{"id":6518,"date":"2022-05-04T10:32:02","date_gmt":"2022-05-04T08:32:02","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/?p=6518"},"modified":"2022-05-13T14:48:37","modified_gmt":"2022-05-13T12:48:37","slug":"katrin-mundt-curating-film-and-video-a-self-erasing-lecture","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/6518","title":{"rendered":"Katrin Mundt: Curating Film and Video \u2013 A Self-Erasing Lecture"},"content":{"rendered":"

World of Art | Year 18 | Series of public lectures | V-F-X Ljubljana<\/p>\n

\n

Lecture
\nThursday, 19 May 2022, 5 pm<\/strong>
\nSlovenian Cinematheque, 28 Miklo\u0161i\u010deva Street, Ljubljana<\/p>\n

\n

\"\"<\/p>\n

The lecture will revolve around the specificities of curating artists\u2019 moving image work, aiming to combine practical and theoretical approaches to the field. It will discuss questions of researching, selecting and showing work in various screening, performance and installation formats, as well as the ethics of production, distribution, and presentation of time-based art forms, and film and video in particular. The lecture will also discuss how the experience of the last two years has shaped curatorial work and its field of operation \u2013 the role of the curator as the one facilitating access to and communicating what film is or does, our understanding of the concepts of \u201caudience\u201d and \u201cpublic\u201d, as well as ideas of \u201cliveness\u201d. The past two years have also foregrounded the urgency to discuss questions of fair pay, sustainability, diversity, and access in the art field in general, and film and video in particular.<\/p>\n

Lecture will be held in English language.
\nFree Entry.<\/p>\n

!!!Lecture visitors receive a \"\ud83e\uddea\"<\/span>free ticket \"\ud83c\udf9e\"<\/span> for the screening of Riddles<\/strong><\/em> on Friday 20 May 2022 at 9 pm at the Slovenian Cinematheque. The programme was curated by Katrin Mundt for the V-F-X Ljubljana<\/strong><\/a> festival.<\/span><\/p>\n

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\"\"Katrin Mundt is a curator, writer and co-director of the European Media Art Festival (EMAF) in Osnabr\u00fcck. She has developed film programmes and exhibitions for, among others, Videonale, Bonn, HMKV Dortmund, WKV Stuttgart, Museum Wiesbaden, Matadero Madrid and Center for Contemporary Arts Celje. She was a programmer for Duisburger Filmwoche, Short Film Festival Oberhausen and Kassel Dokfest. Seminars, workshops and lectures at Ruhr-Universit\u00e4t Bochum, D\u00fcsseldorf University, Goldsmiths, London, Academy of Media Arts, Cologne, HBK Braunschweig and Merz Akademie, Stuttgart, among others. She regularly writes on artists\u2019 moving image, especially its intersections with documentary and performative practices. (photo credit: Christine Raczka)<\/p>\n

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The programme is prepared in partnership with Goethe-Institut Ljubljana and the Slovenian Cinematheque and is supported by the City of Ljubljana \u2013 Department for Culture and Kultura nova Foundation. The lecture is part of the World of Art School public lectures.<\/p>\n

\"\"\u00a0 \u00a0 \u00a0 \"\"\u00a0 \u00a0 \u00a0 \"\"\u00a0 \u00a0 \u00a0 \"\"\u00a0 \u00a0 \"\"\u00a0 \u00a0 \u00a0\"\" \u00a0\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

19 May 2022, 5 pm<\/strong>
\nLecture by curator Katrin Mundt on the ethics of film and video production, distribution and presentation<\/p>\n","protected":false},"author":1,"featured_media":6519,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,23,11,10,30],"tags":[],"class_list":["post-6518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-focus","category-latest-news","category-lectures","category-news","category-year-18"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/6518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=6518"}],"version-history":[{"count":5,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/6518\/revisions"}],"predecessor-version":[{"id":6525,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/6518\/revisions\/6525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/6519"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=6518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=6518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=6518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}