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STRATEGIES OF PRESENTATION II and III, 2004
Editors: Barbara Borčić, Saša Glavan
Texts:
- Boris Buden: Art as a Political Intervention: The Austrian Case
- Anne Cartel, David Dronet: Multimedia cultural centre Station Mir
- Charles Esche: The possibility forum - institutional change and modest proposals
- Daniel Jewesbury: Scopo
- Ivana Keser: Author's Newspaper: The Freedom of Misinformation
- Viktor Misiano: Strategies of Exhibiting from Modernisation towards
De-Modernisation
- Tadej Pogačar: This Is What You Want - This Is What You Get
- Donatella Ruttar, Moreno Miorelli: Stazione di Topolo
- Nevenka Šivavec: The Lure of the Local
- ŠKART: Pesme koje su pobegle
- WHW: In Between: Independence and the Lures of Institutionalisation
Conversations with lecturers: Barbara Borčić, Eda Čufer, Dejan Grba, Urška Jurman, Tanja Mastnak, Aldo Milohnić, Aleksandra Mirćić, Saša Glavan, Alenka Pirman, Nevenka Šivavec, Vladimir Tupanjac, Beti Žerovc
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STRATEGIES OF PRESENTATION I, 2000/2001
Editors: Barbara Borčić, Saša Glavan
Texts:
- Clémentine Deliss: Metronome: Curatorial Practice and Research
beyond Exhibitions
- Branislav Dimitrijević: The Grand Compromise: On Examples of the Use of Political References in Serbian Art of the
90's, and its Historical Background
- Marion von Osten, Peter Spillman in Susanna Perin: Euro-Vision of the World of Art
- Mike Hentz: Translation
- Marko Košnik: Abstraction and Action
- Oliver Marchart: Political Strategies as Artistic Strategies: The Use of Multiple Names
- Olesya Turkina: St. Petersburg's Neo-academism. Revival of the Great Story
- Miha Zadnikar: RRestructuring Subculture
Conversations with lecturers: Eda Čufer, Urša Jurman
Reports:
- Participants of the course: Media is a weapon, use it
- Simona Zorko: The Round Table 'Cultural spaces: Metelkova Mesto (Metelkova
City) and Art Academies'
- Alenka Gregorič: Nothing New in the West, neither in the East
- Sandra Sajovic: Cultural Tourism
- Sonja Zavrtanik: Vienna : Belgrade
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Zbornik GEOPOLITIKA IN UMETNOST, 1999
Editor: Saša Glavan
Texts:
- Charles Harrison: The Merits of Incompetence
- Jaroslav Andel: Art's shifting Grounds: The Case of Czechoslovakia / Czech Republic
- Călin Dan: Geography of Doom. An Estimate of Possibilities
- Borut Vogelnik: The privatisation of time
- Dušan Rutar: Digital Aesthetics, global Images and Ethics of New Tribalism
- Edi Muka: Permanent Instability
- Marko Peljhan: Permanent Instability
Conversations with lecturers: Eda Čufer
Reports:
- Saša Glavan: Travelling the World of Art
- Polona Tratnik: The Process of forming the concept for the exhibition Visitors
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THEORIES OF DISPLAY, 1997/1998
Editors: Metka Vrečar, Nataša Petrešin, Igor Zabel
Texts:
- Stephen Bann: Display Across the Ages
- Ute Meta Bauer: Do-It-Yourself:
Exhibitions by Artists during the 20th Century
- Nadja Zgonik: The Role of National Identity Research in Theories of Display in Slovenia:
Between Past and Present
- Konstantin Akinsha: Notes on the Underground
- Tadej Pogačar: P.A.R.A.S.I.T.E. Museum of Contemporary Art and New
Parasitism
- Igor Zabel: Exhibition Strategies in the Nineties: A Few
Examples from Slovenia
- Vuk Ćosić: Net.Art, the Text
Reports:
Urša Jurman: Progress Report
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