{"id":2078,"date":"2014-10-13T18:45:00","date_gmt":"2014-10-13T16:45:00","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?p=2078"},"modified":"2018-07-24T14:55:12","modified_gmt":"2018-07-24T12:55:12","slug":"portizmir-3-in-curated-world-of-art","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2078","title":{"rendered":"PORTIZMIR 3 in curated world of art"},"content":{"rendered":"<p>Projects of Co-workers<\/p>\n<p><strong>Lecture of Sa\u0161a Nabergoj in Miroslav Kraljevi\u0107 Gallery in Zagreb <\/strong><\/p>\n<p><strong>October 14, 2014, at 7 pm<\/strong><br \/>\nMiroslav Kraljevi\u0107 Gallery, \u0160ubi\u010deva 29, Zagreb<br \/>\n<!--more--><\/p>\n<hr \/>\n<p><strong>Sa\u0161a Nabergoj<\/strong> will be using three examples of her  long-time career to talk about her curatorial and educational practice. <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/\">World of Art, School for Curators and Critics of Contemporary Art<\/a>, research-exhibition program <a href=\"http:\/\/www.scca-ljubljana.si\/s6engl.htm\"  target=\"_blank\">Studio 6<\/a> and the third Triennial of  Contemporary <a href=\"http:\/\/portizmir.org\/eng\/\" target=\"_blank\">Art PORTIZMIR 3<\/a>, she curated in 2014. The lecture will explore current curatorial practices that  bear the important overarching shifts which understand curatorial activity as  \u201csituation itself between research, teaching and reform\u201d. To put in with other  words: exhibitions are becoming places where \u2018something happens\u2019 and not just a  places where \u2018something is represented\u2019. In  synch with this understanding the triennial PORTIZMIR 3 therefore focused on  engaged artistic practices that operate on the fringe of the art world and deal  with subjects and apply methodology from the outside world, from outside the  \u2018ivory tower of art\u2019. <\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"margin-right: 10px; margin-bottom: 5px; margin-top: 3px; margin-left: 0px;\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2007-08\/ekipa-board\/sasa_nabergoj.jpg\" alt=\"Sa\u0161a Nabergoj\" width=\"100\" height=\"100\" align=\"left\" \/><strong>Sa\u0161a Nabergoj<\/strong><br \/>\nArt historian, curator and critic. Assistant director at SCCA\u2212Ljubljana, Center for Contemporary Arts (Slovenia). A member of AICA (International Association of Art Critics) and IKT (International Association of Curators of Contemporary Art, Amsterdam). Writer, editor, curator and lecturer on contemporary art, focusing on curatorial and critical practices.<br \/>\n<a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/team\" target=\"_blank\">More &raquo;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Projects of Co-workers Lecture of Sa\u0161a Nabergoj in Miroslav Kraljevi\u0107 Gallery in Zagreb October 14, 2014, at 7 pm Miroslav Kraljevi\u0107 Gallery, \u0160ubi\u010deva 29, Zagreb<\/p>\n","protected":false},"author":1,"featured_media":5329,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2078","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/2078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=2078"}],"version-history":[{"count":3,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/2078\/revisions"}],"predecessor-version":[{"id":5330,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/2078\/revisions\/5330"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/5329"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=2078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=2078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=2078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}