{"id":6092,"date":"2019-11-04T14:31:53","date_gmt":"2019-11-04T12:31:53","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?p=6092"},"modified":"2020-01-16T13:59:59","modified_gmt":"2020-01-16T11:59:59","slug":"siegfried-zielinski-pro-spective-archaeologies-travelling-through-deep-time-of-the-media-into-to-possible-futures","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6092","title":{"rendered":"Siegfried Zielinski: PRO-SPECTIVE ARCHAEOLOGIES. Travelling through DEEP TIME OF THE MEDIA into Possible Futures"},"content":{"rendered":"<p>World of Art | Year 17 | <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6074\">Parallel Systems. Establishing and Forming Media Art<\/a><\/p>\n<p>Lecture<br \/>\n<strong>Tuesday, 10 December 2019, 6 pm<\/strong><br \/>\nModerna galerija\/Museum of Modern Art, Cankarjeva cesta 15, Ljubljana<\/p>\n<hr \/>\n<p><img decoding=\"async\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zelinski-eng2.jpg\" alt=\"\" width=\"730\" \/><\/p>\n<p>The seemingly paradoxical abstract mixtum compositum that is prospective archaeology consists of a practice that operates in accordance with two opposing arrows of time. One of these arrows is oriented vertically into the deep time of cultures that still remains to be explored and that, for me, is forever remade by virtue of interdependencies in the relationships among the arts, sciences and technologies. The other arrow points from the now into an enduringly and unremittingly opaque future. Where the utopian potential of media-archaeological activity and its associated artistic practices resides is in the possibility of bringing these two arrows of time into relation with one another, such that the passengers inside this particular time machine aren\u2019t torn apart in the process. To keep on seeking and finding in the old only the locus of multiplicities and particularities which are no longer accessible because no longer existing is boring and inevitably leads to a profound melancholy. But to learn and intellectually profit from the heterogeneity and wealth of relations in past constellations, for the sake of future presents, is an alluring challenge. Only in this way can our experimental time machine become a generator of surprises.<\/p>\n<hr \/>\n<p>Video: MSUM+MG Web Museum<\/p>\n<p><iframe loading=\"lazy\" width=\"750\" height=\"480\" src=\"\/\/mrezni-muzej.mg-lj.si\/embed\/?mediaid=c78db2df39&#038;width=750&#038;setlang=si\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6093\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Siegfried-Zielinski.jpg\" alt=\"\" width=\"100\" height=\"100\" \/>Siegfried Zielinski <\/strong>is Michel Foucault Professor of Media Archaeology and Techno-Culture at the European Graduate School in Saas-Fee (CH), honorary doctor and professor of the Budapest University of Arts; until 2016 he was chair of media theory\/archaeology &amp; variantology of media at Berlin University of the Arts, and director of the Vil\u00e9m Flusser Archive. He was founding rector (1994\u20132000) of the Academy of Media Arts Cologne and rector of the Karlsruhe University of Arts &amp; Design. Zielinski has published numerous books and essays mainly focusing on the archaeology of media. In close collaboration with Peter Weibel he is also a curator of large format exhibitions at the ZKM Karlsruhe, such as <em>Without Ground \u2013 Flusser and the Arts<\/em> (2015), <em>Allah\u2019s Automata <\/em>(2015), <em>Art in Movement \u2013 100 Masterpieces with and through Media<\/em> (2018). Zielinski is a member of the Berlin Academy of Arts and the North-Rhine-Westfalia Academy of Sciences and Arts. (Photo: MONO KROM)<\/p>\n<hr \/>\n<p>Photo: SCCA-Ljubljana archive and Matija Pavlovec \/ Moderna galerija, Ljubljana<\/p>\n<div id='gallery-1' class='gallery galleryid-6092 gallery-columns-5 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zielinski-MG_fotoMatijaPavlovec_1.jpg' rel=\"lightbox[6092]\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zielinski-MG_fotoMatijaPavlovec_1-140x140.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zielinski-predavanje-4.jpg' rel=\"lightbox[6092]\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zielinski-predavanje-4-140x140.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zielinski-MG_fotoMatijaPavlovec_3.jpg' rel=\"lightbox[6092]\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zielinski-MG_fotoMatijaPavlovec_3-140x140.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zielinski-MG_fotoMatijaPavlovec_2.jpg' rel=\"lightbox[6092]\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zielinski-MG_fotoMatijaPavlovec_2-140x140.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zielinski-predavanje-5.jpg' rel=\"lightbox[6092]\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2019\/11\/Zielinski-predavanje-5-140x140.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<hr \/>\n<p>Series <a href=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6074\"><strong><em>Parallel Systems. Establishing and Forming Media Art<\/em><\/strong><\/a> is organised by School for Curatorial Practices and Critical Writing World of Art (SCCA-Ljubljana) and Igor Zabel Association for Culture and Theory in partnership with the \u0160UM journal, Goethe-Institut Ljubljana, The Cultural Center of the Embassy of the Republic of Hungary in Slovenia, the Balassi Institute Ljubljana, Museum of Modern Art\/Moderna galerija and Trubar Literature House.<\/p>\n<p>The programme is supported by: City of Ljubljana \u2013 Department for Culture, ERSTE Foundation and Zaklada Kultura nova.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-9131\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2016\/11\/SU-logo.png\" alt=\"\" width=\"48\" height=\"48\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-7192\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2015\/03\/igor_zabel_logo.gif\" alt=\"\" width=\"73\" height=\"44\" \/> \u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5649\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2018\/09\/goethe-institut-logo-338x158.png\" alt=\"\" width=\"73\" height=\"34\" srcset=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2018\/09\/goethe-institut-logo-338x158.png 338w, https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-content\/uploads\/2018\/09\/goethe-institut-logo.png 400w\" sizes=\"auto, (max-width: 73px) 100vw, 73px\" \/> \u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-10306\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2017\/01\/mol-logo.jpg\" alt=\"\" width=\"85\" height=\"33\" \/> \u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14792\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2019\/10\/Erstestiftung_Logo_RGB.png\" alt=\"\" width=\"69\" height=\"27\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-13950\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2018\/11\/zaklada-kultura-nova-338x150.jpg\" alt=\"\" width=\"68\" height=\"30\" \/> \u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14796\" src=\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/uploads\/2019\/10\/MGMSUM_znak_greyblack.png\" alt=\"\" width=\"71\" height=\"29\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lecture<br \/>\n<strong>Tuesday, 10 December 2019, 6 pm<\/strong><br \/>\nModerna galerija\/Museum of Modern Art, Cankarjeva cesta 15, Ljubljana<\/p>\n","protected":false},"author":1,"featured_media":6121,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,23,11,10,15,29],"tags":[],"class_list":["post-6092","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-focus","category-latest-news","category-lectures","category-news","category-video","category-year-17"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/6092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=6092"}],"version-history":[{"count":9,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/6092\/revisions"}],"predecessor-version":[{"id":6178,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/6092\/revisions\/6178"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/6121"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=6092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=6092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=6092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}