{"id":2774,"date":"2015-05-09T11:36:03","date_gmt":"2015-05-09T09:36:03","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?p=2774"},"modified":"2018-07-24T14:41:58","modified_gmt":"2018-07-24T12:41:58","slug":"from-elsewhere-2","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/2774","title":{"rendered":"From Elsewhere 2"},"content":{"rendered":"<p>WORLD OF ART<br \/>\nSchool for Curators and Critics of Contemporary Art<br \/>\nSeason 15<br \/>\n1st Year (October 2014\u2013June 2015)<\/p>\n<p><strong>From Elsewhere 2<\/strong><br \/>\nCuratorial Practices and Artistic Positions<\/p>\n<p><strong>Tuesday, 12 May 2015<br \/>\n6 pm: presentation of art and curatorial practice in the Philippines, Singapore and Myanmar<br \/>\n8.30 pm: screening of the selected Filipino video works and short films<\/strong><br \/>\nProject Room, SCCA, Metelkova 6, Ljubljana<br \/>\n<!--more--><\/p>\n<hr \/>\n<p><strong>From Elsewhere 2<\/strong> is the second edition of  our get acquainted with the state of curatorial practices and artistic  positions beyond the European area. <a href=\"http:\/\/www.scca-ljubljana.si\/report-en_08_02.htm\" target=\"_blank\">First we learned about Armenia, Kazakhstan, Egypt and Turkey<\/a>. This time we went even further, we learned about the Philippines, Singapore and Myanmar.<\/p>\n<p><strong>From elsewhere 2 <\/strong>will take place within the  frame of <em>World of Art School<\/em> and a public programme of the  international project <strong><em><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/curating-in-depth\" target=\"_blank\">Curating\u2013In\u2013Depth<\/a><\/em><\/strong>prepared  by two main partners <strong>SCCA\u2013Ljubljana<\/strong> (Slovenia) and <strong><a href=\"http:\/\/www.plantingrice.com\/\" target=\"_blank\">Planting Rice<\/a><\/strong> (The  Philippines) and associated organisation <strong><a href=\"http:\/\/www.kulturpunkt.hr\/node\/29\" target=\"_blank\">Kurziv<\/a><\/strong> (Croatia). The  project is supported by <strong><a href=\"http:\/\/www.asef.org\/\" target=\"_blank\">Asia-Europe Foundation<\/a><\/strong>. <\/p>\n<p><em>Curating-In-Depth<\/em> is an incubation project between non-governmental institutions from Europe and Asia, whose goals are for the development of curatorial education. It connects initiatives in the field of curatorial practices and the production of visual arts exhibitions, which share the same approach (we call it the &#8220;curating-in-depth&#8221;), but are rooted in different cultural environments and artistic milieus.<\/p>\n<p>Since 3 May, curators from the Philippines, Myanmar and Singapore are getting acquainted with Ljubljana\u2019s art scene, they also visited Celje and Maribor. This summer SCCA-Ljubljana\u2019s team will return visit and present Slovene art scene in Manila.<\/p>\n<p>Fellow colleagues will prepare presentations on current curatorial practices and artistic communities from the cultural environments of their origins.<\/p>\n<p><strong>We invite you to join us on Tuesday, 12 May, from 6 pm onwards in the Project Room SCCA!<\/strong><\/p>\n<hr \/>\n<p><strong>PROGRAMME<\/strong><\/p>\n<p>&#8212;<\/p>\n<p><strong>6 pm: Anupama Sekhar<\/strong> (the Director of the Culture Department of ASEF, Singapore): presentation of the foundation, opportunities and open calls for international cultural cooperation between Europe and Asia.<\/p>\n<p>&#8212;<strong><\/strong><\/p>\n<p><strong>PRESENTATIONS: 6.15-8.10 pm<\/strong><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" style=\"padding-right: 10px; padding-bottom: 15px;\" src=\"http:\/\/www.scca-ljubljana.si\/img\/portreti100\/Siddharta-Perez.jpg\" alt=\"Siddharta Perez\" width=\"100\" height=\"100\" align=\"left\" \/>6.15 pm:<br \/>\nSiddharta Perez <\/strong> (Philippines):<br \/>\n<em><strong>Prompts: Curatorial strategies in facilitating and sustaining knowledge resources<\/strong><\/em><\/p>\n<div style=\"height: 40px;\"><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"padding-right: 10px; padding-bottom: 15px;\" src=\"http:\/\/www.scca-ljubljana.si\/img\/portreti100\/Antares-Gomez-Bartolome.jpg\" alt=\"Antares Gomez Bartholome\" width=\"100\" height=\"100\" align=\"left\" \/><strong>6.35 pm:<\/strong><br \/>\n<strong>Antares Gomez Bartholome<\/strong> (Philippines):<br \/>\n<em><strong>Curation as Cultural Work<\/strong><\/em><\/p>\n<div style=\"height: 40px;\"><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"padding-right: 10px; padding-bottom: 15px;\" src=\"http:\/\/www.scca-ljubljana.si\/img\/portreti100\/Isabel-Ching.jpg\" alt=\"Isabel Ching\" width=\"100\" height=\"100\" align=\"left\" \/><strong>7 pm:<\/strong><br \/>\n<strong>Isabel Ching<\/strong> (Singapore):<br \/>\n<em><strong>Frames of Conceptualism from Southeast Asia<\/strong><\/em><\/p>\n<div