{"id":855,"date":"2012-03-24T22:00:00","date_gmt":"2012-03-24T20:00:00","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?page_id=855"},"modified":"2013-12-18T16:36:40","modified_gmt":"2013-12-18T14:36:40","slug":"leonardo-mobility","status":"publish","type":"page","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/leonardo-mobility","title":{"rendered":"World of Art. Models of training and collaboration in contemporary arts"},"content":{"rendered":"<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/\">Worl of Art, School for curators and critics of contemporary art<\/a> (SCCA-Ljubljana), <a href=\"http:\/\/www.uni-ak.ac.at\/ecm\/\" target=\"_blank\">ECM<\/a> (Postgraduate educating, curating and managing studies at the University of Applied Arts in Vienna), <a href=\"http:\/\/www.uj.edu.pl\/en_GB\/\" target=\"_blank\">University Jagiellonski Krakov<\/a> (Postgraduate museological curatorial studies) and <a href=\"http:\/\/www.rhiz.eu\/institution-54896-en.html\" target=\"_blank\">KURZIV<\/a> (platform for culture, media and society Zagreb).<\/p>\n<p>September 2010\u2013June 2012<\/p>\n<hr \/>\n<p><strong>About the project <em>World of Art. Models of training and collaboration in contemporary arts<\/em><br \/>\n<\/strong><\/p>\n<p><em>World of Art. Models of training and collaboration in contemporary arts<\/em> is a partnership focused on vocational training of Curatorial Studies, Art Critical Studies, Museum Studies, and Art Journalism. The partnership intends to examine the best practices of vocational training strategies, methods and curriculum, developed by the partners.<\/p>\n<p>The partnership, based on long-term educational experiences of all partners, is developing a vocational program for curators, critics and art journalists of contemporary arts. The vocational program consists of different activities (writing skills, production of exhibitions, critical readings, workshops, lectures, and study excursions) and ends with acquiring the certificate, which helps the learners to start operating in the art world. The learners will gain a specific, mostly practical knowledge for operating as curators, critics and art journalists of contemporary arts.<\/p>\n<p>Furthermore the partnership will search for alternative models of art education, it will develop a joint curriculum and vocational reader and it will enhance cooperation and networking between cultural institutions in four countries that share similar experiences regarding their status within the international art market and the state of art education. It will build the space for long-term collaboration on both institutional levels (partners&#8217; organizations and their staff) and individual levels (learners, lecturers and tutors).<\/p>\n<hr \/>\n<p><strong>Lectures<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.kulturpunkt.hr\/content\/damned-dam-world-art\" target=\"_blank\">Petja Grafenauer: lecture and workshop<\/a>, 19.\u201320. November 2010, Zagreb<\/li>\n<li><a href=\"http:\/\/www.kulturpunkt.hr\/content\/lecture-sternfeld-and-ziaja\" target=\"_blank\">Nora Sternfeld in Luisa Ziaja: lecture and workshop<\/a>, 22.\u201323. January 2011, KURZIV, Zagreb<\/li>\n<li><a href=\"http:\/\/www.scca-ljubljana.si\/news-en_11-23.htm\" target=\"_blank\">Nora Sternfeld in Luisa Ziaja: <em>What comes after the show? On post-representational curating<\/em><\/a>, 19. April 2011, Project Room SCCA-Ljubljana, Metelkova 6, Ljubljana<\/li>\n<li><a href=\"http:\/\/www.kulturpunkt.hr\/content\/dolce-far-niente\" target=\"_blank\">Sa\u0161a Nabergoj: <em>Dolce Far Niente: The Praise of Laziness<\/em><\/a>, 7. May 2011, Post-graduate museological curatorial studies at the Jagiellonian University in Krakow, Poland<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/733\">Andrzej Szczerski: <em>Curating and the importance of Artwork<\/em><\/a>, 12. april 2012, Project Room SCCA-Ljubljana, Metelkova 6, Ljubljana<\/li>\n<\/ul>\n<hr \/>\n<p><strong>Conference<\/strong><\/p>\n<p>Conference is organized by <a href=\"http:\/\/www.uni-ak.ac.at\/ecm\/\" target=\"_blank\">ECM<\/a>, Educating Curating Managing Studies, University of Applied Arts Vienna.<\/p>\n<p>The history of exhibiting is the history of an interdisciplinary practice in the visual field, in which form and meaning, cultural production and its significance for the society are closely intertwined. Thus exhibitions maintain the claims and traditions of applied arts but revise and actualize them. With respect to the current process of re-formulating the term &#8216;applied&#8217; it seems crucial to carefully scrutinize the demands and claims made to museums and exhibitions. Particularly important in this regard are the debates concerning democratization, participation, intervention, utopia and knowledge production. They all have in common that they think the &#8216;applied&#8217; and &#8216;exhibiting&#8217; together. This applies in particular to questions related to the design of exhibitions and the handling of objects. All the issues mentioned above will be discussed in depth at an international conference.