Opening lecture of exhibition Print!<\/em><\/p>\n Thursday, March 15, 2012 at 7 p. m. Dorothee Richter will question artistic and curatorial authorship and will try to place it in broader historical frame. Are artists and curators competitors at taking the grants for authorship in contemporary art? Did curators adopted the process of artistic self-organization? If they really did, what are the consequences? Are artists and curators co-workers on the field which is little undefined and more flexible and open as such? Lecturer<\/strong><\/p>\n Production: SCCA, Center for Contemporary Arts<\/a> Thanks: International Centre of Graphic Arts (MGLC)
\nMGLC, Tivoli castle, Pod turnom 3, Ljubljana<\/p>\n
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\nMore about the exhibition<\/strong><\/a><\/p>\n
\n![\"Dorothee](\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/dorothee-richter.jpg\")
Dorothee Richter<\/strong>
\nArt historian, author, curator, organised symposiums as Curating Degree Zero<\/em> \u2013 an international symposium on curating, GAK, Bremen (with Barnaby Drabble), 1998; Dialogues and Debates<\/em> \u2013 feminist positions in contemporary visual arts, 1999; The Quintessiental Hold of Images<\/em>, 2001 (with Sigrid Adorf and Kathrin Heinz), The Visuality of Theory vs. The Theory of the Visual<\/em> (with Nina M\u00f6ntmann), Re-Visions of the Display: Exhibition Scenarios, Their Readings and Their Publics<\/em>, Migros Museum (with Jennifer John and Sigrid Schade), Communitiy_ perhaps<\/em> (with J\u00f6rg Huber and Elke Bippus), Institution as Medium. Curating as Institutional Critique?<\/em> concept with Rein Wolfs, Fridericianum Kassel.
\nShe was director of the Lichthaus in Bremen, artistic director of Kuenstlerhaus Bremen, 1999\u20132003, some projects included: over high, over flow; naming a practice, collaboration \u2013 a practise which creates an environment. She initiated with Barnaby Drabble Curating Degree Zero Archive<\/em><\/a>; an archive, travelling exhibition and web resource on critical curating, shown and re-interpreted with artists, curators, designers in: Basel, Genf, Linz, Bremen, Bristol, L\u00fcneburg, Birmingham, London, Berlin, Edinburg, Milano, Seoul, Paris, Bergen and Cork from 2005 to the present day. She lectured at University of Bremen, University of L\u00fcneburg, \u00c8cole des Beaux Arts in Gen\u00e8ve, Merz Akademie in Stuttgart. She was research associate Exhibition Displays<\/em> at School of Art and Design in Z\u00fcrich. Director of the Postgraduate Program in Curating<\/a> at Z\u00fcrich Art University<\/a>. She is initiator of a web journal on curating (www.on-curating.org<\/a>), which is online since June 2008, until now 11 Issues were published.
\nPublications: Curating Degree Zero<\/em> \u2013 an international symposium on curating (ed.: D. Richter and E.Schmidt, N\u00fcrnberg, 1999); Dialogues and Debattes<\/em> \u2013 on feminist positions in contemporary visual arts (ed.: D.Richter, Die H\u00f6ge, N\u00fcrnberg, 2000); Programming for a K\u00fcnstlerhaus<\/em> (ed.: D. Richter, K\u00fcnstlerhaus Bremen, 2002); The Visuality of Theory vs. The Theory of the Visual<\/em> (ed.: Nina M\u00f6ntmann, Dorothee Richter, Frankfurt, 2004); Curating Critique<\/em> (ed.: B. Drabble, D. Richter, ICE, Edinburgh, Frankfurt, 2008); Re-Visions of the Display: Exhibition Scenarios, Their Readings and Their Publics<\/em> (Z\u00fcrich, 2009); Mit Sein<\/em> (ed.: Elke Bippus, J\u00f6rg Huber, Dorothee Richter, 2010); 11 Issues of On-Curating.org.<\/em><\/p>\n
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\nCo-production: Postgraduate Curatorial studies of Institute Cultural Studies in the Arts<\/a> (Z\u00fcrich Art University<\/a>)
\nSupported by a grant from Switzerland through the Swiss Contribution to the enlarged European Union.
\n![\"Swiss](\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/swiss-contribution.gif\")
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\n![\"MGLC\"](\"https:\/\/www.worldofart.org\/arhiv.worldofart.org\/aktualno\/wp-content\/2011-13\/mglc.jpg\")
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