{"id":1556,"date":"2013-09-09T15:50:15","date_gmt":"2013-09-09T13:50:15","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?p=1556"},"modified":"2018-07-24T16:17:17","modified_gmt":"2018-07-24T14:17:17","slug":"the-closing-stop","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1556","title":{"rendered":"The Closing Stop"},"content":{"rendered":"

The teams of the Alkatraz Gallery and The World of Art (SCCA\u2013Ljubljana, Center for Contemporary Arts) present:<\/p>\n

The Closing Stop<\/strong><\/p>\n

Exhibition & research project
\nA Review of the Visual Scene of ACC Metelkova City
\n10 September\u20139 October, 2013<\/strong><\/p>\n

\"\"<\/p>\n

Exhibition, open studios, auction of artefacts, workshop for children, open archives <\/em><\/p>\n

Participants: Rok Barbori\u010d, Mizzart, Belatehnika & Beladona, Iskra Beli\u010danska, Matej Bizovi\u010dar, Edvin Dobrilovi\u010d, Tina Dr\u010dar, Bo\u0161tjan Drinovec, Luka Drinovec, Anna Ehrlemark, Mitja Ficko, Toma\u017e Furlan, Meta Kastelic, Neven Korda, Borut Koro\u0161ec, Marko A. Kova\u010di\u010d, Damijan Kracina, Vladimir Leben, Miroslav Matek, Goran Medjugorac, Silvo Metelko, Jaka Miheli\u010d, Rajko Miladi\u0107, Rok Mohar, Bo\u0161tjan Novak, Miha Perne, Miran Pe\u0161i\u010d Pe\u0161o, Andrej Pezelj, Dejan Pfeifer Stripi, Nata\u0161a Tajnik, Terrah, Ur\u0161a Toman, Uro\u0161 Weinberger<\/strong><\/p>\n

Curatorial team: Ana Grobler, Sebastian Krawczyk, Sa\u0161a Nabergoj, Jadranka Plut, Simona \u017dvanut<\/strong>
\nAssistants: Anabel \u010cernohorski, Miha Kelemina<\/strong>
\nExhibition Metelkova Revived!<\/em> design: Damijan Kracina<\/strong><\/p>\n

\n
    \n
  1. Programme<\/a><\/li>\n
  2. At The Closing Stop<\/a><\/li>\n
  3. Open Studios, buildings Pe\u0161ci, Gara\u017ee, Hangar<\/a><\/li>\n
  4. Gesamtkunstwerk Metelkova<\/a><\/li>\n
  5. Auction of Artefacts<\/a><\/li>\n
  6. Metelkova Revived!<\/em>, a documentary exhibition at the 20th Anniversary of ACC Metelkova City, Alkatraz Gallery<\/a><\/li>\n
  7. The Closing Stop on moving images<\/a><\/li>\n
  8. Mosaic Workshop for Children with Edvin Dobrilovi\u0107, ACC Metelkova City<\/a><\/li>\n
  9. Photos for Press<\/a><\/li>\n
  10. Colophon<\/a><\/li>\n<\/ol>\n
    \n

    <\/a>
    \n1. PROGRAMME<\/strong><\/p>\n

    Tuesday, 10 September, from 2\u20134 p.m.<\/strong>, Open Studios<\/em>, Pe\u0161ci (Infantry) building, Hlev (Stables), Hangar, Garage \/ some of the studios will be open also as part of U3- 7th Triennial of Contemporary Art in Slovenia: Resilience<\/a>.<\/p>\n

    Tuesday, 10 September, at 7 p.m.<\/strong>, Auction of Artefacts<\/em>; Guided by: Goran Medjugorac – Gogi, Hlev (Stables) building<\/p>\n

    Tuesday, 10 September, at 9 p.m.<\/strong>, Metelkova Revived!<\/em>; the opening of a documentary exhibition at the 20th Anniversary of ACC Metelkova City, the Alkatraz Gallery, Hlev (Stables) building.<\/p>\n

    —<\/p>\n

    From Wednesday till Friday (11\u201313 September), from 10 a.m.\u20134 p.m.<\/strong>, Tea-house and Reading-room in the Project Room of the SCCA\u2013Ljubljana, Metelkova 6<\/p>\n