<\/p>\n<p>Many internationally recognized experts (<strong>Suzana Milevska, Peter Weibel, Barbara Steiner, Erwin K. Bauer, Martin Krenn, Marion von Osten, Kristina Leko<\/strong> and others) will attend two day international conference. They will discuss above-mentioned questions during their lectures and debates.<\/p>\n<ul>\n<li>Sa\u0161a Nabergoj: <em>About curatorial interventions<\/em>, panel talk, May 10, 2012, University of Applied Arts Vienna<\/li>\n<\/ul>\n<p><a href=\"http:\/\/ecm.ac.at\/_media\/download\/ecm_angewandtes_ausstellen_programm.pdf\" target=\"_blank\">Full program (pdf)<\/a><\/p>\n<hr \/>\n<p><strong>Study excursions<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/study-excursions\">Zagreb and Z\u00fcrich in Ljubljana<\/a>, 14.\u201316. March 2012. You can read about it also\u00a0<a href=\"http:\/\/www.kulturpunkt.hr\/content\/study-visit-ljubljana\" target=\"_blank\">here<\/a>.<\/li>\n<li><a href=\"http:\/\/www.kulturpunkt.hr\/content\/study-visit-zagreb\" target=\"_blank\">Vienna in Zagreb<\/a>, 12.\u201315. May 2011<\/li>\n<li><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/14th-year-20112013\/study-excursions\" target=\"_blank\">Ljubljana and Zagreb in Krakow<\/a>, 7.\u201311. November 2011. You can read about it also\u00a0<a href=\"http:\/\/www.kulturpunkt.hr\/content\/study-visit-krakow\" target=\"_blank\">here<\/a>.<\/li>\n<li><a href=\"http:\/\/www.kulturpunkt.hr\/content\/study-visit-vienna\" target=\"_blank\">Ljubljana, Zagreb, Krakow in Vienna<\/a>, 8.\u201311. December 2010<\/li>\n<\/ul>\n<hr \/>\n<p><strong>Publications<\/strong><\/p>\n<p>Vocational Reader: <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/reader_wofa_final.pdf\" target=\"_blank\"><em>(Un)learning Together: Discourses, Moments and Conflicts that Make the World Bigger than the World of Art<\/em><\/a> (pdf)<\/p>\n<p>Editors: Maria Hussakowska, Antonija Letini\u0107, Sa\u0161a Nabergoj, Nora Sternfeld, Luiza Ziaja, Simona \u017dvanut<br \/>\nPublisher: KURZIV \u2212 Platform for Matters of Culture, Media and Society, Zagreb (Croatia)<br \/>\nIn Cooperation With: SCCA, Center for Contemporary Arts \u2013 Ljubljana (Slovenia); Schnittpunkt Verein f\u00fcr Ausstellungstheorie und \u2013 praxis, Vienna (Austria); Podyplomowe Muzealnicze Studia Kuratorskie w zakresie sztuki najnowszej, Uniwersytet Jagiello\u0144ski, Instytut Historii Sztuki, Krakow (Poland)<br \/>\nManaging editor: Antonija Letini\u0107<br \/>\nDesign: Dario Devi\u0107<br \/>\nSeptember 2012<br \/>\nLanguages: Croatian, English, Slovenian.<\/p>\n<p>&#8212;<\/p>\n<p>Publication: <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/publikacije\/Talking-about-Exhibition.pdf\" target=\"_blank\"><em>Talking about Exhibition<\/em><\/a> (pdf)<\/p>\n<p>Texts: Petja Grafenauer: Interview with Sa\u0161a Nabergoj <em>(We are interested in ways of working based on local needs)<\/em>, Andrzej Szczerski <em>(Curating and the importance of an artwork)<\/em>, Maria Hussakowska <em>(Helena Blum and her modern art history \u2014 written and exhibited)<\/em>, Nora Sternfeld, Luisa Ziaja <em>(What comes after the show? On post-representational curating)<\/em>, Beatrice Jaschke<em> (Curating. A profession in transition)<\/em>, Wojciech Szyma\u0144ski <em>(The Program of No Program)<\/em>, Karolina Kolenda <em>(Curating the East)<\/em>, Antonija Letini\u0107 <em>(From culture to education and back)<\/em>.<br \/>\nEditor: Maria Hussakowska<br \/>\nTranslated by: Karolina Kolenda<br \/>\nGraphic design: W\u0142adys\u0142aw Pluta<br \/>\nLanguages: poljski, angle\u0161ki.<\/p>\n<hr \/>\n<p><strong>Website<\/strong><\/p>\n<p><a href=\"http:\/\/www.kulturpunkt.hr\/i.php\/world_of_art\/\" target=\"_blank\">Kulturpunkt.hr<\/a><\/p>\n<p>Editor: Antonija Letinic, <a href=\"http:\/\/www.rhiz.eu\/institution-54896-en.html\" target=\"_blank\">KURZIV<\/a>, Zagreb.<\/p>\n<hr \/>\n<p>Program is supported by contribution of <a href=\"http:\/\/www.cmepius.si\/en\/llp-in-slovenia\/leonardo-da-vinci.aspx\" target=\"_blank\">European Lifelong Learning Programme (partnership Leonardo da Vinci)<\/a><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.scca-ljubljana.si\/logo\/leonardo-eng.gif\" alt=\"\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Worl of Art, School for curators and critics of contemporary art (SCCA-Ljubljana), ECM (Postgraduate educating, curating and managing studies at the University of Applied Arts in Vienna), University Jagiellonski Krakov (Postgraduate museological curatorial studies) and KURZIV (platform for culture, media and society Zagreb). September 2010\u2013June 2012 About the project World of Art. Models of training [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":441,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-855","page","type-page","status-publish","hentry","category-woa"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=855"}],"version-history":[{"count":11,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/855\/revisions"}],"predecessor-version":[{"id":1632,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/855\/revisions\/1632"}],"up":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/pages\/441"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}