{"id":6074,"date":"2019-10-30T17:36:45","date_gmt":"2019-10-30T15:36:45","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?p=6074"},"modified":"2019-11-28T15:54:48","modified_gmt":"2019-11-28T13:54:48","slug":"parallel-systems-establishing-and-forming-media-art","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6074","title":{"rendered":"Parallel Systems. Establishing and Forming Media Art"},"content":{"rendered":"

World of Art<\/strong>, School for Curatorial Practices and Critical Writing and Igor Zabel Association for Culture and Theory<\/a> <\/strong>invite you to the series of public lectures and events Parallel Systems. Establishing and Forming Media Art<\/em>
\n<\/strong><\/p>\n

\"\"<\/p>\n

\n

PROGRAMME<\/strong><\/p>\n

With lectures, a workshop and a roundtable discussion this autumn, we will explore the establishment of media art in Slovenia and the broader region. We will focus on the attempts to have media art recognised as an independent field, and financial mechanisms that have defined the field of media art since the 1990s. As a new art phenomenon, media art has not always overlapped with the existing art infrastructure, which is why its actors strove to establish a parallel system of different platforms, festivals and spaces, as well as sought potential entries in the predominant art system. Lecturer and director of the C3<\/sup> centre in Budapest Mikl\u00f3s Petern\u00e1k<\/strong> will present the emergence of media art in Hungary during the time of regime change, as well as its characteristics, which are linked to experiment and experience, and its role in determining answers to current issues of the post-information society. During a two-day workshop, theoretician and curator Suzana Milevska<\/strong> will address the complexity of different genres of writing about art and present strategies for writing the various genres of texts that accompany media art. Siegfried Zielinski<\/strong>, a lecturer and a former rector of the Karlsruhe University of Arts & Design, will speak about the utopian potential of media-archaeological activity and about media archaeology, with which he is intensely involved. During the roundtable discussion titled Intermedia Art and Cultural Policy<\/strong>, we will speak with experts and actors in the media art field about financing mechanisms at the national and municipal level, and about the responsiveness of the cultural policy to the new art field and its establishment in Slovenia.<\/p>\n

\n\n\n\n\n\n\n\n
Thursday,
\n14 November 2019, 6 pm<\/strong>
\nProject Room SCCA<\/td>\n		Mikl\u00f3s Petern\u00e1k: CHANGING THE SYSTEM: THE INTERMEDIA MODEL.
\nFrom Media Research to Intermedia 2.0 (1989\u20132019)<\/em><\/a>
\n<\/strong>Lecture<\/td>\n<\/tr>\n
Wednesday & Thursday,
\n20 & 21 November 2019, 4-8 pm<\/strong>
\nProject Room SCCA<\/td>\n		Suzana Milevska: WRITING ABOUT, WITH, AND OUTWARDS ART<\/em><\/strong><\/a>
\nWorkshop<\/td>\n<\/tr>\n
Wednesday,
\n27 November 2019, 6 pm<\/strong><\/span>
\nTrubar Literature House
\n<\/span><\/td>\n		Media art and cutural policy<\/em><\/strong><\/a>
\nRound table (in Slovene language)
\nParticipants: Semira Osmanagi\u0107, Simon Kardum, Jurij Krpan, Gregor Bulc<\/strong>.
\nModerator: Tja\u0161a Pureber<\/strong><\/td>\n<\/tr>\n
Tuesday,
\n10 December 2019, 6 pm<\/strong>
\nMuseum of Modern Art\/Moderna galerija<\/td>\n		Siegfried Zielinski: PRO-SPECTIVE ARCHAEOLOGIES. Travelling through DEEP TIME OF THE MEDIA into Possible Futures.<\/em><\/strong><\/a>
\nLecture<\/td>\n<\/tr>\n
Wednesday,
\n18 December 2019, 5 pm<\/strong>
\nProject Room SCCA<\/td>\n		Amy Ireland and Mikkel Thykier: Shanghai Frequencies<\/a><\/strong>
\nTalk<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n

Series Parallel Systems. Establishing and Forming Media Art<\/em> <\/strong>is organised by School for Curatorial Practices and Critical Writing World of Art (SCCA-Ljubljana) and Igor Zabel Association for Culture and Theory in partnership with the \u0160UM journal, Goethe-Institut Ljubljana, The Cultural Center of the Embassy of the Republic of Hungary in Slovenia, Balassi Institute, Ljubljana Museum of Modern Art\/Moderna galerija and Trubar Literature House.<\/p>\n

The programme is supported by: City of Ljubljana \u2013 <\/em>Department for Culture, ERSTE Foundation, Zaklada Kultura nova.<\/p>\n

Suzana Milevska’s Workshop is part of the 26th Biennial of Design BIO26| Common Knowledge accompanying programme.<\/p>\n

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World of Art, School for Curatorial Practices and Critical Writing and Igor Zabel Association for Culture and Theory invite you to the series of public lectures and events Parallel Systems. Establishing and Forming Media Art PROGRAMME With lectures, a workshop and a roundtable discussion this autumn, we will explore the establishment of media art in […]<\/p>\n","protected":false},"author":1,"featured_media":6075,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,23,11,10,29],"tags":[],"class_list":["post-6074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-focus","category-latest-news","category-lectures","category-news","category-year-17"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/6074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=6074"}],"version-history":[{"count":15,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/6074\/revisions"}],"predecessor-version":[{"id":6157,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/6074\/revisions\/6157"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/6075"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=6074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=6074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=6074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}