    —<\/p>\n

    Sunday, September 22, at 7 p.m. and Wednesday, October 9, 5 p.m.,<\/strong> public guided tour of external interventions at ACC Metelkova City (September 22: guided tour by Sa\u0161a Nabergoj and Sebastian Krawczyk, October 9: guided tour by\u00a0Jadranka Plut and Simona \u017dvanut); in Slovene language only.<\/p>\n

    —<\/p>\n

    Friday, 20 September, at 5 p.m.<\/strong>, Mosaic Workshop for Children with Edvin Dobrilovi\u0107, ACC Metelkova City yard<\/p>\n

    \n

    <\/a>
    \n2. AT THE CLOSING STOP<\/strong><\/p>\n

    Exhibit-research project has been going on since 2011 in co-operation with the team of the World of Art (SCCA\u2013Ljubljana), the Alkatraz Gallery, and the creators from ACC Metelkova City. Its intention is to explore the history of Metelkova\u2019s visual scene, and the current visual production of the ACC Metelkova City. Within the 19th<\/sup> Anniversary of the ACC Metelkova City we prepared the Mid-Stop, showing a review of the current state of the visual art production at all its versatile levels with exhibitions, open studios, public speeches and interventions, as well as screenings into the Metelkova public space.<\/p>\n

    The Closing Stop<\/em><\/strong> is upgrading the discourse on the Metelkova visual art production with a research into \u2013 not only its history \u2013 but the historical memory of the entire ACC Metelkova City. We have started with exact arranging and registration of the extensive textual, visual, and audio archive. The task of organizing and complementing\/completing the archive is not very spectacular, yet the one rounding up our work of the past two years most sensibly, which is why we have decided to present it at several levels. We have to point out that we have shot a series of 26 video recordings with artists working at Metelkova, as well as with those whom we have assessed as key ones, but are no longer creating at this venue. We were interested in the history of Metelkova, not particular artistic practices. Personal histories, subjective views, multiplicity of narratives. The video essays wish to preserve the stories of the Metelkova protagonists, who complement, overlap, and also oppose one another.<\/p>\n

    Have you ever attended an auction of artworks<\/strong>? Serious faces, tightly-tied ties, bourgeois interiors, predictable scenario of the event. Metelkova has created its own version of painting and sculpture marketing, besides the traditional function, also including the added Metelkova value.<\/em> Just imagine people from all walks of life (serious collectors, Metalkova goers, journalists, rubberneckers, winners of the system\u2019s transformation, with fat wallets etc.) inside a damaged building and a hyperactive auctioneer, whose appearance is actually a noisy performance: long before stand-up comedy was given its name, the Auction of Artistic Artefacts <\/em>had had <\/em>its loyal fans. The main actor \u2013 Goran Medjugorac – Gogi \u00a0\u2013 became a cult personality for his improvised inserts, witty comments, and unique characteristics of Metelkova artists. At the 20th<\/sup> Anniversary we will hear once more his legendary for a farthing<\/em> you can get <\/em>\u2026 And the bizarre meeting of underground art and serious business will continue.<\/p>\n

    In the past, the space of Metelkova offered several unique projects, tied to various fields of creativity. We understand the restaging of the Auction of Artistic Artefacts<\/em> as part of the research process, as well as a kind of reminiscence of the past events and the possibility to witness the living history of Metelkova.<\/p>\n

    The exhibition Metelkova <\/em><\/strong>revived<\/em><\/strong>!<\/em><\/strong> shall offer an insight into the history of Metelkova through the words of its creators. Due to the unobstructed sincerity and the slackness of the interviewees we understand them as a precious and unique presentation of the diversity that Metelkova offers, so we have exposed them by placing them in a special place at the main exhibition of the Anniversary at the Alkatraz Gallery. You will be able to make yourself comfortable on a cosy sofa, watching the video essays; the recordings of the stories of each individual, and convince yourself of the complexity and diversity of Metelkova. The walls of the Alkatraz Gallery will be riddled again \u2013 however, this time only symbolically, with the abundant archive photographic material that will lead you through the twenty years of Metelkova, proving that it is a living organism, constantly changing. For those who do not yet know what Metelkova looked like in the past, the photographs will represent a journey in another world with no water or electricity supply, where creative process follows its own principles.<\/p>\n

