{"id":426,"date":"2011-06-16T10:46:46","date_gmt":"2011-06-16T08:46:46","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?p=426"},"modified":"2018-07-25T13:52:21","modified_gmt":"2018-07-25T11:52:21","slug":"daily-life-as-public-practice-in-the-field-of-multiplicity","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/426","title":{"rendered":"Daily Life as Public Practice in the Field of Multiplicity"},"content":{"rendered":"<p>WORLD OF ART<br \/>\nSchool for Curators and Critics of Contemporary Art<br \/>\nSeason 13<br \/>\n2nd Year (September 2010\u2013May 2011)<\/p>\n<p>Series of Lectures on Curatorial and Institutional Practices<\/p>\n<p><strong>Daily Life as Public Practice in the Field of Multiplicity<\/strong><br \/>\n<em>Work and interventions of Tadej Poga\u010dar &#038; P.A.R.A.S.I.T.E. Museum of Contemporary Art at the end of the first decade of the new millennium<\/em><\/p>\n<p>Retrospective exhibition<\/p>\n<p>15 June\u201315 July 2011<br \/>\nMuseum of Contemporary Art Vojvodina, Dunavska 37, Novi Sad, Serbia<\/p>\n<hr \/>\n<p>Curator:<strong> Mi&scaron;ko &Scaron;uvakovi\u0107<\/strong><\/p>\n<p><strong>Tadej  Poga\u010dar<\/strong> is one of the most important artists and  curators in Slovenia  in the last twenty years. His artistic and cultural production has developed as  an open form of critical art based on appropriations and parasitical  approaches, which include specific contemporary artistic practices. Tadej  Poga\u010dar has developed numerous projects and conducted extensive research on  contemporary ways of life. <\/p>\n<p>The main goal of the current exhibition is  to create a &ldquo;working perspective&rdquo; of Poga\u010dar&rsquo;s artistic practice by presenting  his major projects of the last twenty years with documents, artifacts,  interventions, etc. The exhibition will present about twenty projects developed  between 1990 and 2011, occluding photographs, videos, installations, drawings,  objects, public space projects and site-specific interventions. <\/p>\n<p>In preparing the exhibition in the Museum of Contemporary Art Vojvodina Tadej Poga\u010dar  has collaborated with a group of young curators completing the <em>World of Art<\/em> course for curators  organized by SCCA-Ljubljana. The course participants dedicated this year&rsquo;s  final show, which was on view in Alkatraz Gallery from 13 April to 6 May to  Tadej Poga\u010dar and his work <em><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\/tadej-pogacar-quarter-to-two\">Quarter to Two<\/a><\/em>. <\/p>\n<div class=\"komentar2\">\n<p class=\"komentarslike\"><img decoding=\"async\" style=\"border:0; margin:0; padding:0 0 7px 0\"  src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2010-11\/pogacar_petnajst-do-dveh.jpg\" alt=\"Tadej Poga\u010dar: Quarter to Two\" \/><br \/>\n<strong>Tadej Poga\u010dar: <em>Quarter to Two<\/em>, 1994<\/strong><br \/>\nInstallation at the permanent installation of <em>Selected works of Slovenian authors from the collections of the<br \/>Museum of Modern Art<\/em>, Museum of Modern Art, Ljubljana, 1994\u20131995<br \/>\nPhoto: Matija Pavlovec, Courtesy of the author and Museum of Modern Art, Ljubljana<\/p>\n<\/div>\n<div style=\"clear:both\"><\/div>\n<hr \/>\n<p><strong><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.scca-ljubljana.si\/arhiv\/img\/portreti100\/tadej_pogacar.jpg\" width=\"100\" height=\"100\" alt=\"Tadej Poga\u010dar\" align=\"left\" style=\"padding-right:10px\">Tadej Poga\u010dar <\/strong>(b.  1960) is an artist and the art director of the Centre and P74 Gallery in  Ljubljana. After studying Ethnology and the History of Art at the Faculty of  Arts in Ljubljana he has graduated from the Department of Painting at the  Academy of Fine Arts and Design where he has also completed his postgraduate  studies. In the period 1994-1999 he was the chief editor of M&#8217;ARS magazine, the main magazine in the field of contemporary art. He is the founder and director  of P.A.R.A.S.I.T.E., a museum of contemporary Art. He has participated at  numerous international exhibitions of contemporary art, e.g. the 10th  Istanbul Biennial, San Francisco Art Institute, 49th Sao Paulo Art  Biennial, 3rd Tirana Biennial, ZKM Karlsruhe, 49th Venice  Biennial, the Stedelijk Museum, the Arte Carillo Gil Museum in Mexico City, the  Museum of Modern Art in Vienna, the Moderna Museet in Stockholm. For his works  Tadej Poga\u010dar has received several awards, including the Franklin Furnace Award  in New York (2001), the &raquo;Trend&laquo; award for exceptional achievements in the field  of visual art (2008) and the leading national &ldquo;Jakopi\u010d Award&rdquo; for fine arts (2009).<\/p>\n<hr \/>\n<p>The exhibition will be accompanied by rich  illustrated bilingual catalogue with texts by Mi&scaron;ko &Scaron;uvakovi\u0107 and <strong>Ana Vilenica<\/strong>, which will be published  by the Museum of Contemporary Art Vojvodina.<\/p>\n<hr \/>\n<p>The project and the exhibition were organised  in collaboration with Zavod P.A.R.A.S.I.T.E., Ljubljana.<\/p>\n<p>The exhibition is organised in  collaboration with SCCA, Center for Contemporary Arts &ndash; Ljubljana and young  curators\/participants of <em>World of Art;  School for Curators and Critics of Contemporary Art; 13th year<\/em>. <\/p>\n<p><a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/13th-year-201011\">World  of Art; School for Curators and Critics of Contemporary Art; 13th year<\/a><br \/>\n  Participants: <strong>Ana Grobler, Iva Kova\u010d, Yasm<\/strong><strong>&iacute;<\/strong><strong>n Mart&iacute;n Vodopivec, &Scaron;pela Pavli, Lara Plav\u010dak, Vladimir Vidmar, Asta  Vre\u010dko, Mojca Zalo\u017enik<\/strong><br \/>\n  Mentors: <strong>Jo\u017ee Bar&scaron;i, Nevenka &Scaron;ivavec<\/strong><br \/>\n  Head of the school: <strong>Sa&scaron;a Nabergoj<\/strong><br \/>\n  Coordinator of the school:<strong> Sonja Zavrtanik<\/strong><\/p>\n<hr \/>\n<p><strong>Additional information:<\/strong><\/p>\n<p>Zavod P.A.R.A.S.I.T.E.<br \/>\nHru\u0161evska 66, 1000 Ljubljana, Slovenia<br \/>\np74info@volja.net<br \/>\n<a href=\"http:\/\/www.zavod-parasite.si\" target=\"_blank\">www.zavod-parasite.si<\/a><\/p>\n<p><a href=\"http:\/\/www.msuv.org\" target=\"_blank\">www.msuv.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WORLD OF ART School for Curators and Critics of Contemporary Art Season 13 2nd Year (September 2010\u2013May 2011) Series of Lectures on Curatorial and Institutional Practices Daily Life as Public Practice in the Field of Multiplicity Work and interventions of Tadej Poga\u010dar &#038; P.A.R.A.S.I.T.E. Museum of Contemporary Art at the end of the first decade [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5425,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,17],"tags":[],"class_list":["post-426","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-season-13"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=426"}],"version-history":[{"count":6,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/426\/revisions"}],"predecessor-version":[{"id":5424,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/426\/revisions\/5424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/5425"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}