STRATEGIES OF PRESENTATION II and III, 2004

Editors: Barbara Borčić, Saša Glavan

Texts:

  • Boris Buden: Art as a Political Intervention: The Austrian Case
  • Anne Cartel, David Dronet: Multimedia cultural centre Station Mir
  • Charles Esche: The possibility forum - institutional change and modest proposals
  • Daniel Jewesbury: Scopo
  • Ivana Keser: Author's Newspaper: The Freedom of Misinformation
  • Viktor Misiano: Strategies of Exhibiting from Modernisation towards
    De-Modernisation
  • Tadej Pogačar: This Is What You Want - This Is What You Get
  • Donatella Ruttar, Moreno Miorelli: Stazione di Topolo
  • Nevenka Šivavec: The Lure of the Local
  • ŠKART: Pesme koje su pobegle
  • WHW: In Between: Independence and the Lures of Institutionalisation

Conversations with lecturers: Barbara Borčić, Eda Čufer, Dejan Grba, Urška Jurman, Tanja Mastnak, Aldo Milohnić, Aleksandra Mirćić, Saša Glavan, Alenka Pirman, Nevenka Šivavec, Vladimir Tupanjac, Beti Žerovc

Slovene/English Edition

   

STRATEGIES OF PRESENTATION I, 2000/2001

Editors: Barbara Borčić, Saša Glavan

Texts:

  • Clémentine Deliss: Metronome: Curatorial Practice and Research beyond Exhibitions
  • Branislav Dimitrijević: The Grand Compromise: On Examples of the Use of Political References in Serbian Art of the 90's, and its Historical Background
  • Marion von Osten, Peter Spillman in Susanna Perin: Euro-Vision of the World of Art
  • Mike Hentz: Translation
  • Marko Košnik: Abstraction and Action
  • Oliver Marchart: Political Strategies as Artistic Strategies: The Use of Multiple Names
  • Olesya Turkina: St. Petersburg's Neo-academism. Revival of the Great Story
  • Miha Zadnikar: RRestructuring Subculture

Conversations with lecturers: Eda Čufer, Urša Jurman

Reports:

  • Participants of the course: Media is a weapon, use it
  • Simona Zorko: The Round Table 'Cultural spaces: Metelkova Mesto (Metelkova City) and Art Academies'
  • Alenka Gregorič: Nothing New in the West, neither in the East
  • Sandra Sajovic: Cultural Tourism
  • Sonja Zavrtanik: Vienna : Belgrade

Slovene/English Edition

   

Zbornik GEOPOLITIKA IN UMETNOST, 1999

Editor: Saša Glavan

Texts:

  • Charles Harrison: The Merits of Incompetence
  • Jaroslav Andel: Art's shifting Grounds: The Case of Czechoslovakia / Czech Republic
  • Călin Dan: Geography of Doom. An Estimate of Possibilities
  • Borut Vogelnik: The privatisation of time
  • Dušan Rutar: Digital Aesthetics, global Images and Ethics of New Tribalism
  • Edi Muka: Permanent Instability
  • Marko Peljhan: Permanent Instability

Conversations with lecturers: Eda Čufer

Reports:

  • Saša Glavan: Travelling the World of Art
  • Polona Tratnik: The Process of forming the concept for the exhibition Visitors

Slovene/English Edition

   

THEORIES OF DISPLAY, 1997/1998

Editors: Metka Vrečar, Nataša Petrešin, Igor Zabel

Texts:

  • Stephen Bann: Display Across the Ages
  • Ute Meta Bauer: Do-It-Yourself: Exhibitions by Artists during the 20th Century
  • Nadja Zgonik: The Role of National Identity Research in Theories of Display in Slovenia: Between Past and Present
  • Konstantin Akinsha: Notes on the Underground
  • Tadej Pogačar: P.A.R.A.S.I.T.E. Museum of Contemporary Art and New Parasitism
  • Igor Zabel: Exhibition Strategies in the Nineties: A Few Examples from Slovenia
  • Vuk Ćosić: Net.Art, the Text

Reports: Urša Jurman: Progress Report

Slovene/English Edition

   

CONCEPTUAL ART IN THE 60's AND 70's, 1996/1997

Slovene edition only.