{"id":1764,"date":"2014-04-25T13:11:43","date_gmt":"2014-04-25T11:11:43","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?p=1764"},"modified":"2018-07-24T16:01:22","modified_gmt":"2018-07-24T14:01:22","slug":"paul-oneill-did-somebody-say-curating-again-recent-turns-in-curatorial-practice","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/1764","title":{"rendered":"Paul O\u2019Neill: Did Somebody Say Curating, Again? Recent Turns in Curatorial Practice"},"content":{"rendered":"<p>WORLD OF ART<br \/>\nSchool for Curators and Critics of Contemporary Art<br \/>\nSeason 15<br \/>\n1st Year (October 2014\u2013June 2015)<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/series-of-lectures-on-curatorial-and-institutional-practice#2014\">Series of public lectures<\/a><\/p>\n<p><strong>Paul O\u2019Neill: Did Somebody Say Curating, Again? Recent Turns in Curatorial Practice<\/strong><br \/>\nLecture and workshop<\/p>\n<p><strong>Lecture: May 12, 2014 at 7 pm<br \/>\nWorkshop: May 13\u201315, 2014<\/strong><br \/>\nProject Room SCCA, Metelkova 6, Ljubljana<br \/>\n<strong>Workshop application deadline: Friday, May 9, 2014<\/strong><\/p>\n<hr \/>\n<p><strong>LECTURE<\/strong><\/p>\n<p><strong><em>The Exhibition-as-Medium, the Exhibition-as-Form: Co-productive Exhibition-making and Attentiveness<\/em><\/strong><\/p>\n<p>Monday, May 12, 2014 at 7 pm<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1765\" title=\"Coalesce Happenstance, Curated by Paul O'Neill, SMART, Amsterdam, 2011\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Coalesce-Happenstance.jpg\" alt=\"\" width=\"450\" height=\"284\" srcset=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Coalesce-Happenstance.jpg 450w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Coalesce-Happenstance-300x189.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><br \/>\n<em>Coalesce Happenstance<\/em>, Curated by Paul O&#8217;Neill, SMART, Amsterdam, 2011<\/p>\n<p>The group exhibition-form has become the primary site for curatorial experimentation and, as such, represents a relatively new discursive space around artistic practice. Paul O&#8217;Neill will look back at some of his exhibitions, and describe how cumulative and expanding exhibition-forms can constitute an investigation into how the curatorial role is made manifest through cohesive and co-operative exhibition-making structures applied during all stages of the exhibition production. This talk will demonstrate how exhibitions create spatial relations between different planes of interaction for the viewer, and how multiple agencies and actors are necessary for an understanding of the curatorial as a constellation of activities that can be represented\u00a0by the final exhibition-form.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/96591615\" width=\"620\" height=\"349\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p><!--more--><\/p>\n<hr \/>\n<p><strong>WORKSHOP<\/strong><\/p>\n<p>This workshop will look at recent turns in contemporary curatorial practice. In doing so it will explore certain concepts of the discursive, the durational and the educational turns in contemporary curating.\u00a0Given that the group exhibition has become the primary site and medium for curatorial experimentation it still represents a relatively new discursive space around artistic and curatorial practice.<\/p>\n<p>This workshop will explore how different group exhibition-forms have investigated how the curatorial is made manifest, through cohesive and co-operative exhibition-making structures applied through close involvement of all those involved, where multiple actors and agencies are at work during different stages of exhibition production. It will begin by exploring how exhibitions create certain social and spatial relations for the viewer, and how the an understanding of the exhibition-as-medium, and the exhibition-as-form, and their different durational dimensions are being contested.<\/p>\n<p>This workshop will continue to address the on-going &#8220;discursive turn&#8221; in contemporary curating to the more recent &#8220;educational turn&#8221; in a way that seeks a critical reconstruction of &#8220;the exhibition&#8221; and &#8220;the school&#8221; in curating and discursive practices. Key terms to be explored will be the curatorial, collaboration, duration, participation, ritual, citizenship, sociality, relationality, publicness, attentiveness, and the discursive.<\/p>\n<p>Taking the two questions: \u2018What is an Exhibition?\u2019 and \u2018What is a School?\u2019 as the starting point, this workshop will aim to produce a collaborative <strong>Dictionary of Terms\/Curatorial Dictionary<\/strong> produced by the participants that look at key concerns and interpretations of issues, concerns, questions and understanding stemming from their own practice and seeking common points of reference to draw upon and to use as a means of articulating their current aims and objectives within their practice.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1768\" title=\"Our Day Will Come, Month-long Free School Project, Curated by Paul O'Neill and Fiona Lee, Hobart, Tazmania, 2011\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/ODWC_Van.jpg\" alt=\"\" width=\"450\" height=\"338\" srcset=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/ODWC_Van.jpg 450w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/ODWC_Van-300x225.