    Twenty years of the production of visual art at Metelkova deserves a special analysis from the aspect of art history. Sa\u0161a Nabergoj has, in an extensive work entitled Gesamtkunstwerk Metelkova City<\/strong>, published by the Paper for critics of science, fantasy and new anthropology<\/em> (\u010casopis za kritiko znanosti, domi\u0161ljijo in novo antropologijo<\/em>) (volume XL, 2013; in honour of our anniversary entirely dedicated to Metelkova), put forward a thesis that ACC Metelkova City and its users with the architectural, constructional, artistic, and crafty interventions in its public space and the exterior of the buildings in the last twenty years changed it into an integral artefact of Metelkova. She has hulled out the key points of the process of its construction, and placed them into a wider historical, social, political and cultural frame in an attempt to define the constitutive elements of the artistic practices and procedures of the construction of the Metelkova art community. In the text, she proves that we should regard the integral artefact of Metelkova as a work-in-progress<\/em>, where singular segments sometimes disappear or, are slowly covered by interventions of others, whilst some are \u2013 right from the very beginning \u2013 intended as temporary. Exactly this principle that completely opposes the traditional understanding of conservation of cultural heritage is, according to her opinion, the key one. A PDF publication is what we offer at the website of The Closing Stop. (Text is in Slovene language only)
    \n<\/em><\/p>\n

    A great deal of our attention has been devoted to visual interventions<\/strong> into public space. They have started as an initiative of Metelkova artists (e. g. composing of mosaics on the Hlev (Stables) building and the arrangement of today\u2019s Hajlends (Highlands) park). Ever since 2004, and most of them, have been financially and organization-wise, taken care of within the frame of the Urban Projects of Visual Art <\/em>(Urbanih likovnih projektov<\/em>) of the KUD Mre\u017ea. The interventions into public space at a symbolic as well as concrete level combine all the operational shades of their authors from the past as well as the present; that\u2019s why it is especially important that we have \u2013 in collaboration with singular authors \u2013 prepared, until now, the most precise records of all these interventions. We have added over fifty photographs of singular artistic interventions, and comments, attempting to describe how they came about most precisely.<\/p>\n

    A tearoom and reading room for the archive documentation on Metelkova will come to life in the Project Room of SCCA and its freshly arranged garden, the remnant of the most recent project of Studio 6, Liminale<\/em> of the Association OFFTIR. Sipping tea or coffee, you will be able to look through some rare volumes of the publications on Metelkova, read about and explore the history of this unique phenomenon.<\/p>\n

    Wishing to make the widest possible public aware of the twenty year long history of this incredible junction of alternative, urbanity, culture and visual art, we have also conceived guided tours that will disclose the less obvious side of the Metelkova phenomenon, requiring specific conditions for creation of contemporary art. With the help of selected photographic material, we will guide you through a turbulent history of Metelkova from its squatting in September 1993 until today. Then we will look for key artistic interventions together, and talk about the process of creation and development of the specifics of the Metelkova image of visual art \u2013 about the integral artefact of Metelkova.<\/p>\n

    Welcome to the closing stop \u2013 that it is not!<\/p>\n

    Sebastian Krawczyk, Simona \u017dvanut<\/em><\/p>\n

    \n

    <\/a>
    \n3. OPEN STUDIOS
    \nBuildings Pe\u0161ci, Gara\u017ee, Hangar, 10 September, 2013, 2 pm\u20134 pm<\/strong><\/p>\n

    Participating Artists at The Closing Stop<\/strong>: Rajko Miladi\u0107, Jaka Miheli\u010d, Rok Barbori\u010d, Iskra Beli\u010danska, Matej Bizovi\u010dar, Bo\u0161tjan Drinovec, Mizzart, Belatehnika & Beladona, Mitja Ficko, Meta Kastelic, Neven Korda, Borut Koro\u0161ec, Damijan Kracina, Vladimir Leben, Miran Pe\u0161i\u010d Pe\u0161o, Miroslav Matek, Tina Dr\u010dar, Neven Korda, Bo\u0161tjan Novak, Terrah, Dejan Pfeifer Stripi, Uro\u0161 Weinberger.<\/p>\n

