{"id":119,"date":"2009-05-20T13:07:05","date_gmt":"2009-05-20T11:07:05","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/archives\/119"},"modified":"2018-07-25T15:39:46","modified_gmt":"2018-07-25T13:39:46","slug":"branislav-dimitrijevic-interpreting-and-situating-contemporary-art-observation-participation-motivation-research-and-empathy","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/119","title":{"rendered":"Branislav Dimitrijevi\u0107: Interpreting and Situating Contemporary Art: Observation, Participation, Motivation, Research and Empathy"},"content":{"rendered":"<p>WORLD OF ART<br \/>\nLaboratorium of Curatorial Practices<br \/>\nSeason 12: 2008\/09<\/p>\n<p><strong>Seminar \u2013 Workshop No.3 <\/strong><\/p>\n<p>15-16 May, 2009<\/p>\n<hr \/>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"tekstlevo\" style=\"width: 70%;\" valign=\"top\">The workshop by <strong>Branko Dimitrijevi\u0107<\/strong> started with a lecture that introduced a key term &#8211; the interpretation of a work of art. The curator and writer Branko Dimitrijevi\u0107 showed the participants that also art, that is taking its shape since the sixties and is provisionally called &#8220;contemporary&#8221; and which tends to champion (real) experience over interpretation, needs interpretation in order to be better understood by ourselves (namely by those participating in the world of art) and by the wider public.<\/p>\n<p>After the morning lecture a lively debate between the participants, stimulated by watching several videos by different artists, followed. The participants tried to interpret the videos with the help of the mentor and with the newly acquired knowledge.<\/p>\n<p>On Saturday morning the participants <strong>\u0160pela Petri\u010d<\/strong> and <strong>Dare Peji\u0107<\/strong> presented two art works to their mentor which they later tried to interpret in the form of a newspaper criticism. For the analysis \u0160pela Petri\u010d selected the work <em>Microvenus<\/em> by <strong>Joe Davis<\/strong>. Dare Peji\u0107 was thinking about the question of collective authorship using the examples of <em>Atlas group<\/em> and <em>Irwin<\/em>. Saturday afternoon was dedicated to close reading of the written assignments and their analysis.<\/p>\n<p><em>Petja Grafenauer<\/em><\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/116\">More<\/a><\/td>\n<td class=\"podlagaslike\" style=\"width: 30%;\" valign=\"top\"><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2008-09\/seminar\/dimitrijevic\/dimitrijevic-delavnica1.jpg\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2008-09\/seminar\/dimitrijevic\/dimitrijevic-delavnica2.jpg\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2008-09\/seminar\/dimitrijevic\/dimitrijevic-delavnica3.jpg\" \/><br \/>\n<img decoding=\"async\" style=\"margin-bottom: 15px;\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2008-09\/seminar\/dimitrijevic\/dimitrijevic-delavnica4.jpg\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>WORLD OF ART Laboratorium of Curatorial Practices Season 12: 2008\/09 Seminar \u2013 Workshop No.3 15-16 May, 2009 The workshop by Branko Dimitrijevi\u0107 started with a lecture that introduced a key term &#8211; the interpretation of a work of art. The curator and writer Branko Dimitrijevi\u0107 showed the participants that also art, that is taking its [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5394,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,16],"tags":[],"class_list":["post-119","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-season-12"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=119"}],"version-history":[{"count":3,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/119\/revisions"}],"predecessor-version":[{"id":5469,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/119\/revisions\/5469"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/5394"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}