style=\"height: 40px;\"><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"padding-right: 10px; padding-bottom: 15px;\" src=\"http:\/\/www.scca-ljubljana.si\/img\/portreti100\/Moe-Satt.jpg\" alt=\"Moe Satt\" width=\"100\" height=\"100\" align=\"left\" \/><strong>7.20 pm:<\/strong><br \/>\n<strong>Moe Satt<\/strong> (Myanmar):<br \/>\n<em><strong>Short Introduction of Myanmar Performance Art<\/strong><\/em><\/p>\n<div style=\"height: 40px;\"><\/div>\n<p><strong><a href=\"http:\/\/www.scca-ljubljana.si\/From-Elsewhere-2_Abtracts-of-presentations-and-CVs.pdf\" target=\"_blank\">Abstracts and CV&#8217;s of presentations (pdf)<\/a><\/strong><\/p>\n<p>&#8212;<\/p>\n<p><strong>BREAK: 8.10\u20138.30 pm<\/strong><\/p>\n<p>&#8212;<\/p>\n<p><strong>VIDEO SCREENING: 8.30-9.40 pm<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.scca-ljubljana.si\/foto450\/KTA.jpg\" alt=\"The Kalampag Tracking Agency\" width=\"450\" height=\"302\" \/><\/p>\n<p><strong>8.30 pm:<\/strong><\/p>\n<p><strong>Shireen Seno<\/strong> (Philippines): <strong><em>The Kalampag Tracking Agency<\/em><\/strong><\/p>\n<p>Screening of 13 selected Filipino video works and short films with comments by the curator. The selection showcases the works from 1985 until nowadays and demonstrates different aesthetics and usage of visual language by showing the issues of contemporary society in the Philippines.<\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/04\/The-Kalampag-Tracking-Agency.pdf\" target=\"_blank\"><strong>More (pdf)<\/strong><\/a><\/p>\n<p>&#8212;<\/p>\n<p><strong>DISCUSSION<\/strong><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/128875770?byline=0&amp;portrait=0\" frameborder=\"0\" width=\"620\" height=\"349\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/128880830?byline=0&amp;portrait=0\" frameborder=\"0\" width=\"620\" height=\"360\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/128882948?byline=0&amp;portrait=0\" frameborder=\"0\" width=\"620\" height=\"349\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/130523920?byline=0&amp;portrait=0\" frameborder=\"0\" width=\"620\" height=\"349\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/131066952?byline=0&amp;portrait=0\" frameborder=\"0\" width=\"620\" height=\"424\"><\/iframe><\/p>\n<hr \/>\n<p><strong><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/15th-season-2014-2016\/curating-in-depth\" target=\"_blank\">MORE ABOUT THE PROJECT CURATING-IN-DEPTH<\/a><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7323\" title=\"Curating-In-Depth\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/04\/curating-in-depth2-web.jpg\" alt=\"\" width=\"500\" height=\"321\" \/><\/p>\n<p><strong>Supported by: <\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2784\" title=\"Asia-Europe Foundation (ASEF) \/ Arts Network Asia (ANA) \/ Trans Europe Halles (TEH) \/ Embassy of the Philippines in Austria \/ Ljubljana Municipality, Department for Culture \/ Ministry of Foreign Affairs of the Republic of Slovenia\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/podporniki-od-drugod2.jpg\" alt=\"Asia-Europe Foundation (ASEF) \/ Arts Network Asia (ANA) \/ Trans Europe Halles (TEH) \/ Embassy of the Philippines in Austria \/ Ljubljana Municipality, Department for Culture \/ Ministry of Foreign Affairs of the Republic of Slovenia\" width=\"630\" height=\"95\" srcset=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/podporniki-od-drugod2.jpg 630w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2015\/05\/podporniki-od-drugod2-300x45.jpg 300w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WORLD OF ART School for Curators and Critics of Contemporary Art Season 15 1st Year (October 2014\u2013June 2015) From Elsewhere 2 Curatorial Practices and Artistic Positions Tuesday, 12 May 2015 6 pm: presentation of art and curatorial practice in the Philippines, Singapore and Myanmar 8.30 pm: screening of the selected Filipino video works and short [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5313,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,14,15],"tags":[],"class_list":["post-2774","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-season-15","category-video"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/2774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=2774"}],"version-history":[{"count":17,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/2774\/revisions"}],"predecessor-version":[{"id":5312,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/2774\/revisions\/5312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/5313"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=2774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=2774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=2774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}