    \"\"<\/a>Participating Artists at The Closing Stop<\/strong> and also U3 – 7th Triennial of Contemporary Art in Slovenia: Resilience<\/a><\/strong>:\u00a0Rok Barbori\u010d, Iskra Beli\u010danska & Matej Bizovi\u010dar & Vladimir Leben, Meta Kastelic, Damijan Kracina, Miroslav Matek, Bo\u0161tjan Novak, Miran Pe\u0161i\u010d Pe\u0161o, Dejan Pfeifer Stripi.<\/p>\n

    \"Studio
    \nStudio of Rajko Miladi\u010d, photo: Jasna Jernej\u0161ek<\/span><\/p>\n

    \"Studio
    \nStudio of Jaka Miheli\u010d – Katabrank, photo: SCCA Archive<\/span><\/p>\n

    \"Studio
    \nStudio of Rok Barbori\u010d, photo: Jasna Jernej\u0161ek<\/span><\/p>\n

    \"Studio
    \nStudio of Bo\u0161tjan Drinovec, photo: Jasna Jernej\u0161ek<\/span><\/p>\n

    \"Studio
    \nStudio of Mitja Ficko, photo: SCCA Archive<\/span><\/p>\n

    \"Studio
    \nStudio of Meta Kasetlic, photo: SCCA Archive<\/span><\/p>\n

    \"Studio
    \nStudio of Vladimir Leben & Matej Bizovi\u010dar & Iskra Beli\u010danska, photo: Sebastijan Krawczyk<\/span><\/p>\n

    \"Studio
    \nStudio of Mir\u010d Matek, photo: Jasna Jernej\u0161ek<\/span><\/p>\n

    \"Studio
    \nStudio of Tina Dr\u010dar, photo: Tina Dr\u010dar archive<\/span><\/p>\n

    \"Studio
    \nStudio of Bo\u0161tjan Novak, photo: Jasna Jernej\u0161ek<\/span><\/p>\n

    \"Studio
    \nStudio of Terrah, photo: Jasna Jernej\u0161ek<\/span><\/p>\n

    \"\"
    \nStudio of Damijan Kracina, photo: Ana Grobler<\/span><\/p>\n

    \"\"
    \nStudio of Uro\u0161 Weinberger, photo: Ana Grobler<\/span><\/p>\n

    \"\"
    \nStudio of Miran Pe\u0161i\u010d – Pe\u0161o, photo: Ana Grobler<\/span><\/p>\n

    —<\/p>\n

    Visit of open studios<\/strong>
    \nPhoto: Ana Grobler<\/p>\n

    \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

    \n

    <\/a>
    \n4. GESAMTKUNSTWERK METELKOVA<\/strong><\/p>\n

    Literature about ACC Metelkova City<\/a><\/strong> (pdf)<\/p>\n

    \n

    <\/a>
    \n5. AUCTION OF ARTEFACTS<\/strong>, auctioneer: Goran Medjugorac<\/p>\n

    Photo: Sun\u010dan P. Stone, KUD Mre\u017ea \/ Alkatraz Gallery archive<\/p>\n

    \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

    \n

    <\/a>
    \n6. METELKOVA REVIVED!<\/strong>, a documentary exhibition at the 20th Anniversary of ACC Metelkova City, Alkatraz Gallery<\/p>\n

    Curatorial team: Ana Grobler, Sebastian Krawczyk, Sa\u0161a Nabergoj, Jadranka Plut, Simona \u017dvanut
    \nAssistants: Anabel \u010cernohorski, Miha Kelemina
    \nExhibition design: Damijan Kracina<\/p>\n