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><br \/>\n<em>Our Day Will Come<\/em>, Month-long Free School Project, Curated by Paul O&#8217;Neill<br \/>\nand Fiona Lee, Hobart, Tazmania, 2011<\/p>\n<hr \/>\n<p><strong>SCHEDULE<\/strong><\/p>\n<p><strong>DAY ONE<br \/>\nTuesday, May 13, 2014<\/strong><\/p>\n<p>10.00\u201311.45: Introduction of group and format for the 3-day workshop. Followed by Paul\u2019s lecture on his practice introducing some key terms for discussion.<\/p>\n<p>11.45\u201312.00: Coffee Break<\/p>\n<p>12.00\u201313.30: Response to Paul\u2019s Lecture and to the set Workshop Readings.<\/p>\n<p>13.30\u201315.00: Lunch Break<\/p>\n<p>15. 00\u201318.00: Practical Part: Breakaway Sessions \u2013 small groups to come up with list of terms that they wish to focus on and relate to their own practice.<\/p>\n<p><strong>DAY TWO<br \/>\nWednesday, May 14, 2014<\/strong><\/p>\n<p>Day two will start with two questions: <strong>What was an Exhibition? What was a School? <\/strong>and continue to<strong> <\/strong>address the &#8220;discursive turn&#8221;, the &#8220;educational turn&#8221; in a way that seeks a critical reconstruction of &#8220;the exhibition&#8221; and &#8220;the school&#8221; in curating and discursive practices.<\/p>\n<p>10.00\u201311.30: Presentation: &#8220;The critique of exhibition and of school in curating and the educational turn&#8221;<br \/>\nThis presentation will give a brief historical overview of some of the key developments in the examination of the changing concepts of exhibition and the school as critiqued in recent curatorial debate and practice. Some of the key issues will be orientated around concepts of participation, ritual, citizenship, sociality, relationality, and the discursive. Three short Case Studies will be included: &#8220;unitednationsplaza&#8221;, &#8220;The Blue House&#8221; and &#8220;A.C.A.D.E.M.Y&#8221;. The presentation will be followed by discussion.<\/p>\n<p>11.30\u201311.45: Coffee break<\/p>\n<p>11.45\u201313.15: This session will invite participants to work in groups of 3 to 4 addressing an initial set of questions: (i) How are these projects framed with respect to the question of exhibition and school? (ii) How do these projects differ? (iii) What do these projects hold in common? (iv) What is the significance of location for each project? (v) What kind of publics are being constituted by these projects? However, the workgroups will be encouraged to replace these questions with another agenda, if these questions do not match their interests.<\/p>\n<p>13.15\u201314.45: Discussion: &#8220;The experience of exhibition. The experience of school.&#8221;<br \/>\nBased on the three Readings in the group, participants are asked to bring up points of discussion.\u00a0 Each participant will be asked to talk about their experience of exhibition viewership and their experience of schooling, and how their experience was structured, organized, displayed. Particular attention will be focused on the question of self-discipline and the experience of norms of behavior and how these are encountered in the situation of schooling and the situation of exhibition. The broad goal of this discussion will be to identify the how exhibition and schooling are similar and are different in terms of the shaping of our behaviors and our subjectivities.<\/p>\n<p>STEMMING FROM THIS DISCUSSION, Feedback, Review, Continue Dictionary of Terms and plan for Day three.<\/p>\n<p>How does the prescription of a structure to the day shape and limit the dialogues produced?<\/p>\n<p>How do authority, ritual and discipline function in this situation?<\/p>\n<p>Does it matter that &#8220;we&#8221; have this conversation in &#8220;this place&#8221; and not another place today?<\/p>\n<p>What should &#8220;we&#8221; do tomorrow?<\/p>\n<p><strong>DAY THREE<br \/>\nThursday, May 15, 2014<\/strong><\/p>\n<p>Day three will open up two questions:<strong> What can an exhibition become? What can a school become?<\/strong><\/p>\n<p>15.00\u201316.30: Presentations by participants on issues of relevance for them drawing upon issues, concerns and current questions they wish to unpack as part of the group.<\/p>\n<p>16.30\u201316.45: Coffee break<\/p>\n<p>16.45\u201318.30: Based on what was discussed in the first two days, participants are asked to HIGHLIGHT one term each from their groups which they have been thinking about as a means of coming up with a group list of terms as part of a Curatorial Dictionary.<\/p>\n<p>Followed by: INFORMAL REVIEW: Drinks and Feedback Session<\/p>\n<p>How should this workshop be done if it is ever done again?<\/p>\n<hr \/>\n<p><strong>APPLICATION<\/strong><\/p>\n<p><strong>Workshop application deadline: Friday, May 9, 2014<\/strong><\/p>\n<p>The participants are asked to prepare for the workshop by reading the workshop material beforehand (will be sent to participants by organizers on Saturday, May 10, 2014).<\/p>\n<p>The schedule of the workshop is flexible and will be adjusted to the work process if needed therefore we reserve the right to change the schedule.