk.ch\/\" target=\"_blank\">Z\u00fcrich Art University<\/a>)<\/p>\n<p>Supported by a grant from Switzerland through the <a href=\"http:\/\/www.svicarski-prispevek.si\" target=\"_blank\">Swiss Contribution to the enlarged European Union<br \/>\n<img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/swiss-contribution.gif\" alt=\"Swiss Contribution\" \/><\/a><\/p>\n<p>Thanks: <a href=\"http:\/\/www.mglc-lj.si\/eng\/index.htm\" target=\"_blank\">International Centre of Graphic Arts (MGLC)<\/a><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/mglc.jpg\" alt=\"MGLC\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>World of Art, School for curators and critics of contemporary art (SCCA \u2013 Ljubljana, Center for Contemporary Arts) and Postgraduate Curatorial studies of Institute Cultural Studies in the Arts (Z\u00fcrich Art University) January 2011\u2013June 2012 About the project ATOM2 ATOM2 project focuses on training future curators, cultural critics and journalists, the organization of their interaction, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":441,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-709","page","type-page","status-publish","hentry","category-woa"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=709"}],"version-history":[{"count":35,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/709\/revisions"}],"predecessor-version":[{"id":711,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/709\/revisions\/711"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/441"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}