{"id":229,"date":"2010-08-27T12:46:40","date_gmt":"2010-08-27T10:46:40","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?p=229"},"modified":"2018-07-25T15:27:40","modified_gmt":"2018-07-25T13:27:40","slug":"joa-ljungberg-and-edi-muka-dreams-failures-and-achievements-%e2%80%93-navigating-through-an-institutional-desert","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/229","title":{"rendered":"Joa Ljungberg and Edi Muka: Dreams, Failures and Achievements \u2013 Navigating through an institutional desert"},"content":{"rendered":"<p>WORLD OF ART<br \/>\nSchool for Curators and Critics of Contemporary Art<br \/>\nSeason 13<br \/>\n2nd Year (September 2010\u2013May 2011)<\/p>\n<p><strong>Series of Lectures on Curatorial and Institutional Practices<\/strong><\/p>\n<p><strong>Thursday, September 16, 2010<\/strong><strong> at 7pm<\/strong><br \/>\nSCCA Project Room, Metelkova 6, Ljubljana, Slovenia<\/p>\n<hr \/>\n<p><strong>Joa Ljungberg<\/strong>, curator from Malmo, and <strong>Edi Muka<\/strong>, artist and curator from Tirana, have been a part of the <a href=\"http:\/\/arhiv.worldofart.org\/\" target=\"_blank\">World of art<\/a> school one way or  another already for more than a decade. It seems that for the same decade they  have also been independently or in tandem, building their own curatorial  practice, split between the art scene of Albania and the one of Sweden.<\/p>\n<p>On this occasion they will holistically  introduce diverse curatorial strategies and tactics, as well as different  nature of institutions in the two environments, in double lecture with the help  of different projects, they realized within the last decade.<\/p>\n<p>First story, <strong>Dreams, failures and achievements: navigating through an institutional  desert<\/strong>, will introduce an experiment to create independent art institution  in Albania,  in context of total absence of state-funding help and rough neoliberal market  economics that is guided by profit. It&rsquo;s almost twenty years now that Albania  exited it&rsquo;s dictatorial past and enthusiastically joined the new world order,  that forbidden fruit &#8211; democracy and market economy &#8211; widely propagated as the  bright future of humankind. <\/p>\n<p> Talking from the perspective of today&rsquo;s Albania, this  lecture will tell the story of an attempt to build an independent art  institution in a context of a total lack of governmental support and a hard  core, profit driven, neoliberal market economy.&nbsp;  As an art institution still without its own address, <strong><a href=\"http:\/\/www.tica-albania.org\/\" target=\"_blank\">Tirana institute of  contemporary art &#8211; TICA<\/a><\/strong> is an ongoing story of achievements and  of failures, both important to learn from.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.scca-ljubljana.si\/foto220\/tica.jpg\" width=\"220\" height=\"165\" alt=\"TICA\"><\/p>\n<p>Other story, <strong>Two Nordic power stations for art<\/strong>, will be devoted to curatorial  practice and program of two very different Swedish art institutions  (accidentally both are placed in former power stations): newly opened Modern  Museet in Malmo  and Roda Sten in Goteborg.<\/p>\n<table width=\"100%\" border=\"0\" style=\"margin-bottom:10px\">\n<tr>\n<td width=\"51%\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.scca-ljubljana.si\/arhiv\/foto220\/Moderna-Museet-Malmo.jpg\" width=\"220\" height=\"165\" alt=\"Moderna Museet Malm\u00f6\"><\/td>\n<td width=\"49%\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.scca-ljubljana.si\/arhiv\/foto220\/Roda-Sten-in-Gothenburg.jpg\" width=\"220\" height=\"165\" alt=\"R&ouml;da Sten, Gothenburg\"><\/td>\n<\/tr>\n<tr>\n<td class=\"text9\">Moderna Museet, Malm\u00f6<\/td>\n<td class=\"text9\">R&ouml;da Sten, Gothenburg<\/td>\n<\/tr>\n<\/table>\n<p><strong>Joa Ljungberg<\/strong> is co-founder  of Tirana institute of contemporary art &#8211; TICA. She studied history of art on Uppsala University (Sweden) and Warwick University  (England),  and also curatorship on Goldsmith College University of London (England). At  the moment she works as curator of museum Modern Museet Malmo, which recently  opened up on utmost south of Sweden.<\/p>\n<p><strong>Edi Muka<\/strong> is a curator  at Roda Sten Kunsthalle, Goteborg,  he is co-founder and curator of Tirana institute for contemporary art &#8211; TICA, a  co-founder and manager of Tirana international biennale of contemporary art &#8211;  TICAB. He lives and works between Tirana and Malmo.<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/series-of-lectures\/dreams-failures-and-achievements-navigating-through-an-institutional-desert\">More about the lecture<\/a><\/p>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/lecturers-20102011\">More about lecturers<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WORLD OF ART School for Curators and Critics of Contemporary Art Season 13 2nd Year (September 2010\u2013May 2011) Series of Lectures on Curatorial and Institutional Practices Thursday, September 16, 2010 at 7pm SCCA Project Room, Metelkova 6, Ljubljana, Slovenia Joa Ljungberg, curator from Malmo, and Edi Muka, artist and curator from Tirana, have been a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5444,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,17],"tags":[],"class_list":["post-229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-season-13"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=229"}],"version-history":[{"count":10,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/229\/revisions"}],"predecessor-version":[{"id":5443,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/229\/revisions\/5443"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/5444"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}