    Photo: Sun\u010dan P. Stone, KUD Mre\u017ea \/ Alkatraz Gallery archive<\/p>\n

    \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

    \n

    <\/a>
    \n7. THE CLOSING STOP ON MOVING IMAGES<\/strong>, series of 26 video recordings with artists working at ACC Metelkova City<\/p>\n

    From September 3, 2014<\/p>\n

    Interviewed:<\/strong> Damijan Kracina, Uro\u0161 Weinberger, Toma\u017e Furlan, Vladimir Leben, Silvo Metelko, Bo\u0161tjan Novak, Mir\u010d Matek, Miran Pe\u0161i\u010d, Rok Barbori\u010d, Andrej Pezelj, Meta Kastelic, Terrah, Rajko Miladi\u0107, Tina Dr\u010dar, Mitja Ficko, Luka Drinovec, Nata\u0161a Tajnik, Neven Korda, Miha Perne, Jaka Miheli\u010d, Rok Mohar, Edi Dobrilovi\u0107, Ur\u0161a Toman, Marko A. Kova\u010di\u010d, Anna Ehrlemark, Goran Medjugorac \u2013 Gogi, Matej Bizovi\u010dar.<\/p>\n

    Interviewers:<\/strong> Sebastijan Krawczyk and Jadranka Plut (Alkatraz Gallery) and Sa\u0161a Nabergoj and Simona \u017dvanut (World of Art).<\/p>\n

    Camera and editing:<\/strong> Ana Grobler and Sebastian Krawczyk<\/p>\n

    Within The Closing-Stop we have shot a series of 26 video recordings with artists working at Metelkova, as well as with those whom we have assessed as key ones, but are no longer creating at this venue. We were interested in the history of Metelkova, not particular artistic practices. Personal histories, subjective views, multiplicity of narratives. The video essays wish to preserve the stories of the Metelkova protagonists, who complement, overlap, and also oppose one another.<\/p>\n

    First, the video recordings have been on view only at the SCCA\u2013Ljubljana video archive in the Project Room. Later, on the occasion of the 21st anniversary of the ACC Metelkova City, we have started to upload them on the World of Art web page: every week (since 3 September 2014) one new video recording will be uploaded to finally make accessible all the 26 interviews.<\/p>\n

    Series of 26 video recordings with artists working at ACC Metelkova City \u00bb<\/strong><\/a>
    \n(in Slovene only)<\/p>\n

    \n

    <\/a>
    \n8. MOSAIC WORKSHOP FOR CHILDREN<\/strong> with Edvin Dobrilovi\u0107, ACC Metelkova City<\/p>\n

    Photo: Sebastijan Krawczyk<\/p>\n

    \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

    \n

    <\/a>
    \n9.     PHOTOS FOR PRESS<\/a><\/strong><\/p>\n

    Quotation: ACC Metelkova City, photo Sun\u010dan P. Stone<\/p>\n

    \n

    <\/a>
    \n10. COLOPHON<\/strong><\/p>\n

    Production:<\/strong> KUD Mre\u017ea<\/a>\u00a0\/\u00a0Alkatraz Gallery<\/a>, SCCA, Center for Contemporary Arts \u2013 Ljubljana<\/a>\u00a0\/\u00a0World of Art<\/a><\/p>\n

    Support:<\/strong> Municipality of Ljubljana, Department for Culture<\/a>, Ministry of Culture RS<\/a><\/p>\n

    Guided tours are supported by<\/strong>\u00a0Ljubljana Tourism<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

    The teams of the Alkatraz Gallery and The World of Art (SCCA\u2013Ljubljana, Center for Contemporary Arts) present: The Closing Stop Exhibition & research project A Review of the Visual Scene of ACC Metelkova City 10 September\u20139 October, 2013 Exhibition, open studios, auction of artefacts, workshop for children, open archives Participants: Rok Barbori\u010d, Mizzart, Belatehnika & […]<\/p>\n","protected":false},"author":1,"featured_media":1557,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,10],"tags":[],"class_list":["post-1556","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition-and-research-projects","category-news"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/1556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=1556"}],"version-history":[{"count":30,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/1556\/revisions"}],"predecessor-version":[{"id":2441,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/1556\/revisions\/2441"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/1557"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=1556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=1556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=1556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}