<\/p>\n<p>The workshop costs <strong>10 EUR<\/strong>. The number of participants is limited to 10. Due to a large number of applicants a selection will be made by organizers and a preference will be given to those who can attend the workshop in its entirety. The participation fee must be paid before the start of the workshop and is non-refundable.<\/p>\n<p>Please send your <a href=\"http:\/\/www.scca-ljubljana.si\/prijavnice\/Prijavnica1416-ONeill-eng.doc\"><strong>application<\/strong><\/a> <strong>with CV in English<\/strong> to: <a href=\"mailto:svetumetnosti@scca-ljubljana.si\">svetumetnosti@scca-ljubljana.si<\/a><\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1770\" title=\"Paul O'Neill\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul-oneill.jpg\" alt=\"\" width=\"100\" height=\"100\" \/><strong>Dr. Paul O&#8217;Neill<\/strong> is a curator, artist, writer and educator based in New York and Bristol. He is a Director of the Graduate Program at the Centre for Curatorial Studies, Bard College in New York. O&#8217;Neill has co-curated more than 50 exhibition projects across the world including: The Curatorial Timeshare, Enclave, London (2013); Our Day Will Come, Part of Iteration: Again, Hobart, Tasmania (2011); We are Grammar, Pratt Institute, Manhattan Gallery, New York (2011); Coalesce: happenstance, SMART, Amsterdam (2009); Making Do, The Lab, Dublin (2007); General Idea: Selected Retrospective, Project Art Center, Dublin (2006); Tonight, Studio Voltaire, London, (2004); Are We There Yet? Glassbox, Paris (2000) and Passports, Zacheta Gallery of Contemporary Art, Warsaw (1998). He is an international tutor on the de Appel Curatorial Program since 2005, Amsterdam and he has held numerous research and lecturing positions at Goldsmiths, University of London; Middlesex University; The Graduate School of Creative Arts and Media, Dublin and the University of the West of England, Bristol. Between 2001\u201303, he was the Gallery Curator-Director of London Print Studio Gallery, where he curated group shows such as Private Views; Frictions; A Timely Place&#8230;Or Getting Back to Somewhere; All That is Solid and solo projects: Albers; Being Childish Billy Childish; Phil Collins Reproduction Timewasted; Harrowed: Faisal Abdu\u2019 Allah and Locating: Corban Walker. He was an Artistic Director of Multiples X from 1997\u201306; an organisation that commissioned and supported curated exhibitions of artist\u2019s editions, which he established in 1997 and included exhibitions at spaces such as the ICA, London; Temple Bar Gallery, Dublin; Ormeau Baths, Belfast; Glassbox, Paris and The Lowry, Manchester.<br \/>\nO&#8217;Neill\u2019s writing has been published in many books, catalogues, journals and magazines and he is a regular contributor to Art Monthly. He is reviews editor for Art and the Public Sphere Journal and is an editor of Afterall\u2019s Exhibition Histories Series. He is on the editorial board of The Exhibitionist and The Journal of Curatorial Studies. He is editor of the curatorial anthology, Curating Subjects (2007), and co-editor of Curating and the Educational Turn with Mick Wilson (2010), both published by de Appel and Open Editions (Amsterdam and London), and author of Locating the Producers: Durational Approaches to Public Art (Amsterdam, Valiz, 2011), edited with Claire Doherty. He is author of the critically acclaimed book The Culture of Curating and the Curating of Culture(s), (Cambridge, MASS., The MIT Press, 2012). His forthcoming book Curating Research (de Appel and Open Editions) co-edited with Mick Wilson will be published in 2014.<\/p>\n<hr \/>\n<p><strong>Lecture by Paul O&#8217;Neill<\/strong><br \/>\nPhoto: SCCA-Ljubljana Archive<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje01.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje01-150x150.jpg\" alt=\"\" title=\"Lecture by Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1835\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje02.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje02-150x150.jpg\" alt=\"\" title=\"Lecture by Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1836\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje03.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje03-150x150.jpg\" alt=\"\" title=\"Lecture by Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1837\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje04.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje04-150x150.jpg\" alt=\"\" title=\"Lecture by Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1838\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje05.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje05-150x150.jpg\" alt=\"\" title=\"Lecture by Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1839\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje06.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/paul_oneill_predavanje06-150x150.jpg\" alt=\"\" title=\"Lecture by Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1834\" \/><\/a><\/p>\n<div style=\"clear:both\">&nbsp;<\/div>\n<p><strong>Workshop with Paul O&#8217;Neill<\/strong><br \/>\nPhoto: SCCA-Ljubljana Archive<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica01.