{"id":72,"date":"2008-03-07T14:57:28","date_gmt":"2008-03-07T12:57:28","guid":{"rendered":"http:\/\/www.worldofart.org\/current\/archives\/72"},"modified":"2018-07-25T16:25:12","modified_gmt":"2018-07-25T14:25:12","slug":"manray-hsu-informal-politics-and-contemporary-art-2","status":"publish","type":"post","link":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/archives\/72","title":{"rendered":"Manray Hsu: Informal politics and contemporary art"},"content":{"rendered":"

WORLD OF ART
\nLaboratorium of Curatorial Practices
\nSeason 11: 2007\/08<\/p>\n

Series of Lectures on Curatorial and Institutional Practices<\/strong><\/p>\n

February 19, 2008
\nSCCA Project room, Metelkova 6, Ljubljana<\/p>\n

\n\n\n
\n

Political art is coming back, be it in the forms of documentary, intervention in real or virtual space, performance, installation, etc. Much of today’s social and political work deals with informal economies (economic behaviours for survival and outside of the state’s regulations) and informal politics (political processes that go beyond democratic procedures or the state’s power structure). <\/p>\n

Why does informality in these realms interest contemporary artists? What relevance can this type of art have to social life? How to produce and exhibit these political artworks, especially in considerations of the diversity of localities and the complexity of globalization?<\/p>\n

\n

Video interview: Barbara Bor\u010di\u0107 (Head of SCCA-Ljubljana) and Manray Hsu, length: 08:14 (first 2 mininutes in Slovene, the rest in English)<\/a><\/p>\n

Video interview: Manray Hsu, length: 06:34<\/a><\/p>\n

Video of the lecture, length: 10:00<\/a><\/p>\n

\n

Exhibition Wayward Economy<\/strong>
\n21. 1. – 21. 2. 2005
\nMain Trend Gallery, Taipei
\nCurators: Manray Hsu and Maren Richter<\/p>\n

\n

\n\"Big<\/a>
\nBig Hope, Commonopoly<\/em>, 2003-2005
\nGame board<\/div>\n

\n

\n\"Big<\/a>
\nBig Hope, Commonopoly<\/em>, 2003-2005
\nGame<\/div>\n

\n

\n\"Cowas,<\/a>
\nCowas, The Story of Sexworkers’ Vinegar<\/em>, 2005
\nMulti-media instalation, video<\/div>\n

\n

\n\"Re-code.com,<\/a>
\nRe-code.com, Re-code.com<\/em>, 2003
\nWeb page<\/a><\/div>\n

\n

\n\"Re-code.com,<\/a>
\nRe-code.com, Re-code.com<\/em>, 2003
\nVideo<\/a><\/div>\n

<\/div>\n
\n

Exhibition Naked Life<\/a><\/strong>
\n3. 12. 2006 – 4. 2. 2007
\nMuseum of Contemporary Art Taipei
\nCurators: Manray Hsu and Maren Richter<\/p>\n

\n

\n\"Marc<\/a>
\nMarc Bijl, In Search of the Suspicious<\/em>, 2003
\nVideo<\/div>\n

\n

\n\"Kyungah<\/a>
\nKyungah Ham, Museum Display<\/em>, 2003-2006
\nStolen objects, stainless steel labels\n<\/div>\n

\n

\n\"Kyungah<\/a>
\nKyungah Ham, Museum Display<\/em>, 2003-2006
\nStolen objects, stainless steel labels\n<\/div>\n

\n

\n\"Bik<\/a>
\nBik van der Pol, Loompanics<\/em>, 2001
\nBooks, book shelves, wall paper, copy machine, chairs\n<\/div>\n

\n

\n\"Chen<\/a>
\nChen Chieh-Jen, The Route<\/em>, 2006
\nVideo\n<\/div>\n

\n

\n\"Jill<\/a>
\nJill Magid, Evidence Locker<\/em>, 2004
\nVideo\n<\/div>\n

\n\"Manray
\n\"Manray
\n\"Manray
\n\"Manray
\n\"Manray<\/p>\n

\"Manray\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

WORLD OF ART Laboratorium of Curatorial Practices Season 11: 2007\/08 Series of Lectures on Curatorial and Institutional Practices February 19, 2008 SCCA Project room, Metelkova 6, Ljubljana Political art is coming back, be it in the forms of documentary, intervention in real or virtual space, performance, installation, etc. Much of today’s social and political work […]<\/p>\n","protected":false},"author":1,"featured_media":5516,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,18],"tags":[],"class_list":["post-72","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lectures","category-season-11"],"_links":{"self":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/72","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/comments?post=72"}],"version-history":[{"count":4,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/72\/revisions"}],"predecessor-version":[{"id":3762,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/posts\/72\/revisions\/3762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media\/5516"}],"wp:attachment":[{"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/media?parent=72"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/categories?post=72"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/current\/wp-json\/wp\/v2\/tags?post=72"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}