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica01-150x150.jpg\" alt=\"\" title=\"Workshop with Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1842\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica02.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica02-150x150.jpg\" alt=\"\" title=\"Workshop with Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1843\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica03.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica03-150x150.jpg\" alt=\"\" title=\"Workshop with Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1844\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica04.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica04-150x150.jpg\" alt=\"\" title=\"Workshop with Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1845\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica05.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica05-150x150.jpg\" alt=\"\" title=\"Workshop with Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1846\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica06.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica06-150x150.jpg\" alt=\"\" title=\"Workshop with Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1847\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica07.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica07-150x150.jpg\" alt=\"\" title=\"Workshop with Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1848\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica08.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica08-150x150.jpg\" alt=\"\" title=\"Workshop with Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1849\" \/><\/a> <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica09.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/04\/Paul_ONeill_delavnica09-150x150.jpg\" alt=\"\" title=\"Workshop with Paul O&#039;Neill\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1850\" \/><\/a><\/p>\n<div style=\"clear:both\">&nbsp;<\/div>\n<hr \/>\n<p>Lecture and workshop are part of the 2014 <em>World of Art<\/em> public programme, which is being prepared by the <a href=\"http:\/\/www.scca-ljubljana.si\/indexengl.htm\" target=\"_blank\">SCCA\u2013Ljubljana<\/a> and the <a href=\"http:\/\/www.igorzabel.org\/en\" target=\"_blank\"><strong>Igor Zabel Association for Culture and Theory<\/strong><\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-3050\" title=\"Svet umetnosti \/ World of Art\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/03\/woa120.gif\" alt=\"Svet umetnosti \/ World of Art\" width=\"120\" height=\"87\" \/>\u00a0\u00a0\u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3051\" title=\"Igor Zabel Association for Culture and Theory\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2014\/03\/igor_zabel_logo-eng.png\" alt=\"Igor Zabel Association for Culture and Theory\" width=\"120\" height=\"68\" \/><\/p>\n<div style=\"clear: both;\"><\/div>\n<p>The programme is supported by: the City of Ljubljana \u2013 Department for Culture; ERSTE Foundation; the United States Embassy in Ljubljana.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5935\" title=\"Mestna ob\u010dina Ljubljana \u2013 Oddelek za kulturo\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2014\/01\/mol.jpg\" alt=\"Mestna ob\u010dina Ljubljana \u2013 Oddelek za kulturo\" width=\"118\" height=\"84\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5934\" title=\"Erste sklad\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2014\/01\/erste-stiftung.jpg\" alt=\"Erste sklad\" width=\"149\" height=\"84\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5933\" title=\"Veleposlani\u0161tvo Zdru\u017eenih dr\u017eav Amerike v Ljubljani\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2014\/01\/US-embassy.jpg\" alt=\"Veleposlani\u0161tvo Zdru\u017eenih dr\u017eav Amerike v Ljubljani\" width=\"55\" height=\"84\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WORLD OF ART School for Curators and Critics of Contemporary Art Season 15 1st Year (October 2014\u2013June 2015) Series of public lectures Paul O\u2019Neill: Did Somebody Say Curating, Again? Recent Turns in Curatorial Practice Lecture and workshop Lecture: May 12, 2014 at 7 pm Workshop: May 13\u201315, 2014 Project Room SCCA, Metelkova 6, Ljubljana Workshop [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5340,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,10,14,15],"tags":[],"class_list":["post-1764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lectures","category-news","category-season-15","category-video"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/1764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=1764"}],"version-history":[{"count":23,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/1764\/revisions"}],"predecessor-version":[{"id":5341,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/1764\/revisions\/5341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/5340"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=1764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=1764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=1764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}